Change Your Image
mohamadrezat-03741
Ratings
Most Recently Rated
Reviews
Signs (2002)
A Misalignment of Themes and Tones
M. Night Shyamalan's "Signs" ambitiously intertwines a religious theme-believing in miracles over coincidences-with the trappings of a horror film. At its core, the film attempts to explore the profound and personal struggle of faith through the lens of an alien invasion, a promising premise that could blend existential dread with supernatural fear. However, the execution falls short of its lofty goals.
Firstly, the film's emphasis on dialogue-driven scenes aimed at pondering the existence of God and the nature of faith often feels heavy-handed. These moments, intended to be profound, instead lead the narrative into lengthy monologues that detract from the building of suspense. Horror, as a genre, thrives on the unknown and the unexpected, but "Signs" foregoes these in favor of overt philosophical musings, which saps the momentum crucial for a horror film's success.
Moreover, the suspense in "Signs" often comes across as both unnatural and artificial. Instead of a seamless integration of horror elements that escalate tension and fear, the film inserts these components in a way that feels disjointed and forced. The result is a viewing experience that is more tedious than terrifying, lacking the genuine chills that fans of the genre anticipate.
While the idea of mixing spiritual questions with horror is intriguing, "Signs" does not effectively marry the two. The potential to use the alien invasion as a metaphor for divine intervention or a test of faith is evident but underexploited. The movie instead becomes bogged down by its own dialogue, missing numerous opportunities to leverage its horror elements to enhance or deepen the religious discussions.
In conclusion, "Signs" is a film that reaches for a profound thematic resonance but fails to grasp the delicate balance needed between its philosophical ambitions and the demands of the horror genre. It's a movie that makes you think, but not necessarily one that makes you feel, leaving the audience more likely to ponder its intent rather than be moved by its execution.!
The Ring (2002)
The film is Completely useless and doesnt make any sense regarding its moral context. It doesnt ralate at all to the moral context it tries to convey
The film is Completely useless and doesnt make any sense regarding its moral context. It doesnt ralate at all to the moral context it tries to convey
The story of Samara in "The Ring" is indeed tragic and central to the film's horror. Samara was mistreated and ultimately rejected by her adoptive parents due to her supernatural abilities, which they found frightening and unmanageable. Her powers included the ability to psychically etch images onto objects and into people's minds, an ability she could not fully control.
Samara's mistreatment and her subsequent death-her mother suffocated her and threw her down a well-were traumatic. These events led to her spirit becoming malevolent and seeking revenge. The videotape, created by her psychic imprint, became a medium to express her rage and sorrow. Anyone who watched the tape was subjected to the horrific images of her experiences and emotions, culminating in their death after seven days unless they copied the tape and showed it to someone else, thereby spreading the curse.
The film uses this narrative to explore the consequences of how we treat others, particularly the vulnerable, and reflects on the cycle of abuse and revenge. The curse's continuation through the tape metaphorically represents how trauma and violence can perpetuate through generations unless consciously addressed. Samara's story and the curse are a call to acknowledge and deal with past traumas rather than ignoring them or passing them on to others. Does this perspective help make sense of the film's themes a bit more?
Shutter (2004)
Too long and not able to engage you as the story is supposed to because of not promising execution
Shutter," a film centered around a student photographer and his relationship with a reserved female student, struggles to find its footing. The movie attempts to weave horror with a poignant narrative about trauma and its lasting impacts, but falls short in execution. The horror elements, meant to chill, instead come across as overly fictional and fail to evoke the intended fear, making the plot predictable and less engaging. Moreover, the film's pacing drags, making it a lengthy watch that struggles to maintain viewer interest.
On the positive side, "Shutter" does explore significant themes such as the devastating effects of assault and the haunting persistence of love, even beyond death. The storyline provides a critical look at the consequences of violence and the indelible mark it leaves on its victims. These moments, aiming to provide depth, highlight the emotional aftermath and the ghostly grip of unresolved past traumas on the present.
However, despite these ambitious themes, "Shutter" does not manage to captivate fully, largely due to its inability to balance its horror elements with its more serious undertones. The result is a film that feels too long and disconnected, lacking the necessary tension and engagement to make the themes resonate powerfully with its audience.
Ah-ga-ssi (2016)
Long movie that you keep watching for great cinematography with lots of details for a small ending
The Handmaiden disappoints, stretching a tantalizing plot into an overlong cinematic experience. The film drags with excessive detail, turning what could be an engrossing tale into a tedious watch. Although the mystery at its core beckons viewers to stay until the end, sitting through the movie becomes a chore due to its prolonged scenes, especially the explicit performances that feel unnecessarily drawn out. While the cinematography is undoubtedly stunning, capturing each scene with exquisite detail and artful composition, it's not enough to keep the intrigue alive throughout the excessive runtime. These visual achievements, though impressive, cannot fully compensate for the film's tendency to dwell too long on minor elements, which ultimately dilutes the impact of the narrative and leaves you feeling bored. Overall, 'The Handmaiden,' with its promising storyline and exceptional visuals, fails to maintain engagement, making it a beautiful yet ultimately unsatisfying film. Rating: 6/10."
Get Out (2017)
Not bad, its watchable
"Although 'Get Out' starts its plot twist late and exhibits a standard execution, its theme and creativity shine through. The story itself is compelling, but the acting lacks standout moments, often feeling merely adequate (except for the girl). Where the film truly excels is in its innovative theme and creative approach, which imbue it with a unique flair. However, this brilliance is sometimes overshadowed by scenes that seem overly staged or lack nuanced realism, preventing the movie from consistently maintaining the viewer's full engagement. Despite these shortcomings, the thematic depth and originality of 'Get Out' are commendable and demonstrate a strong creative vision."
American History X (1998)
Overally good but not masterpiece. Had some great scenes
"American History X" has some great parts but also boring ones. Derek's character switches from tough to weak, which feels odd. The ending comes too fast and needed more story before it to make sense.
The movie should have shown earlier how the hate grew between the young black boy and the young white boy to explain the shooting better.
In "American History X," while some scenes captivate, others drag, undermining its pacing. The portrayal of Derek, oscillating between a dominating presence and vulnerability, strikes an odd chord, diluting his character's credibility. Moreover, the abrupt ending, a pivotal moment intended to underscore the cycle of hate, lacks the necessary buildup to fully convey its message. The narrative needed to establish the growing animosity between the young black and white boys earlier, providing a clearer context for the film's tragic conclusion, thus ensuring a more coherent and impactful storyline.
The Cabin in the Woods (2011)
It looks like it is imaginanions of a 10 yo boy.
"The Cabin in the Woods" feels like it was dreamt up by a ten-year-old. The ending, in particular, seems more like a child's wild, illogical fantasy than a well-thought-out story. The movie tries to be serious but ends up feeling silly and not making much sense. It's like the whole film is based on a kid's idea, which makes the events and the movie's message seem unsuccessful and not believable.
It starts with a cool idea: a vacation for some teenagers is actually controlled by a higher power. However, the way the movie is made feels fake and doesn't seem like a good film. Also, the story gets too complicated and messy, with too many things happening too fast, which can be confusing. The ending of the movie is disappointing and doesn't leave you feeling good or that watching the movie was worth it. It just seems pointless.
Whiplash (2014)
6/10 . A good movie overall but i didnt like ending
1. Storyline/Plot: 6- good plot but very bad ending
2. Character Development: 9 very good
3. Acting: 9 very good
4. Direction: 8
5. Cinematography: 8
6. Production Design: 7
7. Sound and Music: 8
8. Editing: 7
9. Themes and Messages: it was about a simple revenge but could be more complicated and attractive
10. Originality and Creativity: 8.
The movie explores themes of ambition, perfectionism, and the complex relationship between a mentor and his student.
The film stands out for its original take on the mentor-student relationship and its exploration of the darker sides of ambition and dedication to art. It brings a fresh and intense perspective to the theme of achieving greatness in the competitive world of music.
It raises questions about the sacrifices required for success and the ethical boundaries of pushing someone to achieve their best.