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Poor Things (2023)
9/10
Poor Things (2023)
12 January 2024
Poor Things is a cross between Frankenstein and Alice in Wonderland. One of the most original and freshest films I have seen in a long while. Emma Stone is a wonder as Bella Baxter as she fearlessly portrays the evolution of the creature animated by the mad scientist Dr. Godwin Baxter, played brilliantly by Willem Defoe. Mark Ruffalo shines as the nefariously debauched lawyer Duncan Wedderburn who whisks Bella away on a journey across the continents only to be quickly ditched by her as she outgrows him.

The story has as many twists and turns as a rabbit hole as it depicts Bellas's evolution and sexual awakening. Poor Things is a feminist tale writ large.

Visually stunning sets and costumes are a feast for the eye that combines unusual Victorian features with a sci-fi futuristic look that dazzles.

Directed by Yorgos Lanithmos, who brought to you The Lobster and The Killing of a Sacred Deer. This guy is quickly becoming one of my favorite directors.

This one will be hard to beat. I give it my highest rating. Definitely the best movie in 2023 in a field of hot competitors. Best seen on the big screen.
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8/10
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)
21 September 2023
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)Extraordinary film exceedingly slow but fascinating to watch. In fact, you can't seem to take your eyes off it while waiting for something to happen. To say Jeanne Dielman lives a life of deadly routine would perhaps give too much away. I loved the use of the static camera as she walked in and out of the frame turning lights on and off as she went from room to room. There is one moment of stark reality which brings one back to one's senses and brings unity to the entire affair. An unusual film, but a must-see, for all film buffs. I highly recommend this film.
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Oppenheimer (I) (2023)
10/10
OPPENHEIMER
26 July 2023
"Prometheus stole fire from the gods and gave it to man. For this, he was chained to a rock and tortured for eternity." "I am become death, the destroyer of worlds" These are two tag lines from Christopher Nolan's excellent Bio-pic, Oppenheimer, which I saw yesterday. Perhaps the best and most important film made in the last 100 years That is to say, ever! Must see in IMAX! Highest quality, both for sound and visuals. The acting was superb. Cillian Murphy was excellent as Oppenheimer and Robert Downey Jr. Gave perhaps the best performance of his career. One should never forget two things. There are warring nations on Earth right now that have nuclear weapons capable of destroying the world and wiping out civilization. And the other thing is The United States is the only country in the world to drop an atomic bomb on another country. The targets were cities populated by civilians. It is debatable whether this heinous act saved lives or ended the war. But one thing for sure is that tens of thousands of people were instantaneously incinerated and thousands more died of radiation poisoning. This is a heavy burden to carry as an American and as Oppenheimer himself said, we have blood on our hands. Go see this movie!
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The Big Knife (1955)
7/10
The Big Knife (1955)
28 April 2020
Directed by Robert Aldrich, starring Jack Palance, Ida Lupino, and Rod Steiger. Screenplay by James Poe, based on the play by Clifford Odets. The Big Knife is a movie that defies easy classification. It is billed as a crime picture, a drama, and a film-noir. I would call it more of a melodrama. It is a poison pen piece directed at the cruel and heartless Hollywood system of the time, which, when you think about it, hasn't really changed by much. At one point the Shelly Winters character says, "I'd rather see a snake than a Hollywood producer." The writing is a bit turgid, approaching the Baroque. It is hard to tell where Clifford Odets leaves off and James Poe begins. But I suspect it is Poe, who is doing all the declaiming. Example: "How dare you come in here and throw this mess of naked pigeons in my face." It seemed to me to have a strong Homo-erotic undertow. I don't know, I didn't see any mention of it in any of the reviews, but it was certainly apparent to me. In the opening scene the Jack Palance character, Charlie Castle, and his personal trainer, Nick, were boxing in the backyard of his plush home in Bel Air. Both were half naked and there was a lot of clinching going on. They were having a lot of fun. Later Nick gives Charlie a rubdown on a massage table in the backyard while Charlie took a meeting with the head of the studio and his henchmen. Lot of sensual rubbing going on. Then, Nick has Charlie turn over on his back and he pours alcohol on his chest and belly and continues to rub. All the while Charlie is talking to others in the scene. Towards the end of the scene, when it looks like Charlie is going to crack from the pressure, Nick sidled up to him from behind and gets very close and says into his ear, "Is there anything a Greek can do for you? Anything at all?" Throughout the movie all the male characters refer to Charlie as kiddie, darling, and dear. All very strange. And then there is the matter of the Big Knife. What big knife? There's no knife to be seen in the movie. Obviously, a symbol of something, but what? Usually considered phallic, but there was a lot of backstabbing going on and then there was that last scene. Plenty of heterosexual activity too. Charlie the movie star was something of a player. Every time somebody went up the spiral staircase it was to have sex with someone. Usually Charlie. All the acting was over the top and the actors chewed the scenery plenty. Rod Steiger went nuclear in one scene which probably will go down in the history of cinema as the most explosive ever. The only actor who escaped this phenomenon was Ida Lupino, who was pitch perfect in every scene. Now, you may have gotten the impression that I didn't like this film. Not so. I thought it was very entertaining and fascinating to watch. I thoroughly enjoyed it! It is definitely an important part of film history. Highly Recommended.
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Black Spot (2017–2019)
8/10
Great TV
11 March 2018
Really like this series. Good acting, strong writing and great photography My only criticism is the translation. How do you get Black spot from White Zone? Also, I watched an episode last night where a character blew her brains out with a shot gun. It was obviously a shot gun but it was referred to as a rifle and the ammo was referred to a a bullet. That dog don't hunt folks. And it detracts from the viewing experience. Anyone else experiencing cognitive dissonance?
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Another Woman (1988)
10/10
This is a film of introspection and marvelous performances. A central theme of the film is that people can transform their lives to become more fulfilled.
18 January 2016
"I realize you have been hurt. If I've done anything wrong, I'm sorry. Please forgive me. I accept your condemnation." "You are a member of Amnesty International and the ACLU. And the head of the philosophy department. Impossible!" These are two of my favorite quotes from the Woody Allen film, Another Woman. I like them each equally well but for different reasons. The first is such an outrageous statement by a phony pomposity of an ego so far gone as to defy augury and the other hits a little too close to home with the exception of being the head of the philosophy department. Woody Allen strikes gold here with his study of intellectual angst and mid life crisis. It would not be too much of an exaggeration to declare this film to be a mini-masterpiece.

I ran across this neglected, forgotten and, probably one you never heard of mini-masterpiece while scrolling through HULU one night looking for something decent to watch. Oh, a film by Woody Allen! Let me check it out. Probably seen it before but what the heck? So I cued it up and started watching. Curiously enough I didn't remember anything about it and was soon captivated and mesmerized by the haunting voice-over by one of it's stars and the brilliant cinematography of one of the worlds foremost cinematographers.

Another Woman was released in late 1988 and runs for 81 minutes. It was written and directed by Woody Allen. It stars Gena Rowlands as Marion Post, a middle aged philosophy teacher who is on sabbatical to write a book. It is her voice-over we hear as the movie begins. She is describing her life as accomplished and reasonably well settled.

She rents an apartment downtown to work on her book without distraction and discovers that she is able to overhear the conversation between a patient (Mia Farrow) and her psychiatrist through the heating vents coming from the adjoining apartment. At first Marion blocks off the sound with pillows but later she starts to listen in. The patient is despondent, pregnant, and thinking of ending her life. Her name ironically is Hope.

This conversation gets Marion to thinking about her own life and through series of coincidences, ruminations and, flashbacks, she encounters people from previous times in her life and she discovers she is not as happy as she thought she was.

This is a film of introspection and marvelous performances. A central theme of the film is that people can transform their lives to become more fulfilled. To say the film was Bergmanesque is rather stating the obvious. It has long been known that Woody has been greatly influenced by the Swedish master, Ingmar Bergman. Some say that this film resembles Wild Strawberries but I think it is more Persona like, which was also photographed by Sven Nykvist, Bergman's favored cinematographer.

This is a wonderful film which I highly recommend.
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8/10
Magic in the Moonlight is a romantic comedy written and directed by Woody Allen.
26 August 2014
Warning: Spoilers
Magic in the Moon Light (2014) written and directed by Woody Allen is a delightful summer confectionery, light as cotton candy and just as sweet. Colon Firth is excellent as the magician Wei Lin Soo who was brought in to debunk the Emma Stone's character, Sophie, of fraud. Romance ensues as Firth becomes enchanted with Sophie. Much has been said about the age difference between Colin Firth and Emma Stone, but what the hell? They were antagonists throughout most of the film. Both were engaged to other people. Finally, at the end they got together. So what if there was an age gap? This is not so unusual in Hollywood. One need to look no further than Bogart and Bacall.
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Divergent (2014)
7/10
Agitprop or teen drama?
6 April 2014
Andrew O'Hehir writes in his Salon piece that "The Hunger Games," and "Divergent" are propaganda. Then he says they are not propaganda in the usual sense of the word but rather propaganda in the service of "individualism." Individualism, according to O'Hehir, is the central idea behind consumer capitalism and is the bogey man we are all to fear. This is rubbish. I would suggest that going from a young woman's view of present day society as a glorified high school drama about not fitting as is the case with "Divergent" to political agitprop is a dangerous leap and a bit of a stretch. O'hehir goes on to say that we must accept the premise that all imagined worlds of the future must be about the present; a dubious conjecture at best. Where, he asks, are the fascist forces demanding conformity? Where is the segregation of society to be found? Where is the regimentation that we see depicted these movies? Is he serious? One just has to open one's eyes and look around to see plenty. Look at the paramilitary swat teams that have grown up in so many cities across America. Look at the spying on citizens that goes on by the NSA, Facebook, and Google. The pressure to conform has never been greater. Society is most certainly segmented into strata and classes. From the highest to the lowest, by race and by gender. And let's not forget about the struggles of the LBGT community. In the workplace, if you don't conform you are out. I would argue that the oppressive societies shown in the "Hunger Games" and "Divergent" are in fact allegorical to our present day times. They are cautionary tales as to what the future may hold. The central message presented by "Divergent" is to beware of labeling or "pigeon holing" people based on personality traits or some form of arbitrary and rigid caste system that offers no upward or lateral mobility.

The place where I would agree with O'Hehir is that "Divergent," while entertaining, was unsophisticated and simplistic. But what do you expect? It was based on the first of a series of novels written by a young woman geared for a young adult audience. I was willing to suspend my disbelief for a well- intentioned, well made, good effort that had much to offer including a strong female lead that was empowering to her and presented a good role model for other girls to follow. This, I think, is a good trend. If you want to see real capitalist agitprop, check out Howard Roark's speech in The Fountain Head, a movie based on the Ayn Rand novel of the same name. In this speech you can catch a glimpse the ideology of the individual versus the collective that O'Hehir is so agitated about.
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Blue Jasmine (2013)
10/10
Excellent film, tale of two cities (New york and San Francisco), Tennesee Williams meets Woody Allen
24 August 2013
Warning: Spoilers
I finally got a chance to see the new Woody Allen film, Blue Jasmine. It's been out for weeks but only just now coming to a movie near me in Louisville, Kentucky. A distinct disadvantage to living in the provinces as I do is that you don't get to see the movies you want to see when you want to see them. Tsk, tsk, now I am beginning to sound like the narcissistic, burned out New York socialite with a severe case of entitlement, who has been brought low by circumstance played so brilliantly in the film by Cate Blanchett. Woody channels his inner Tennessee Williams here in this tale of two cities (San Francisco and New York") shot in glorious Super 35 MM by Javier Aguirresarobe. Jasmine is emotionally fragile when she lands on her sister's door step in San Francisco. She has lost her fortune and her sister's fortune in New York and has come west to start a new life. He sister, Ginger, played by Sally Hawkins is a cashier at a local grocery store involved with a Stanley Kowalski type of character played pitch perfect by Bobby Cannvale, who she at one point describes as a grease monkey. They clearly have the hots for one another. Chili, (where have I heard that name before?) clearly resents the intrusion Jasmine presents when she moves in with Ginger. Jasmine has had a nervous breakdown and copes by swilling copious amounts of Xanax and vodka. Woody is operating in peak form here in one of his best films in years: writing, acting directing cinematography, music and, food. They are all here in abundance. Casting choices were unusual and brilliant. I see Oscar nods for Cate's brilliant performance as Jasmine. Sally Hawkins was terrific as Ginger, Bobby Cannvale was convincing as the brutal, animalistic, Chili. Louis C K. nailed his Mitch like character, and Alec Baldwin was Alec Baldwin, but thoroughly entertaining. All in all worth the price of admission and definitely one of the best movies of the year.
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9/10
Battle of Algiers is relevant today.
23 June 2013
Warning: Spoilers
The Battle of Algiers is an Italian film directed by Gillo Pontecorvco, which was produced in 1966. It depicts true events which occurred during the Algerian war of independence from France, which was fought from 1955 – 1962. The events depicted in the movie occurred during the Battle of Algiers which took place from 1954-1957. This film has been ranked in the top 100 films ever made. It was banned in France for five years where it was finally released in 1974. The Battle of Algiers is an important commentary on guerilla warfare. Revolutionary guerilla fighters holed up and grouped together in cells in the Casbah section of Algiers. French paratroopers attempted to wipe them out. The movie is about this struggle and the methods used by both sides. The tactics of the National Liberation Front (FLN) guerilla insurgency and the French counter-insurgency are shown in the film. The French colonial power committed atrocities against the civilian population of their Algerian colony and the colonized insurgents committed atrocities against the civilian population of their oppressors in a spiraling escalation of violence. The FLN engaged in acts of terrorism by placing bombs in public places such as restaurants, nightclubs, and airports, indiscriminately killing civilians in the European Quarter. The French paratroopers tortured, intimidated, and murdered members of the FLN. The use of waterboarding as an interrogation technique is depicted. Algeria eventually won its independence in 1962. Some of the scenes that really struck me were the incidents of waterboarding by the French Paratroopers, the men of the FLN covering themselves in burqas like women to disguise themselves and escape detection, FLN women dressing like European women and carrying bombs in baskets, and in the end the women ululating in victory when Algeria won its independence. The Battle Algiers is as relevant today as it was in 1965.The film was screened by the Pentagon in August 2003 as a field guide to fighting terrorism. Former National Security Adviser, Zbigniew Brezezinski, said: "If you want to understand what is happening right now in Iraq, I recommend The Battle of Algiers." This film was also used by the Black Panthers as a training film. I am sure there are other terrorists groups that have been influenced by the film as well. The Boson Bombing suspects come immediately to mind. The film, shot in black and white, is a triumph of realistic production values and heavily influence by Italian Neorealism of the 1950's. It was filmed on location in Algiers using the real locations in the European quarters and the Casbah. It was so realistic that Pontecorvo had to issue a disclaimer that not one foot of documentary or newsreel footage was used in his two hours of film. Everything was shot live. The film was nominated for AcademyAwards for Best Foreign Film, Best Screen Play, and Best Director. It was the winner of the Venice Film Festival Golden Lion Award.
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Hugo (2011)
8/10
Serendipity
3 March 2012
Warning: Spoilers
Serendipity and synchronicity are the watchwords of my life. I love it when two elegant events come together in a single moment of time. The latest of these happenings occurred to me recently at the second viewing of the magnificent motion picture, Hugo, directed by Master filmmaker Martin Scorsese. I went to see this film the first time right after it came out at the AMC Multiplex in Hamilton, New Jersey with my partner Mary Lopez.

Hugo is a wonderful story taking place in a Parisian railway station in the early 20th century. Hugo's job is to keep all the clocks running in the station. He had taken over this job from his dipsomaniacal uncle who has disappeared. As a child, he has no business being in the railway station and but he secretly lives there and is constantly on the lookout for the railway inspector played with perfectly pitched panache by the brilliant Sacha Baron Cohen.

Hugo's quest is to repair an automaton which was found by his late father in a Parisian Museum. Hugo is constantly scavenging for parts for the automaton and searching for a heart shaped key that holds the answer to the inner workings of the automaton. Pursuing this quest, Hugo strikes up an acquaintance with the daughter a toy store owner in the railway station, Isabelle. During one of their little adventures together they are caught by the railway inspector who wants to nab Hugo and send him to an orphanage.

To distract the inspector's attention, Isabelle spouts off a bit of poetry:

My heart is like s singing bird

whose nest is in a watered shoot;

My heart is like an apple tree

Whose boughs are hung with thick set fruit;

My heart is like a rainbow shell

That paddles in a halcyon sea;

My hear is gladder than all these

Because my love is come back to me. The station inspector says that he likes poetry as much as the next fellow, but that poetry has no place in a railway station where his job is to see that the trains arrive and depart on time. I too like poetry as much as the next fellow, and while I thought the words to be lovely indeed, I did not attach any special significance to them. The movie continued on and I soon forgot about the bit of poetry that Isabelle recited.

Several weeks later while browsing through my favorite Princeton bookstore, The Labyrinth, I came across a lovely tome by written by Virginia Woolf entitled, "A Room of One's Own." I had never read this book and thought this would be an excellent opportunity to do so. Therefore, I purchased the book and took it home to read.

"If by chance there had been an ash tray handy, if one had not knocked the ash out the window. If things had been a little different from what they were, one would not have seen a cat without a tail," or a book in a bin, with the title, "A Room of One's Own." In chapter one, Ms. Woolf mused about the murmurings people made before the war and could these humming sounds be set to words? She chanced to browse through a book and found these words by Tennyson:

There has fallen a splendid tear

From the passion flower at the gate.

She is coming, my life, my fate;

The red rose cries, "She is near, she is near;"

And the white rose weeps, "She is late;"

The larkspur listens, "I hear, I hear;"

And the lily whispers, "I wait." " Was this what men hummed at luncheon parties before the war?" she mused. "And what of the women?"

Here it is, wait for it:

My heart is like s singing bird

whose nest is in a watered shoot;

My heart is like an apple tree

Whose boughs are hung with thick set fruit;

My heart is like a rainbow shell

That paddles in a halcyon sea;

My hear is gladder than all these

Because my love is come back to me.

By now the reader may recognize these words written by Christina Rossetti spoken by the young heroine Isabelle in the movie, Hugo. However, at that time, I still had not made the connection between one and the other, thinking this was my first encounter with this precious piece of poetry.

Fast forward a few weeks into the future, now the past, while on a trip to my native land of Kentucky to visit my grandchildren, I took two of them to the movies where we went to see Hugo, which I thought they would enjoy. So we were sitting there in the dark wearing our special spectacles enjoying the 3-D effects when lo and behold we come to selfsame scene in the movie that I described before to the gentle reader about the poem declaimed by the girl Isabelle. My heart is like s singing bird

whose nest is in a watered shoot;

My heart is like an apple tree

Whose boughs are hung with thick set fruit;

My heart is like a rainbow shell

That paddles in a halcyon sea;

My hear is gladder than all these

Because my love is come back to me. Wow! Zing! Bing! Bang! It all came together in a clang. The first view of the movie, Hugo, the reading of the Virginia Woolf book, A Room of One's Own, and the second viewing of the Movie, Hugo, separated by time and space, crystallized in a frozen moment of synchronicity and serendipity, the universes suddenly came together in clarion call of harmonic vibration.
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The Help (2011)
Great entertainment with a serious theme.
15 August 2011
Just saw the movie, The Help. It was a pretty good movie, though not a great movie. I think other movies with similar themes were more powerful, such as the Color Purple and Imitation of Life. Having said that, kudos to this movie for a compelling portrait of the lives of "colored maids" in Mississippi in the 1960's and their relations with their white employers. I can remember living through this era as a small boy in Virginia. I remember being puzzled by the signs for "Whites Only" drinking fountains and "Colored Only" water fountains. I was troubled by White Only swimming pools. As I grew up in the civil rights era I was gratified to see the gradual increase in human and civil rights in our society, although I recognize there is still a long way to go to reach a truly color blind society. The Help has some good performances amongst the black and white actors. The exquisite and incomparable Cicely Tyson was wonderful as Constantine Jefferson. Sissy Spacek was hilarious as the matriarch , Missus Walters. Viola Davis and Octavia Spenser gave strong performance in their respective roles as Aibileen and Minny. Bryce Dallas Howard was a chilly Hilly, and Emma Stone was a rock. Great entertainment with a serious theme. I give it seven bells out of ten.
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Limitless (I) (2011)
6/10
Best drug film I have seen in a while.
10 April 2011
Warning: Spoilers
This is the best drug film I have seen in a while. While it is quite entertaining, it ultimately fails to satisfy in the final reel as it devolves from a cautionary tale into a happy ending for the drug-taking protagonist. The message of the movie becomes take a pill, become successful. Would it were that easy. The drug in question, NZT, which sounds dangerously close to AZT, creates an effect on the brain where the user can remember any and everything he ever read or has been exposed to and can instantly organize and access the information. The user can now use 100% of her brain instead of the "normal" 20% we usually can access. The drug creates a startling focus and uber ability on the part of the user. The special effects were done quite well, creating the illusion of a drug trip resembling a cross between a meth induced high and an LSD excursion. The down sides to the drug were well documented and most people who have been on the drug are either burned out or dead. Eddy finally finds a way to maintain. This is where the film finally loses me. Up to that point it maintains a certain integrity to the material and I could suspend disbelieve long enough to buy what the storytellers were selling, but at the end, it all falls away and I lose my thrall. De Niro is totally wasted. I give it, six Bells.
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7/10
I loved it!
2 April 2011
Warning: Spoilers
I just saw the Adjustment Bureau, starring Matt Damon and Emily Blunt. I liked it a lot. It had good performances, an intriguing story and great cinematography. The color was good, the camera shots were creative, and the angles were obtuse. New York never looked so good. This film, directed by Gorge Nolfi (Bourn Ultimatum and Oceans 12), was based on a short story by science fiction great, Philip K. Dick. This was vintage Dick. The film had a vintage feel to it too even though it was supposed to take place in modern New York. It could have taken place in the 50's or 60's. The costumes were no help on terms of dating the piece, but he Adjustment Bureaucrat wore suits with skinny lapels, thin ties, and narrow brimmed fedoras. They did not carry electronic hand-held devices as you might expect, but rather books, or manuals with mysterious diagrams that pulsed electrically from time to time.

The movie is essentially a love story of two people who were fated then "unfated" to be together. This was a case of two people who fell in love and that love was so strong that they were "ruined" for anyone else. I hate it when that happens. They had to exert their free will over their predestination for everything to work out for them.

This was a great movie to watch and I give it "7 Bells."
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9/10
Great film
16 August 2010
I just watched this film, released in 1945, for the very first time last night. Gene Tierney's performance was smashing as the evil Ellen Berent. Directed by John M. Stahl, the color in this film was so sumptuous that at first I thought it was colorized. However, no, thankfully I discovered it was a restored Technicolor print. Leon Shamroy won the Oscar for best cinematography. Never has a film looked so beautiful. Unusual too, as most film noir is shot in luscious black and with lots of deep shadows. This is a film of psychological obsession and jealousy is told in flashbacks from the point of view of a beautiful female antagonist, who gives new meaning to the phrase femme fatale. Cornel Wilde plays the love stricken and somewhat naive husband. The beautiful Jeanne Crain plays the sweet unassuming sister also known as the "gal with the hoe." Vincent Price makes an appearance as a jilted former lover and fiancé and a determined prosecutor at the end. I highly recommend this great film.
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