When I had seen 36 Chowrangee Lane directed by Aparna Sen, I could feel some influence by Satyajit Ray in her work.
This film once again has clear influence of Ray's style on Sen. Some of the scenes from Pather Panchali are reflected in several scenes of Sati, especially an old widow lady, a village hut with cows, thunderstorms. Of course, here they are beautifully colored, blue background in the thunderstorm nights seem to be Sen's favorite theme, remember Mr and Mrs Aiyer? Coming to the theme of the film, it is a solid critique of social oppression especially against women in 18th and 19th century Bengal. Film starts with a widow being burnt by Hindu upper caste folks led by a Brahmin religious leader who is portrayed as a villain throughout.
Shabana Azmi as a mute lady is married to a tree, wonderful acting by her again.
Overall, a masterpiece!
This film once again has clear influence of Ray's style on Sen. Some of the scenes from Pather Panchali are reflected in several scenes of Sati, especially an old widow lady, a village hut with cows, thunderstorms. Of course, here they are beautifully colored, blue background in the thunderstorm nights seem to be Sen's favorite theme, remember Mr and Mrs Aiyer? Coming to the theme of the film, it is a solid critique of social oppression especially against women in 18th and 19th century Bengal. Film starts with a widow being burnt by Hindu upper caste folks led by a Brahmin religious leader who is portrayed as a villain throughout.
Shabana Azmi as a mute lady is married to a tree, wonderful acting by her again.
Overall, a masterpiece!
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