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4400 (2021–2022)
2/10
I so wanted to like this,
14 February 2022
A remake of a classic sci-fi series, but with a black lives matter gwist to it. I really wanted to like this, there was so much potential for some great drama and social commentary. Instead what we get is ham-fisted, tick box drama.

Firstly. There's some truly awful acting here. Really poor.

Secondly. There's some truly ham fisted social commentary. The way the white guards are bad and anyone bad is white, just distracts from the whole sense of drama. It's too obvious and it will put off white viewers for whom it could have been so informative and eye opening.

Thirdly. The ham fisted LGBTQ + representation. It reached a peak with two characters attending a pride festival, with rainbow flags everywhere and a rep wearing a rainbow coloured suit.

Subtle We have a gay cop, a gay tech expert and two, yes TWO trans characters. There was huge scope to subtly introduce these topics and weave them around the characters and story lines but instead it's hammered into that storyline and as such.it's clumsy and awkward and appeared to be there just to tick boxes.

This is such a missed opportunity. You know, a decent drama can challenge people and get them thinking about such important issues as BLM and gay rights, but instead this show is so cliched it actually does the opposite.

A real missed opportunity...
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2/10
Low grade sister version of the main series
1 August 2021
I've never been one to pay too much attention into reviews. So often one mans meat is another mans poison, so I tend to have a look at reviews, but make my own mind up?

The reviews on the show are sadly very close to remark. American horror stories could have been an interesting slant on the original stories, for new original series, But instead what we have with the first two episodes is a low grade rehashing of series 1. All during the first two episodes, I was expecting some sort of need twist or some savage plot move but instead we had was a CW version at the classic American horror series. Episode two finishes with an immensely unsatisfying ending that verges on a happy ending? The acting is poor and the script looks as if it was knocked up in a half hour buzz session.

I think I'll leave this series with the first two episodes, I don't think I can be bothered to invest my time in such poorly written dream.
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9/10
Ignore the Meh reviews, this works...
2 July 2021
Judging by early reviews, The Tomorrow War seems to be getting mediocre reviews, and I just can't see why? Everything about this film's on the money if you ask me? It's Edge of Tomorrow meets Aliens meets Starship Troopers with little bit of time travel thrown in for good measure. Chris Pratt gives an earnest and honest performance and is backed up by a likeable supporting cast. With just a few animated features on his CV, director Chris McKay gives us a full on action fest. The Tomorrow War starts off intriguingly, builds momentum and for once gives us an ending that leaves us satisfied.

It's the first, perfect, easy-going, all-out sci-fi blockbuster for the summer... an easy 9/10 for just allowing me to leave my brain in neutral and just enjoy the ride!
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Clarice (2021)
7/10
Worth pursuing
14 February 2021
Warning: Spoilers
The problem with launching a television series based on an well-known film, is people arrive at it with preconceived ideas. Major complaints and reviews seem to focus on the fact that they can't believe that Clarice Starling is suffering from a post traumatic stress disorder after taking down the serial killer Buffalo Bill. According to them the outcome of the silence of the lambs, most to give Starling strength and self belief that follows on in the subsequent films. But of course her PTSD is very believable and very relevant. None of the reviews seem to think about the affects the film had on its major victim, the senators daughter Catherine. One perfectly relevant moment focuses on Buffalo Bills last, near, victim Catherine. It's perfectly believable but she is now obsessed with her weight and finding it hard to get over the trauma from the film. It's also just as believable but Clarice is also struggling look at past trauma of catching and killing a serial killer, straight out of training. There's nothing here that isn't completely believable. Add the odious Paul Krendler from Silence and Hannibal and you get a perfect villain to add done spice to matters. Pilot episode are notoriously to pull off. You've got 45 minutes to an hour to crab your interest and lay the foundations of a 9 to 24 episode run? Clarice is solid enough, nice enough subtlety and nuance to give you hope that this will be a solid behavioural crime thriller show. Don't go into this expecting a follow-on to be Oscar-winning film. If you're expecting Oscar-winning performances, from Oscar winning actors, you're going to be sorely disappointed... But then again you always would be. This is television, it's an ongoing, procedural episodic crime drama and in that aspect Clarice shows tremendous promise.
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10/10
Everything you could have wanted and more
25 April 2019
If you have even just a passing interest in superhero/sci-fi/fantasy films, then there is absolutely no excuse for not seeing this film. If you go, "well superhero films are for kids/nerds/menchildren" then poor old you, you'll miss out on what is, my humble opinion, one of the greatest fantasy films I've ever seen. Endgame is perfect. It ties up up all the loose ends from the last ten years of Marvel films and leaves nothing, NOTHING, unfinished or left untouched. There are moments, huge moments, that leave you breathless, hopeless and high as a kite. 10 years of slow burn and build up and then bam... This is how you do superhero ensemble films. You build up slowly, you take your time and once you're ready, you make a film that is the sum of all its parts. Marvel has made some truly epic superhero films, the pressure has always been to make film that brings it all together and does it justice. DC/Warner failed abysmally with Justice League, a film that should blown us away but instead just blew up. Endgame does absolute justice to ten years of intricate planning and forward thinking. It takes you on a thrill ride that takes 3 hours and makes it seem like 30 minutes. Oh, and see it at a cinema first, you have to see it at the cinema. It's just too good to see it on anything else first...
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Timeless: Chinatown (2018)
Season 2, Episode 10
10/10
Popcorn Sci Fi at its best!
16 May 2018
They don't usually review film or TV on IMDb mainly because I don't have the time and I've got too much to say... For the season finale of Timeless I had to make an exception. Put simply timeless is essential watching. It started off as a low-budget sci-fi fluff but has quickly become my favourite show on TV. The casting is perfection, the production values as good as you can expect but it's in its perfect mix of cast and action that Timeless excels. You care about these characters, you root fof these characters and it's this mix of interesting and exciting stories and cast that lifts Timeless from good TV to an essential TV. Not every TV show has to contest for BAFTAs or Golden globes , Some are just there to make your day better, to make you feel better. Timeless is such a TV series show and I always look forward to watching actively for an hour, suspending my disbelief and just being purely entertained. Please, please, let there be a season 3...
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Midsomer Murders (1997– )
10/10
A slice of pure nostalgia. Pure genius..
11 December 2007
Let's be honest here, Midsomer Murders is pure television gold. You don't get to 60 plus full length episodes without there being something really special there and Midsomer Murders is really special. For us Brits it represents a slice of English life that rarely gets an airing on British television. Britain today so woefully politically correct and so woefully apologetic about anything that celebrates Britishness that you rarely get to see this side of Britain outside anything other than an Agatha Christie period piece. There is a Britain like this but it's shunted to the side in favour of television that apes our cousins over the Atlantic. Sharp stylish, flashy television is something the yanks do wonderfully but Britain is hopeless at it. Life here in the UK just isn't quite as fast as in the US and the sooner we accept it and play to our television strengths the better. The BBC must be looking at TV like this, Foyles War and other ITV gems and must be green with envy. For the uninitiated Midsomer Murders is Agatha Christie in the 21st century, it's as if she'd been put in stasis and reheated in the 90's. Twitching curtains, lovely rural scenery, beautiful countryside life but with a dark underbelly that belies the quaint exterior. Yes it's over the top sometimes and if you count the bodies it's a more dangerous area to live than New York or Miami or Las Vegas. Watch it and see a part of English life that is perhaps not rapidly dying but is just not PC enough to appeal to the Guardian/Independent readers here in the UK who feel that every British drama must feature a check list of ethnicities and sexualities...
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10/10
Ah.... the good old days..
26 November 2005
The good old days, when horror didn't have to be a) Ironic b) Overtly gory or c) Pychologically damaging. The good old days when a horror movie could make you laugh out loud at it's plain stupidity and low budget. In fact if it didn't say 1992 on the label you'd swear this was a vintage 80's comedy horror. This is a film that revels in it's low budget; in fact it doesn't so much revel it basks in it, bathes in it even.. Yes the acting is suspect but then I'd be worried if it was up for acting awards. The tongue is firmly stuck in the cheek. In short, Lost In Time is fun. It won't cure cancer, it won't win Oscars but it'll make you laugh and it'll take you back to a time when horror could be fun. Ask yourself, when was the last time Horror did that intentionally? 8/10 And a special mention for director Anthony Hickox. Just why isn't he doing bigger films?
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Bit of a surprise.. (SPOILERS)
24 September 2004
Warning: Spoilers
Don't let the trailer fool you. This is not a comedy horror, it's a horror comedy. In other words it's a horror film that makes you laugh rather than the other way round. In fact there are some moments where you actually feel uneasy. SPOILER: There's the part where Shaun's best mate buys it and Shaun's left in the cellar with seemingly no way out. You find yourself wondering where the "And then I woke up" part kicks in as surely no comedy film would have a main character killed off?

There are parts that are genuinely quite creepy but more importantly there's a lot of subtle comedy that you just wouldn't associate with a Zombie-Comedy. Watching the opening sections were Shaun goes to work/ the shops and then watching the same route but Zombiefied, you notice a subtle change to the background events.

All in all it's a helluva lot better than you'd think. 8/10
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Impressive
13 July 2002
I approached "The Bourne Identity" with no bias. I hadn't read the book and I wasn't a huge fan of Matt Damon. That said, I found the Bourne Identity very entertaining. You'll get a lot of Ludlum fans getting very anal about the treatment of the book, but at the end of the day you're left with a tight, solid, spy thriller. Very reminisent of the cold war spy films of the 60's and 70's it has a very dark look and feel to it. It also has a feeling of unpredictabilty to it. You feel that any one of the main protagonists is expendable, even Damon, and that gives the film a real edge. An 8 out of 10 and well worth a look.
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