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patriciagomeslion
She has worked as a producer, reporter, and cinematographer on several Brazilian and international TV networks, including Rede Bandeirantes, TV Cultura, Rede Globo de Televisão (Globo Repórter), Record TV (international correspondent), UN TV (United Nations Television's World Food Program), and several other documentary productions.
Patrícia has extensive experience in journalistic coverage for social media and digital platforms. It is an award-winning producer of documentaries and special reports, including the International Emmy Award (TV Cultura), the EFE Award (Spanish News Agency), the Ayrton Senna Prize for Journalism, the Vladimir Herzog Prize for Reports on Human Rights (TV Bandeirantes), the New York Festival, and It's All Truth Festival (Citizen Boilesen Documentary).
As a producer and cameraperson, Patricia recorded and produced several special reports for UN TV and documentaries. Highlights: In 2003, she lived in the Sahara desert, recording the daily lives of the nomadic women of Mauritania in a documentary that is part of the permanent collection at the Modern Art Museum (MoMA) (New York, USA) and the World Food Program - (WFP, UN). In 2005, she produced and recorded a special documentary about crimes of "honor" (femicide) on the border of Turkey and Syria for UN TV (United Nations).
She followed and recorded the drama of Tibetan refugees in the city of Dharamsala (India) in 1999 and the work of Buddhist nuns in one of the highest places in the world, Ladakh (Leh, India), a city that lies between the Himalayan mountain ranges in India, in 2004.
She also covered as a foreign correspondent several protests and terrorist attacks in Paris, Moscow, London, and two COPs (Climate Conference) in Paris (France) and Copenhagen (Denmark).
As an international correspondent based in London, she covered conflicts and terrorist attacks in the United Kingdom, Israel, Palestine, France, and Russia, as well as major sporting events such as the London Olympic Games in 2012. In 2014, she covered the Brazil World Cup for Al Jazeera TV and for the Terra and Iranian IranWire websites.
She is a volunteer translator for the Brazilian NGO RioOnWatch (Rio de Janeiro, Brazil).
Since 2016, she has worked as a researcher of historical and journalistic content (especially for the production of documentaries, films, and special reports) at the National Archives and Public Records Office (London, England).
She is a mobile journalist for the image agency Stringr (New York), producing special reports such as the deaths of Prince Philip (2021), Queen Elizabeth II (2022), presidential elections in Brazil (2022), the coronation of King Charles III (2023), and the death of singer Tina Turner (2023).
She has been writing special articles, international coverage, and chronicles for MEER since 2015.
Ratings
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Reviews
A Fantástica Fábrica de Golpes (2021)
Powerful. Epic.
One of the most important documentaries that has bren produced to highlight a coup against a fragile Brazilian democracy.
It is impossible to deny history and the facts. Essential watch this courageous documentary to understand the democracy in Brazil and beyound.
The documentary reveals how the media and right-wing party deposed the first woman elected in Brazil, Dilma Rouseff (Labours party) during her second presidential term.
The coup d'état took place six years ago, but it is clearly how the coup still reflects in all sections on Brazilian society today.
Again: Powerful. Epic documentary. Must watch it.
Francesca (2017)
Breathtaking Francesca
Passoni has the ability to write poetry with images and sounds, Francesca is one of her beautiful poems.
The director makes us dive deeply into the history of a girl, that can be one of us.
Must watch it, marvellous six u n f o r g e t a b l e minutes.
Despite being a short film, this doesn't negate the impact of the underlying themes and deserves to be a feature.
Francesca is a young girls journey into puberty, the dramas of growing up and becoming an adult.
Passoni, once again, delivery more than the audience can imagine from a short movie.
I hope to see very soon the next of Passoni's movies.
Êxtase (2020)
A masterpiece.
Êxtase is not just a film - it is a sensory experience with peaks of catharsis through overlapping images, which pulsate on the border between documentary and fiction. It displays impeccable photography, and dialogues that cradle and "hook" the viewer. Life gains more meaning after watching this masterpiece by Moara Passoni.