I'm not much of a film critic. The only other time I've commented on a movie was to bash it because it was horrible. This movie, however, was too good not to say something about.
First of all, I'm a HUGE fan of PT Anderson. Boogie Nights was great, Magnolia was a masterpiece and Punch-Drunk Love was somewhere in-between. It's definitely unique from his other work. I believe it's his first romance or comedy movie. But it's not really a romantic comedy, at least not another Julia Roberts romantic/comedy. It sticks in that odd, quirky genre that fews films do.
One of my friends asked me what was so good about it after we saw it and I really couldn't explain it right away. It's the same satisfaction I derived from Magnolia. There's something about the way Anderson can mix and match little things whose sum total is greater in the picture than each one by themselves. He can express a message or emotion clearer than most writers or directors out there, without spelling things out for you.
Aside from the great direction, this movie, like his others, is very well-written. Anderson might receive a third nomination for original screenplay, which he deserves. Adam Sandler really can act once he is given a good character. Personally, I can connect with Barry Egan, which made me very happy to see someone who is abused by his sisters and embarrassed in his social life overcome his fear when he finds a woman he loves and stands up to defend that. Some people may think that his character behaves weird in the movie. But honestly, people really act like that in real life. People do things that don't necessarily make sense just because their judgment or thinking is messed up. Sometimes they don't always think about things before reacting on emotions in some situations.
I'm not usually a sucker for romantic comedies. I tend to be skeptical of most relationships and think most of those kind of movies are too sugar-coated. This movie, however, didn't have that "Hollywoodized" after taste of false sentiment. Adam Sandler and Emily Watson are wonderful together.
I hope this movie gets at least some credit at the end of the year awards shows. Magnolia was robbed of a screenplay and song oscar and at least a picture nomination. PT Anderson is definitely the most underrated of all the directors working today. In the end, not quite as good as Magnolia, but still a film to get very drunk on. LOVE the last shot!
10/10
First of all, I'm a HUGE fan of PT Anderson. Boogie Nights was great, Magnolia was a masterpiece and Punch-Drunk Love was somewhere in-between. It's definitely unique from his other work. I believe it's his first romance or comedy movie. But it's not really a romantic comedy, at least not another Julia Roberts romantic/comedy. It sticks in that odd, quirky genre that fews films do.
One of my friends asked me what was so good about it after we saw it and I really couldn't explain it right away. It's the same satisfaction I derived from Magnolia. There's something about the way Anderson can mix and match little things whose sum total is greater in the picture than each one by themselves. He can express a message or emotion clearer than most writers or directors out there, without spelling things out for you.
Aside from the great direction, this movie, like his others, is very well-written. Anderson might receive a third nomination for original screenplay, which he deserves. Adam Sandler really can act once he is given a good character. Personally, I can connect with Barry Egan, which made me very happy to see someone who is abused by his sisters and embarrassed in his social life overcome his fear when he finds a woman he loves and stands up to defend that. Some people may think that his character behaves weird in the movie. But honestly, people really act like that in real life. People do things that don't necessarily make sense just because their judgment or thinking is messed up. Sometimes they don't always think about things before reacting on emotions in some situations.
I'm not usually a sucker for romantic comedies. I tend to be skeptical of most relationships and think most of those kind of movies are too sugar-coated. This movie, however, didn't have that "Hollywoodized" after taste of false sentiment. Adam Sandler and Emily Watson are wonderful together.
I hope this movie gets at least some credit at the end of the year awards shows. Magnolia was robbed of a screenplay and song oscar and at least a picture nomination. PT Anderson is definitely the most underrated of all the directors working today. In the end, not quite as good as Magnolia, but still a film to get very drunk on. LOVE the last shot!
10/10
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