Dusty, a small time hustler, moves out of her boyfriend's apartment when he finally confronts her about not paying any of the rent and refusing to get a job. She's back on the streets where she reconnects with her transgender prostitute friend, Cherry. Cherry agrees to let her room with her and help her turn some tricks, but things get complicated when Dusty starts to develop feelings for one of her clients.
Andy Milligan isn't a filmmaker known for class or his strong narratives, but Fleshpot on 42nd Street is about as strong an effort from him that I've seen. Milligan has created a group of interesting lowlifes who ran the gamut from sexist to racist, but there's a sweet loyalty between them all even as they curse each other out and insult one another.
The film dabbles in hardcore pornography as well, but it feels oddly important to the story and some of the moments between Dusty and her new lover, Bob, are surprisingly sweet and touching. Not all of the acting is great and, in typical Milligan fashion, it won't be winning any cinematography awards, but it sets out to tell a memorable story and succeeds.
Andy Milligan isn't a filmmaker known for class or his strong narratives, but Fleshpot on 42nd Street is about as strong an effort from him that I've seen. Milligan has created a group of interesting lowlifes who ran the gamut from sexist to racist, but there's a sweet loyalty between them all even as they curse each other out and insult one another.
The film dabbles in hardcore pornography as well, but it feels oddly important to the story and some of the moments between Dusty and her new lover, Bob, are surprisingly sweet and touching. Not all of the acting is great and, in typical Milligan fashion, it won't be winning any cinematography awards, but it sets out to tell a memorable story and succeeds.
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