What can I say. I walked into the movie expecting so much and came out wishing for nothing more.
This movie is beautiful. It is light and subtle. It never reaches the point where it begins to irritate and it never seems too melodramatic. This movie is just right.
The real USP of this movie is its story and themes. There are just so many. From rediscovering roots to politics to the kaala bandar. However the director, and I must give him full marks for this, handles this simple yet complex story with elegance. The way Rakeysh weaves through the story as if each of them is just another brush stroke upon his vast canvas known as Delhi-6 is commendable. The final messages of the film, like corruption etc. in Rang De Basanti, are presented very simply and directly with no-nonsense attached. The story itself is very light and doesn't get on your nerves while being narrated and effectively puts forward the messages that want to be conveyed by the director. The main one put forward is of the religious tensions in areas such as Delhi-6.
The cinematography is breath taking be it the "kaala bandar" weaving through Chandni Chowk at night or Jama Masjid during Arziyaan. You can see that the director knows his subject well and the beautiful settings and photography are just a treat to watch. The music, as said by numerous others, is probably one of A.R Rehmans best works to date and the music is appreciated so much more with the brilliant visuals like the New-York/Chandi Chowk hybrid that Dil Gira Dafatan is set in or the simple rooftops of Chandni Chowk for the brilliant Masakalli and Genda Phool or just the vibrant, narrow streets of Delhi for the song Delhi-6 (Yeh Delhi Hai Mere Yaar). These picturisations just add a whole new dimension to the music and make the narrative a whole lot nicer and pleasanter for the viewers. Also, the mix of a Ram-Leela may seem a little irritating however, it is necessary. I won't draw any conclusions on why it is there. Trust me, I've made my own.
The acting by all of the cast is superb. Each of them make sure that you never doubt their dedication to the role and they also make you believe that there is a little story behind each of the characters. Of all of them, Abhishek Bachchan and Sonam Kapoor do very well as the leads with Abhishek pulling off that cool dude NRI to perfection and Sonam playing the beautiful, dreamer as if she's always been playing that role. (Here I would like to add that she is probably the most beautiful newcomer in Hindi cinema) Atul Kulkarni is superb as Gobar and never really gets irritating like a Tushar Kapoor in Golmaal. But the undoubted star of the show is the city of Delhi itself. The narrow gullies and the sweet shops with jalebis will make you want to be there and the camera work with the interwining gullies while you travel as the monkey man will exhilarate.
All in all, Delhi-6 is the complete package. It has love, life and the beauty of everything else. This is one of the finest movies of the year and deserves three of your hours. It will make some viewers cry, others laugh, most of them long to be there. But all in all, this movie will make you realise.
Watch it. Watch it for the love and life of a city and her people.
Yeh Delhi hai mere yaar.
This movie is beautiful. It is light and subtle. It never reaches the point where it begins to irritate and it never seems too melodramatic. This movie is just right.
The real USP of this movie is its story and themes. There are just so many. From rediscovering roots to politics to the kaala bandar. However the director, and I must give him full marks for this, handles this simple yet complex story with elegance. The way Rakeysh weaves through the story as if each of them is just another brush stroke upon his vast canvas known as Delhi-6 is commendable. The final messages of the film, like corruption etc. in Rang De Basanti, are presented very simply and directly with no-nonsense attached. The story itself is very light and doesn't get on your nerves while being narrated and effectively puts forward the messages that want to be conveyed by the director. The main one put forward is of the religious tensions in areas such as Delhi-6.
The cinematography is breath taking be it the "kaala bandar" weaving through Chandni Chowk at night or Jama Masjid during Arziyaan. You can see that the director knows his subject well and the beautiful settings and photography are just a treat to watch. The music, as said by numerous others, is probably one of A.R Rehmans best works to date and the music is appreciated so much more with the brilliant visuals like the New-York/Chandi Chowk hybrid that Dil Gira Dafatan is set in or the simple rooftops of Chandni Chowk for the brilliant Masakalli and Genda Phool or just the vibrant, narrow streets of Delhi for the song Delhi-6 (Yeh Delhi Hai Mere Yaar). These picturisations just add a whole new dimension to the music and make the narrative a whole lot nicer and pleasanter for the viewers. Also, the mix of a Ram-Leela may seem a little irritating however, it is necessary. I won't draw any conclusions on why it is there. Trust me, I've made my own.
The acting by all of the cast is superb. Each of them make sure that you never doubt their dedication to the role and they also make you believe that there is a little story behind each of the characters. Of all of them, Abhishek Bachchan and Sonam Kapoor do very well as the leads with Abhishek pulling off that cool dude NRI to perfection and Sonam playing the beautiful, dreamer as if she's always been playing that role. (Here I would like to add that she is probably the most beautiful newcomer in Hindi cinema) Atul Kulkarni is superb as Gobar and never really gets irritating like a Tushar Kapoor in Golmaal. But the undoubted star of the show is the city of Delhi itself. The narrow gullies and the sweet shops with jalebis will make you want to be there and the camera work with the interwining gullies while you travel as the monkey man will exhilarate.
All in all, Delhi-6 is the complete package. It has love, life and the beauty of everything else. This is one of the finest movies of the year and deserves three of your hours. It will make some viewers cry, others laugh, most of them long to be there. But all in all, this movie will make you realise.
Watch it. Watch it for the love and life of a city and her people.
Yeh Delhi hai mere yaar.
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