10/10, not only the best movie of 2023, but in my opinion probably the best Godzilla film ever put to film. For a budget that looks incredibly budgeted and small compared to Hollywood's recent $200-300 Million bloated budgets and limitations of practical and visual effects, this movie absolutely blows the competition out of the water.
Toho made the right choice to go back to basics and make Godzilla the ultimate destructive antagonistic force of nature and bringing back the monster-horror aspect that's very much needed in these movies.
Like the 1954 original, the dark and serious tone works beautifully and incredibly effectively in conveying what the scene needs to. And whether on screen, off screen or implied, Godzilla's mere presence conveys that tone of dread and terror, truly retaining back the title of King of the Monsters.
And the characters! It's been a long time since we've had characters in these films that we could actually care for, let alone give any interest or sympathy towards. Minus One's characters grow and are fleshed out throughout the story, and the context of being a kamakazi pilot in a post-WWII 1940's Japan. It asks questions of the value of life and vengeance for those who've lost theirs, and the guilt of actions, what we do and don't do. This film reflects back to a conflicted and broken time, but one inhabited by good and united people choosing to give their lives for something greater. It's truly a relieving and hopeful sight for what makes great cinema through the infinite muddled assembly line of cheap, poorly made, factory-produced content called film.
Forget the multiverse movies, give us more of this!
Toho made the right choice to go back to basics and make Godzilla the ultimate destructive antagonistic force of nature and bringing back the monster-horror aspect that's very much needed in these movies.
Like the 1954 original, the dark and serious tone works beautifully and incredibly effectively in conveying what the scene needs to. And whether on screen, off screen or implied, Godzilla's mere presence conveys that tone of dread and terror, truly retaining back the title of King of the Monsters.
And the characters! It's been a long time since we've had characters in these films that we could actually care for, let alone give any interest or sympathy towards. Minus One's characters grow and are fleshed out throughout the story, and the context of being a kamakazi pilot in a post-WWII 1940's Japan. It asks questions of the value of life and vengeance for those who've lost theirs, and the guilt of actions, what we do and don't do. This film reflects back to a conflicted and broken time, but one inhabited by good and united people choosing to give their lives for something greater. It's truly a relieving and hopeful sight for what makes great cinema through the infinite muddled assembly line of cheap, poorly made, factory-produced content called film.
Forget the multiverse movies, give us more of this!
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