Reviews

I was told by a friend and fellow 24 fan, that there was a fantastic movie made on the same subject as this years series storyline. I rented the movie and was completely blown away. I have to say, some of the comments above are harsh. As a television movie, this is hands above 95% of what's made. No one has mentioned that Chechik seemed inspired by Paul Greengrass' work on Bloody Sunday, rather than 24. Interestingly enough, I would say the writers of 24 actually saw this movie and went so far as to use its premise and if you can believe it, even cast the same actor as the lead terrorist, Arnold Vosloo. That said, the movie is pretty relentless. Chechik places you inside moments without editorializing. Although I might question some of the motivation of the terrorists, once I got the big twist, I found myself being less interested in the why and more interested in the how. Which I suppose is the reason FX made the movie. More importantly, the ending leaves you breathless in its callousness and in the position the US government takes regarding their actions. Actions characterized as being for the "good of the country." It's amazing to me how bad for the country that posit is. Really well done.

This is a terrific movie about a story that few know. I believe Walter Cronkite called Daniel Ellsberg's leaking of the Pentagon Papers war document the most important story of the latter part of the 20th Century. Performances are really strong and the direction excellent. This is one of those rare moments when a telefilm elevates itself and becomes something very important.

In today's world the words of Bobby Kennedy could not be more prescient. This movie plays around 4 major speeches and is bookended by the death of JFK and RFK's himself. There are a few clunker moments (Martin Donovan as an uninspired JFK), but Linus Roache's portrayal of RFK is remarkable and James Cromwell's LBJ so much more of the essence than Gambon's in the HBO film, A Path To War. Roache received a Golden Globe nomination for his performance. See this movie for that alone.

Well made telefilm with strong performances from Tom Sizemore, Richard Jenkins and Brenda Bazinet. The subject matter (Birmingham Church bombing of 1963 that killed four girls) has been told before, but this movie works because Sizemore plays the grown son of Bobby Cherry, the last remaining bomber alive who was still free of justice, and the movie flashes back to when Sizemore was a small child experiencing racism first hand. In the present, haunted by the memories of the day, he decides the only thing he can do to stop the generational perpetuation of racism is to turn his father in and put him away for good. Pielmeier's writing is exemplary and Dornhelm's directing sets the table for compelling drama. A very well made film despite Ving Rhames' over the top performance.

The movie slowly builds to a certain momentum and although production values suffer from time to time, the movie engages as it attempts to set the record straight about Benedict Arnold. History has registered Arnold as a traitor, but here he's clearly a Patriot who's actions to turn Red Coat reflect what he perceived as a slight by the Continental Congress to not only protect him from a rogue member ruling Philadelphia with an iron hand, but to remunerate him for his war expenses. Quinn's performance transcends the Washington of Fraser Crane (oops, Kelsey Grammar) and brings dignity to a movie that has benefited from the brilliant writing of the award winning Mastrosimone. Direction is straightforward and not inspired. Tech credits are good.