As a whole, this followup might be worse than the original SNP, but Diamond alone kicks this up, working very hard in every scene she appears in.
After a cold open where Ron Jeremy (clothed, fortunately) mimics the grifting televangelist so prominent in '80s comedy, we head into Diamond and Marc Wallice, the latter recreating the "makin' copies" guy so popular in the early '90s, and quickly showing that Rob Schneider made that role look easier than it seemed. Diamond adds most of the personality to this generic hump by amusingly trying to keep up the stupid rhyming long after Wallice has lost interest.
Next, Jessica Fox and Lynden Johnson are gussied up for a male escort. You might think this will be Fred Garvin, but no, it's a shoehorned in Samurai parody, featuring everyone's first choice - Ron Jeremy in whiteface. He adds some bits of comedy (like wondering if he should castrate himself with his sword) and what I assume was a tribute (kissing a People magazine cover with the recently deceased Brandon Lee before tossing it away), but I'd say anything you get from this will be for the ladies. The decision to end this on a closeup of sweaty whitefaced Ron...not for anyone.
Even after Jeremy is gone, you can still hear him on the laugh track, which somehow managed to become even more unpleasant compared to the first video, with fake cackling (male and female) and a shrill cry that also sounds like Jeremy. Truly hilarious.
A particularly cheap Deep Thoughts knockoff leads into Sexline Update. Melanie Moore cuts to footage of Patricia Kennedy, as Church Bit** (reminding me that so far neither of these films have had men in drag roles), complete with tongue piercing, moaning with Sean Michaels in a commentary on censorship against "gangster rap."
Moore is then joined by and quickly seduced by man-hating Diamond in what might be the highlight of the film - a very passionate sequence which has its share of chaos (with Diamond even tearing Moore's hose with her teeth), but also some real chemistry.
Chris Collins makes a brief appearance as the owner of a dildo which serves as a take on Toonces, the Driving Cat - a cute idea which goes nowhere (they don't even use the stock footage going over a cliff that helped make Toonces such a classic...the car just sort of stops).
Diamond returns for what seems to be a take on the traditional goodnights, followed by what might have been more likely as one of the much-gossiped about afterparties. Diamond and Wallice waste no time in tearing at each other's clothes, but various other men (Guy DiSilva, Franco Armani, Hank Rose, Jeff Prober, Paul Coxxx, Rick Masters, Michael J. Cox) join in. You can hear the director's voice at times, but Diamond often manages to give an impression (real or fake) of being in command, and the quasi-gangbang has a relatively brisk runtime that means you don't drown in gonzo gore or see a lot of guys sitting around for 30 minutes looking bored. A generally worthwhile way to end the tape.
After a cold open where Ron Jeremy (clothed, fortunately) mimics the grifting televangelist so prominent in '80s comedy, we head into Diamond and Marc Wallice, the latter recreating the "makin' copies" guy so popular in the early '90s, and quickly showing that Rob Schneider made that role look easier than it seemed. Diamond adds most of the personality to this generic hump by amusingly trying to keep up the stupid rhyming long after Wallice has lost interest.
Next, Jessica Fox and Lynden Johnson are gussied up for a male escort. You might think this will be Fred Garvin, but no, it's a shoehorned in Samurai parody, featuring everyone's first choice - Ron Jeremy in whiteface. He adds some bits of comedy (like wondering if he should castrate himself with his sword) and what I assume was a tribute (kissing a People magazine cover with the recently deceased Brandon Lee before tossing it away), but I'd say anything you get from this will be for the ladies. The decision to end this on a closeup of sweaty whitefaced Ron...not for anyone.
Even after Jeremy is gone, you can still hear him on the laugh track, which somehow managed to become even more unpleasant compared to the first video, with fake cackling (male and female) and a shrill cry that also sounds like Jeremy. Truly hilarious.
A particularly cheap Deep Thoughts knockoff leads into Sexline Update. Melanie Moore cuts to footage of Patricia Kennedy, as Church Bit** (reminding me that so far neither of these films have had men in drag roles), complete with tongue piercing, moaning with Sean Michaels in a commentary on censorship against "gangster rap."
Moore is then joined by and quickly seduced by man-hating Diamond in what might be the highlight of the film - a very passionate sequence which has its share of chaos (with Diamond even tearing Moore's hose with her teeth), but also some real chemistry.
Chris Collins makes a brief appearance as the owner of a dildo which serves as a take on Toonces, the Driving Cat - a cute idea which goes nowhere (they don't even use the stock footage going over a cliff that helped make Toonces such a classic...the car just sort of stops).
Diamond returns for what seems to be a take on the traditional goodnights, followed by what might have been more likely as one of the much-gossiped about afterparties. Diamond and Wallice waste no time in tearing at each other's clothes, but various other men (Guy DiSilva, Franco Armani, Hank Rose, Jeff Prober, Paul Coxxx, Rick Masters, Michael J. Cox) join in. You can hear the director's voice at times, but Diamond often manages to give an impression (real or fake) of being in command, and the quasi-gangbang has a relatively brisk runtime that means you don't drown in gonzo gore or see a lot of guys sitting around for 30 minutes looking bored. A generally worthwhile way to end the tape.
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