The cinematography and the script in general of this episode lives up to the best that the show has presented to us so far. Photography is once again amazing, it perfectly encapsulates the contrast of the worlds that are involved here: the versatility and differentiation of the mental spaces of the characters and the physical spaces according to time and geography. There is a control of the genre that is already an absolute domain by Noah Hawley, and the imminent end is a promise of audiovusal pleasure. BUT ..., and this is where I regret having to keep my bad feeling about the central argument of the series.
-David, at a certain point, under adverse and desperate circumstances, acted wrongly and took advantage of his power over Syndey Barret?
Yes.
-Is it condemnable?
Yes.
-He fell in an absolute excess since then?
Yes.
BUT, is that simply Noah Hawley has decided that we forget that Syndey Barret started all that based on jealousy of her own self of the future, and that she also decided to ally and believe in the Villain of the series (serial killer, king of the underworld and possessor of the newborn David), what exclusively makes David's excess possible and sustainable? Synday Barret, who correctly condemns David, is unable to take responsibility for any of her stupid decisions, and it is something that is already surpassing me.
It's something that I just can't swallow, and that I believe, anyone without cognitive damage can't do it either. I hope Noah Hawley closes and makes that arc of story credible in some way, otherwise it will be a complete stupidity and mere bad advertising of the social movement of the time, because apparently he understands it completely wrong. WE ALL HAVE EQUAL RIGHTS AND DUTIES. And Noah Hawley seems to have forgotten that here.
Audiovisual: 9/10
Script of the chapter (considering the plot voids): 6/10.