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9/10
Super funny. I laughed again and again and again.
16 February 2021
Consistent observational humour delivered at breakneck speed. If you like your comedy BPM at 120 or higher, this high octane comedian will have you in stitches.
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3/10
Ridiculous. What a terrible story. Waste of time.
16 February 2021
Three amazing actors going in circles and then....nothing. The wrap up was hugely disappointing. How did this movie even get made? I will never get the time back wasted watching this film. Unforgivable.
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A Hidden Life (2019)
9/10
Beautiful and tragic
22 August 2020
Classic Terence Malik. A sweepingly beautiful landscape houses this story of an Austrian man who sacrifices everything to uphold his principles -- refusing to swear allegiance to Hitler during WWII. It's a long quiet unfolding of what it's like to be made a pariah in your community and country.
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8/10
Razor sharp comedy with a beating heart
5 July 2020
Davidson and Apatow deliver a hilarious and poignant film about family and the 'journey to self-discovery' theme that shouldn't work on paper, but it does. The chemistry between the cast is movie magic. Marisa Tomei and Bel Powley absolutely shine in their respective roles. Steve Buscemi kills it in his small but critical part, which hits all the right notes. It has restored my faith in Apatow to direct a comedy with a beating heart. Bravo.
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10/10
Powerful
20 October 2019
An incredible journey into trauma, shared experience, and the devastation of burying an unfathomable horror that can destroy lives. Hard to watch, however it's a courageous reveal, and ultimately catharsis, for the two subjects of the film.
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The Politician (2019–2020)
5/10
Messy.....but Ben Platt's handful of singing is worth it
20 October 2019
Huh? Very confusing story development. In the end I just didn't believe any of it, or care. It crossed over the line so many times I lost count. Convoluted and odd. Reese Witherspoon and Matthew Broderick nailed this idea in the film Election, years ago. Why try (and fail) to recycle that? Ryan Murphy's original vision, whatever it was, got lost somewhere in the execution. The only true bright spots were: 1. Ben Platt sings!!! sublime and not enough of it; 2. Judith Light + Bette Midler having a grand time in the final episode - worth slogging it out to the end for. If this show had focused on a character whose main dilemma was succeeding as a performer, ( you have Ben Platt for chrissakes!!!), it might have found its footing. A politician? News flash - nobody cares. Throwing a lot of money at an excellent (and expensive) cast, and then not giving them credible characters and dialogue? What a huge waste of money.
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9-1-1 (2018– )
8/10
I'm thoroughly entertained and I know what I'm watching is fiction.
28 October 2018
Sometimes I let TV shamelessly pull on all my heart strings. I know what I am watching is a distortion, but I don't care. I know none of these actors are giving the performance of their careers, but I don't care. There's a lot of other content on TV right now to satisfy my need for tier one well written and compelling drama. This show satisfies a different craving in my viewing habits. I don't know anything about EMT first responders work, and I don't expect this (or any show) to be a crash course or remotely accurate. The stories push buttons of humanity and compassion; sympathy and empathy in heavy doses. And I like it all Sometimes I need a bit of this stuff in my TV diet to counter the tsunami of content exploring the darker sides of better written and more interesting characters. I'm fully aware I'm escaping into characters whose one dimensional goodness isn't what a lot of people expect. I'm good with that.
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La La Land (2016)
6/10
Disappointing. What could it have been if Chazelle had given over the writing to someone else? One can only imagine.
16 January 2017
Disappointing. The story ending seemed like a compromise. I wasn't impressed by the flashback to what their life could have been like. It wasn't mimicking the ending of legendary musicals like Singing In The Rain, or films like A Star Is Born, about a couple whose stars are in opposing trajectories. So what was it trying to achieve? A muddled and unsatisfying finish was all I was left with. They both get what they want in their careers, but not each other? Hmmm... The music is weak overall (mumbly), and the dancing isn't remarkable apart from the opening number. It's beautiful to look at, and the production values keep the whole thing running to a point, but you can only admire the beauty that David Wasco, Austin Gorg and Sandy Reynolds-Wasco created (Production Design, Art Direction and Set Decoration) for so long. I expected more from Damien Chazelle. Maybe if he had stuck to directing and given the story over to someone else, it might have made me like it more.
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9/10
Brilliant --- Felliniesque in all the good ways that is possible. Mesmerizing
27 December 2013
A feat of film making by Sorrentino. Jep Gambardelli is a great character, from whose mouth comes some of the most scathing and insightful dialogue written in years. It could easily have been played by the greats of the new wave: Mastroianni or Belmondo or Giannini in their heyday. I kept thinking it was a brilliant homage to the legacy of Fellini, but less bizarre and more though provoking. Visually lush, musically captivating, and the story leaves you thinking about it for days after. Truly a carnival cast brings it off in great style, that's nothing other than Roman at heart. I was singing out loud the catchy dance anthem by Bob Sinclar song remix with the famous Italian pop singer Raffaella Carra for days afterwards. Nuns, midgets, giraffes, flamingos, and some of the best bacchanalian parties ever filmed. It makes you want to swim in the Trevi fountain and walk soaked up the Spanish Steps at four a.m. after a night of dancing. In the same breath it's a meditation on life, friendship, ageing, loneliness and love.
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Friday Night Dinner (2011–2020)
8/10
Hilarious! Great comedic ensembles like this don't come along very often.
11 November 2012
Everyone in this hilarious comedy series pulls their weight. Tamsin Grieg is especially brilliant as the wacky mom trying to keep it all together, when her brood gathers for shabat dinner. If you thought she was funny in Episodes, she's just as good here. Each character is just balls out funny, and the cast's chemistry together is spot on. Simple situations that go awry every Friday night when the two boys come home for their weekly family gathering, are inspired and original. The writing is sharp, precise and just plain crazy. The quirks are consistent and so are the laughs. I love that the two 20-something boys fall back on school-boy prank behaviour when they're under mom and dad's roof. Family dynamics are universal, so everyone will find something to relate to. Enjoy.
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Him & Her (2010–2013)
9/10
Genius comedy from the everyday minutiae of life
17 January 2012
I love watching Steve and Becky. It's hilarious comedy of the first order. When you can take the small things and create character driven comedy that resonates, then you've got likable characters doing some crazy things and it's funny. Things which we all may be guilty of having done, at some time or another. In the hands of unlikeable characters, it's just cruel and nasty humour. But Steve and Becky deliver that fine balance of making you laugh out loud without the guilt. The Laura and Paul and Dan characters may be broadly drawn, but we can give them license to bring characters to life, which face it, we all know a few of. I've known Paul's and Dan's and Laura's, and a few Shelly's. They're out there. We all know them. The chaos they cause in Steve and Becky's world, is brilliant fun. So what they say is a little more outrageous (or is it?) than your average, but that's the titillation that makes this show so watchable, isn't it? More episodes please!
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