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Mamma Mia! (2008)
True to what it promises: A First-rate Crowd Pleaser
I have to admit that I was neither a fan of ABBA or of the musical show on which this movie was based upon, and didn't attend it when it was shown in my town. But I went to the movie excited about three things: a very good trailer, recommendations from all my friends and most importantly the presence of Myrel Streep and Colin Firth, two of my very favorite actors.
So, let me put it that way: Mamma Mia! is one of the most entertaining pieces of cinema that I have seen in a long, long time. Yes, it doesn't have the gorgeous stylization of Moulin Rouge or the raunchiness of Chicago, but in its own way, it's just amazing. The simple presentation is backed up by a fantastic cast, a heartwarming story about love and the meaning of family, and a bunch of beautiful songs. Watching this film was one of the most beautiful movie-going experiences I had; I saw it 3 times in packed theatres, where audiences were quiet when they needed to be, and active and responsive otherwise. In those three times, the first Dancing Queen number got wild applause by the minute it was over, a proof of the entertainment value of the film. And near the end, when Donna looks at the screen and asks why everyone is still there while the credits are rolling, she says "do you want one more song?" and the entire audience would scream "YEAH". This is a first-rate crowd pleaser; a film that takes you into its world until you feel you are part of it. What an achievement.
To some cynics, the story, involving a 20-year-old girl inviting three of her mother's old flames, suspecting one of them would be her father, is just an excuse to build a movie around Abba's songs. But what's wrong with that? The story is sweet and simple; the characters colorful and lovable, and the musical numbers are breathtaking without even trying to be anything spectacular. The cast are all excellent, starting with the adorable Amanda Seyfried, playing an energetic, practical girl torn between her love to her boyfriend, her sense of obligation towards her hard-working mother and her sense of incompletion because she doesn't know who her father is. A complex role, presented in an airy method, and played to perfection by the young actress. Julie Walters and Christine Baranski add comic genius to the equation as Donna's best friends, and so does Stellan Sarskard and Dominic Cooper. Colin Firth gives one of the best performances of his rich career, deserving all the praise possible for his "spontaneous" performance, and his final revelation is hilarious, and handled with so much cuteness and zero cheesiness that would be expected from Hollywood on such occasions. Pierce Brosnan was as hot as ever (sorry, can't find another word) and he added some real charm and star charisma to the picture.
Which brings us to Myrel Streep. The Woman Who Can Do No Wrong. Yes, she can appear in mediocre movies, most recently in the likes of Prime and Lions for Lambs, but even then she adds a spark to the entire project, and makes watching these films an agreeable experience. In Mamma Mia! she is just absolutely fabulous: she dances, she sings, she acts like the legend she is, and in one particular scene preparing her daughter for the big night, she reminds us why she is so respected and, at 59, she is still a major Hollywood star: she is just simply a phenomenal performer. Fun, lovable, and definitely capable of handling a tune, her Super Trouper and Mamma Mia! numbers are highlights in the film.
So, all in all, Mamma Mia! was the ultimate fun experience for me this year. Sweet, sensitive, and charming with a superb cast and beautiful music. Give it a shot in this summer of superheroes and bad movies, and it will help restore your faith in old-fashioned, simple cinema. If not, then at least you will have a heartwarming 2 hours of music, love and Streep and Firth excelling beyond expectations. Go see it with an open mind and, most importantly, an open heart and you will be "having the time of your life".