Reviews

Almost every scene depicting the life of Esma and her 12- year old daughter, Sara carefully shows human emotions. Grbavica is an intensely gripping drama about discovering the truth. The story is set in former Yugoslavia; Zbanic doesn't simplify post-Balkan war Sarajevo. The landscape is marked by war; Sara and her boyfriend spend their time in demolished and abandoned buildings. War trauma intertwines with everyday life. Esma and a bodyguard she befriends, discover they have met at exhumations, and both share the experience of loosing their loved ones. Esma works the night shift as a waitress in a night club run by a gangster, she is intent on giving her daughter what she can. It's clear that she is struggling to earn money for her daughters' school trip, but I wasn't so sure about the idea that a woman with such a past would work in the specific environment of gangsters and prostitutes. Since Esma doesn't confront her problems the chasm between mother and daughter widens. The government ensures psychotherapy and welfare for women imprisoned Chetniks. I found the therapy scenes lacked psychological probability; it's hard to believe in sessions with such a number of women, and a seemingly incompetent and slightly short on empathy psychologist. Esma comes to terms with her own past, not because of the meeting, but thanks to Sara. When finally, she reveals the long concealed truth. When Sara discovers she is not the child of a war hero, she loses her illusions, but gains inner strength. Luna Mijowic was moving in her portrayal of Sara, a child at the threshold of becoming an adult.