I've always loved this movie. It is so not completely true to the book.
If Capote had had his way, Marilyn would have done Holly as an
outright hooker and Paul would have been openly gay. Be a good
remake to do it that way, actually.
Whatever. It's a much sweeter movie for those edges being
blurred, and the sub-text obscured. It's a moment in time, so it
really does seem to capture something about the transition from
late fifties to early sixties, from small-town striving to big-city life,
from hidden sexuality to more openness. But I don't know that, I'm
too young.
My favorite parts are actually the Buddy Ebsen scenes, and
whenever Holly talks about her brother Fred. They're very corny, but
they are sort of the glue that makes the film work. Besides all the
small bits - "giving the cat a name, " the shop-lifting scene, the
party scene. Those are all good story-telling.
If Capote had had his way, Marilyn would have done Holly as an
outright hooker and Paul would have been openly gay. Be a good
remake to do it that way, actually.
Whatever. It's a much sweeter movie for those edges being
blurred, and the sub-text obscured. It's a moment in time, so it
really does seem to capture something about the transition from
late fifties to early sixties, from small-town striving to big-city life,
from hidden sexuality to more openness. But I don't know that, I'm
too young.
My favorite parts are actually the Buddy Ebsen scenes, and
whenever Holly talks about her brother Fred. They're very corny, but
they are sort of the glue that makes the film work. Besides all the
small bits - "giving the cat a name, " the shop-lifting scene, the
party scene. Those are all good story-telling.
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