Directed by
Carolina Giammetta |
Writing Credits (in alphabetical order)
Carolina Giammetta |
Cast (in credits order)
Flaminia Cinque | ... | Mamma Rosa | |
Vincenzo Nicoli | ... | Papa Tony | |
Anna-Maria Everett | ... | Commare Lydia | |
Janet Amsden | ... | Nonna | |
Billie-Lee Parker | ... | Maria Callone | |
Daniel Price | ... | Dino | |
Harvey Wells | ... | Paul | |
Hubert Lewandowski | ... | Giuseppe |
Produced by
Alexandra Blue | ... | producer |
Jessica Hodges | ... | line producer |
Music by
Aaron Kenny |
Cinematography by
Nicola Daley |
Editing by
Richard Ketteridge |
Casting By
Sonia Allam |
Production Design by
Alexandra Toomey |
Art Direction by
Charlotte Ball | ||
Thalia Ecclestone |
Costume Design by
Jeffrey Michael |
Makeup Department
Bean Ellis | ... | hair and make-up designer |
Bethany Fletcher | ... | hair and make-up supervisor |
Production Management
Lisa Ann Killeen | ... | production manager (as Lisa Killeen) |
Second Unit Director or Assistant Director
Eno Enefiok | ... | first assistant director |
Eve Perry | ... | second assistant director |
Art Department
Eilidh Brooker | ... | art department trainee |
Kimberly Collison | ... | art department trainee (as Kim Collinson) |
Izzy Lovett | ... | art department trainee |
Sasha Owen | ... | art department assistant |
Sound Department
Taz Fairbanks | ... | boom operator |
Buster Flaws | ... | dialogue editor |
Zoe Freed | ... | foley artist |
Stefano Marchetti | ... | re-recording mixer |
George Riley | ... | sound effects editor |
Gwendolen Sena | ... | sound recordist |
Sam Walsh | ... | foley mixer |
Visual Effects by
Kerrie Bryant | ... | visual effects line producer: Technicolor |
Paddy Eason | ... | visual effects supervisor |
Mark Epstein | ... | compositor |
Chris Forrester | ... | compositor |
Mark Harris | ... | vfx (as Mark Holman Harris) |
Camera and Electrical Department
Lea Aubigne | ... | clapper loader |
Anton Badstuber | ... | Digital Imaging Technician |
Fabio Dominguez Alonso | ... | best boy (as Fabio Alonso) |
James Forman | ... | gaffer |
Ilaria Fulvio | ... | Focus Puller / focus puller |
Edel Gardner | ... | best boy |
Esteban Gimpelewicz | ... | gaffer |
Lenka Rayn H. | ... | still photographer |
Michael Henery | ... | cinematography equipment account manager (as Mike Henery) |
Douglas Kwan | ... | lighting trainee |
Marie-Claire Thomas | ... | camera trainee |
Alex Tolios-Zisos | ... | grip |
Bernie Totten | ... | Jimmy Jib Operator / jimmy jib operator |
John Wenman | ... | gaffer |
Costume and Wardrobe Department
Szabina Gyocsi | ... | costume trainee |
William Martin | ... | Costume assistant |
Carolina Wetterstad | ... | costume supervisor |
Editorial Department
Matt Adams | ... | digital intermediate executive producer |
Annalisa Boyd | ... | assistant editor |
Jodie Davidson | ... | digital intermediate colorist |
Johnathan Wei Dickinson | ... | digital intermediate editor |
Grace Lan | ... | digital intermediate supervisor |
Abigail McKenzie | ... | digital intermediate producer |
Sean McMorris | ... | post-production manager: Molinare |
Stuart Mcneil | ... | digital intermediate technical supervisor |
Siôn Penny | ... | online editor |
Location Management
Jenny Broad | ... | location scout |
Julia Jendrysik | ... | location coordinator |
Connor White-Andrews | ... | location scout |
Script and Continuity Department
Liam Foley | ... | script editor |
Sara Romanelli | ... | script supervisor |
Additional Crew
Eliora Darmon | ... | runner |
Hayder Rothschild Hoozeer | ... | production assistant / runner |
Dominika Nosal | ... | runner |
Madeleine Sara | ... | runner |
Thanks
Danny Simmonds | ... | thanks |