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I'm Thinking of Ending Things (2020)
I'm thinking of the absurdity of our existence
At its core, "I'm Thinking of Ending Things" is a story about identity and the fleeting nature of our existence. Kaufman expertly weaves together various themes and motifs, ranging from the mundane to the absurd, to create a complex and thought-provoking film that challenges our perception of reality.
The film follows a young woman (played by Jessie Buckley) who travels with her boyfriend (Jesse Plemons) to his family's remote farm, only to find herself trapped in a bizarre and unsettling world. As the film progresses, the lines between reality and fantasy become increasingly blurred, leading to a surreal and unsettling climax that is sure to leave audiences both bewildered and captivated.
Kaufman's use of absurdism is particularly noteworthy in this film. He creates a world that is both familiar and completely alien, filled with odd and unsettling imagery that seems to defy logic and reason. From talking animals to shifting timelines, the film is a veritable carnival of the bizarre and inexplicable.
But despite its absurdity, "I'm Thinking of Ending Things" is also a deeply human film. Kaufman's characters are complex and multifaceted, with hopes, fears, and desires that are both relatable and heartbreaking. Through their struggles, we are forced to confront our own mortality and the futility of our efforts to control the world around us.
Overall, "I'm Thinking of Ending Things" is a triumph of absurdist filmmaking. It is a film that will challenge you, confuse you, and ultimately leave you with a sense of wonder and awe. Kaufman is a master of his craft, and this film is further proof of his incredible talent. If you're a fan of surrealism or absurdism, then "I'm Thinking of Ending Things" is an absolute must-see.
Munich (2005)
Might as well dig two graves
"He who seeks revenge digs two graves." Confucius.
In the 2005 film "Munich," director Steven Spielberg tackles a complex and controversial subject with his signature skill and nuance. The film tells the story of the aftermath of the 1972 Munich Olympics massacre, in which Palestinian terrorists kidnapped and killed eleven Israeli athletes. The Israeli government responds with a secret mission to track down and eliminate those responsible for the attack, leading to a cycle of violence and revenge that raises difficult questions about the morality of state-sponsored assassination.
Spielberg's direction is masterful, as he skillfully balances action and suspense with weighty ethical and political issues. The ensemble cast, led by Eric Bana as the Mossad agent Avner, is uniformly excellent, bringing depth and complexity to characters caught up in a dangerous and morally ambiguous situation. The film's production design and cinematography capture the mood and atmosphere of the era, while John Williams' score adds to the tension and emotion of the story.
"Munich" is a challenging and thought-provoking film that doesn't offer easy answers to the questions it raises. Rather, it asks viewers to consider the human cost of violence and revenge, and the difficult choices that individuals and nations must make in the face of terrorism and political conflict. With its powerful performances and incisive direction, "Munich" is a film that lingers in the mind long after the credits roll.