Reviews

I was blown away by "Monkey Man." It's a gem in the revenge action thriller genre, standing tall alongside legends like "Oldboy," "Kill Bill," and "Gladiator." Dev Patel's directorial debut is nothing short of brilliant, showcasing not just his filmmaking prowess but also offering a fascinating peek into Indian culture, beautifully inspired by the Hindu god Hanuman. The soundtrack is mesmerizing, and the action choreography is both grounded and brutally impactful. The writing is another high point, weaving emotional depth and seriousness with perfectly timed comedic moments. A must-watch, I'd recommend a quick read on Hanuman before diving in to fully appreciate the depth of this film.

In the landscape of contemporary cinema, where the regurgitation of narratives often leaves the palate desiring more, "Dune: Part Two" emerges not merely as a film but as a transcendent experience. Denis Villeneuve, already a maestro of visual storytelling, elevates his craft to an echelon that few contemporaries dare to aspire towards. This sequel not only surpasses its predecessor but redefines the parameters of what science fiction can achieve.

The narrative architecture of "Dune: Part Two" is both intricate and exquisite, weaving together the grand tapestry of Frank Herbert's universe with a meticulousness that is nothing short of breathtaking. Villeneuve's adaptation is not merely content with visual spectacle (though the film is replete with such moments); it is the emotional resonance, the palpable tension of the Atreides' saga that anchors the film. The director's ability to balance the macrocosm of interstellar politics with the microcosm of personal vendettas and alliances is a feat of narrative dexterity.

The cinematography, courtesy of Greig Fraser, is a masterclass in visual poetry. Each frame is meticulously crafted, with the use of light and shadow not merely serving the aesthetic but deepening the thematic layers of the story. The landscapes of Arrakis are rendered with a stark beauty that is both alien and intimately familiar, a testament to the cinematographer's vision and skill.

Hans Zimmer's score is, to put it simply, a revelation. The auditory landscape he constructs is as vast and complex as the visual one, with motifs and themes that echo the narrative's emotional beats. Zimmer's music does not just accompany the film; it elevates it, transforming scenes into symphonies of sight and sound.

Performances across the board are stellar, with Timothée Chalamet's portrayal of Paul Atreides showing a maturity and depth that surpasses his earlier work. The supporting cast, including Zendaya, Javier Bardem, and Austin Butler, among others, bring gravitas and nuance to their roles, making the world of "Dune" feel lived-in and real.

In conclusion, "Dune: Part Two" is not just a film; it is a monumental achievement in storytelling, visual art, and cinema. It challenges the viewer, not just to watch, but to immerse themselves in the rich tapestry of its universe. Villeneuve has not only created a sequel worthy of Herbert's legacy; he has crafted a masterpiece that stands as a beacon of what the future of filmmaking can aspire to be. A resounding 10/10, "Dune: Part Two" is a cinematic odyssey that reimagines the potential of its genre.

It takes a bit to let this movie truly sink in. It is one of the craziest fever-dream odyssey style movies I've ever seen. Ari Aster absolutely broke out of the style of Hereditary and midsommar. This was its own monster. It had parts that were extremely anxiety provoking, or were hilarious, boring or extremely intriguing. It was almost painful to watch, but afterwards i can't stop thinking about it (in a good way). I am very impressed.

I think most people will be turned off/ not get the movie, but for some it will totally click. It's peak absurdism, and probably the most fascinating depiction of anxiety I've seen in film.

One of the only flaws I have with this movie is the sheer run time. It is extremely long, and will test your patience in parts. There are parts that could've been cut out, sure, but nothing that truly took away from the film.

Would I recommend watching it to most? No. But you should still see it regardless. It will more than likely impress you.

This show blew me away. Craig Mazin and Neil Druckman are two of the top creative minds in my view, and they worked together to create a MasterClass of modern TV. I always wanted this story to be adapted so more people could experience it, and this show does just that. It is truly a pleasure seeing my family and friends grow to love the characters I hold so dear in my heart.

The show is dark, gritty, and realistic. This is not a show about zombies. This is a show about love. How two people come together in a truly epic journey across a post apocalyptic USA. If you are on the fence of watching this show, just do it. You won't regret it.