The seating area inside Akhanda's house has a huge, throne-like chair that is surrounded by smaller chairs. The throne is reserved for the Bahubali (Don). When Akhanda first meets Guddu and Bablu, he does not sit on the throne and instead opts for one of the smaller chairs. The logic here is that, initially, Akhanda wears the hat of a father and sits next to his son, Munna. Later in the same scene, when Akhanda offers a job to Guddu and Bablu, he sits on the throne. He makes the offer not as a father but as a Bahubali.
Usman is the longest serving Kabootar (gun distributor) of Akhanda.
Akhanda's house was shot in Moti Jheel haveli (mansion) in Varanasi. The production designers took 10 days to restore the dilapidated exterior of the haveli. Care was taken to preserve the original murals painted on the walls of the haveli.
The homespun gun replicas for this scene were made by the production design team. They look exactly like real homespun guns, and over 100 replicas were made for this sequence.
Brijesh, the old accountant, is, apart from Maqbool, one of the oldest serving employees of the Tripathi family.