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Parkland (2013)
5/10
Lots of stuff left out
20 October 2014
Warning: Spoilers
If this was to be a comprehensive look at what happened at Parkland Hospital, it fails. The reason why is that when a movie is "based on facts" it becomes fiction, or "faction" which makes for some interesting yarns, but is not truly factual and dramatic license has been taken.

There were SEVERAL physicians who were in the ER at Parkland who were not put into the script. Of particular note are those who had controversial things to say about the President's wounds. Those physicians mentioned there being a "wound of entry" in the President's throat that was used for a trache, and those who metioned the "large avulsing" wound behind the President's right ear. The movie has virtually every attendee covered in blood for dramatic effect. There is absolutely NO mention of Governor Connolly in trauma room two. Marcia Gay Harden's character is also one developed from a couple of other nurses there as well.

There are so many details which have been attested to in other sources from the doctors present that are presented in error in this movie. Some of the dialogue of the Secret Service and FBI in this movie should have been corrected, as much has been added for dramatic effect. FBI special agent James Hosty is shown covering up evidence from a file on orders from his superior. We now know that the Secret Service also falsified or destroyed evidence as far as into the 1990's that was pertinent. Of particular glaring disservice to the story is that the expensive bronze coffin was not covered in a rubber sheet before the President's remains were put into it, or that the driver of the hearse was roughed up. The dignity of Jackie Kennedy so often mentioned, is lacking in this portrayal.

The role of Robert Oswald is well played in the movie. The role of his mother is a character with many flaws. While she did actually maintain the her son Lee worked for the government in some capacity, which there is some evidence he was an FBI informant and was played by the pro and anti-cuban elements of intelligence agencies, Marguerie is played as a fruitcake, money-grubbing huckster.

For more factual material, try reading the book "We Were There" put together by Parkland Medical School alums, or "Trauma Room One" by one of the doctors who was actually there. It is quite obvious that the producers never mentioned the head wound like the President"s deputy press secretary did or as other witnesses did, but that would open up a whole bucket or worms the producers were afraid to get into.
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9/10
This sums up much of our present condition
22 September 2014
Warning: Spoilers
After seeing the other two parts of the Atlas Shrugged Trilogy, I was anxious to see this one.

Due to severe budgetary limitations, there are a lot of production values missing from a big Hollywood movie, but that doesn't really matter. There are those who are Alinsky socialists who will never see the picture for the ideas presented.

This movie pulls together and solidifies the what the Founding Fathers desired. They had studied the failed societies in the history of the world, and each of them knew about the fallen state of man's nature. They were highly influenced to create a society where the individual would be free to create and succeed without being needlessly held back by government interference and "red tape".

The Pilgrims realized that man's fallen nature was the reason why their experiment in a "common wealth" failed. The industrious had no incentive to work hard when the able bodied and lazy just let his fellow man take care of him. The Founding Fathers created a society where the government was kept in check and out of the way of hard work making one prosperous. Sure, some of the Founders had slaves and were white. That is history and yet we don't have slavery today, EXCEPT for those who have been given handouts and are enslaved to the government for their living. We ought to encourage them join the society of those who do not need the government.

What does this have to do with "Who is John Galt"? EVERYTHING! This is a lesson in what happens when the Government is in control and they only have the interests of a FEW people. They act like they are for ALL people, but they are only all about themselves. Through crooked and shady "deals" the hard work of the average citizen is used to pay for all sorts of things to make these few more powerful. The difference between Dagny Taggart and her brother are startling throughout the trilogy until the brother realizes he has just been a pawn of the power elite. The power elite decides who has food, who lives, who dies. The citizenry are constantly being asked to help their fellow man though another government program. The one that breaks the proverbial camel's back concerns the 20th Century Motor Company. Today our citizens have become so conditioned, they have lost the will to fight.

The issues raised in each of the three movies, but especially in THIS one, make us pause to realize just HOW MUCH liberty, freedom, and responsibility we have lost. The movie talks about a period of 12 years, yet we have seen most of this happen in just the 6 years of Obama. The republican "conservatives" have been bought off by pop culture, the agenda of the liberal media to ruin someone who opposes the agenda of socialism, and by political correctness and corrupt "deals" that have corrupted any opposition in the "conservative" party.

When you hear the chant in the movie "We want Galt!" it brings to mind the 'tea party'--who really only exist to fight for a return to sound government, smaller government, the rule of law and the Constitutional protection of "checks and balances" over unrestrained dictatorial power, and the every increasing despotism of the government in our daily lives.

Because of all the bad-mouthing of the libs who have excoriated Ayn Rand's thinking through the decades and the media's influence in non-reporting stories contrary to a collectivist nature, I would not expect the message of this movie to be promoted. It's dangerous. The people might just fight for their rights to be left alone by the constant government shake down.

This message should be spread. It is powerful. This movie is a reminder of just how far our society has gone down the wrong road. While written in the 1950's it is a prophetic warning for us all to stand up for our minds, our opinions and our way of life before they are taken completely away from us.
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Peter and Paul (1981 TV Movie)
Answers the question "Who did Jesus come to save?"
21 July 2003
This is a great movie for those who want to understand the early decades of the Christian church. Anthony Hopkins as Paul and Robert Foxworth as Peter are fabulous in their acting. Paul is obviously more passionate and the story tends to give him more screen time. The movie tells the story of how and what the disciples did following the Resurrection. In the book of Galatians in the New Testament, Paul is revisiting churches he started which have come under the influence of Judiazers who say that Christians must be Jews, and that Gentiles must be circumsized.

Paul meets with Peter, who has not left the general area of Jerusalem to discuss this problem. His argument is that Jesus came to save all--Jew and Gentile alike, and he has been travelling to Greece and Asia Minor making large numbers of converts. The arguments he makes to Peter, is that salvation is by faith, that Jesus plus nothing is the key to salvation, and that works or previous Jewish religious practices are now irrelevant. Peter eventually is pursuaded, and after about 30 years of doing little, agrees with Paul's arguments. Paul's other journeys are dramatized and his final days seem to drag out the movie, but the performances are top notch!
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An incredible documentary
18 July 2003
This is as much a documentary as it is history. The restoration and care of the film is well documented, and then it is shown in the clearest resolution ever seen. Obviously, the most historically significant piece of motion picture film ever seen.

The film was not seen in public as a motion picture until the Jim Garrison trail of Clay Shaw brought it out of the vaults of Time-Life. The Warren Commission only saw slides which did not accurately show the head motion of the fatal shot since the FBI had put some of the slides into the carousel in the wrong order.

After bootleg copies were shown on college campuses, it became obvious that there were factors to the fatal shot that fueled the fires of possible conspiracy when it was readily apparent that the final shot was at very close range and not consistent the with downward angle from a "sixth floor" shooter.

Some researchers, after years of painstaking searching for details, have concluded that there are possibilities that even the official Zapruder film is not as reliable a source as the undamaged copies made that need to be studied as well.

Regardless of your views of the assassination, as brutal as the images are, they are truly history that every American should be aware is available to see for themselves.
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Raymond Berry is fantastic
2 July 2003
One of the biggest issues that critics had with Oliver Stone's "JFK" was their claim that he was not true to the facts. One of the biggest problems for Stone was that critics jumped on leaked early screenplays in an effort to discredit his film before it was finished. His movie was based on Jim Garrison's book "On the Trail of the Assassins" and on Jim Marrs' heavily footnoted book "Crossfire". After the movie came out, Stone published an annotated screenplay with the documentation for his script. For those of us steeped in the research of the many angles of the story of the Kennedy assassination, the details recounted were incredible. That film stayed with the New Orleans angle which includes the intriguing David Ferrie, and not once goes the direction of HSCA's mafia angle. The film "Interview with the Assassin" takes a different approach. I found the first 3/4ths of the movie fascinating and compelling, while as the plot progressed, it seemed like it was in a hurry to finish, like someone working on a term paper and running out of time to really make a suitable conclusion. Raymond Berry is utterly fantastic as Ohlinger, a man wanting to clear his mind before he dies from cancer. The film is often open and revealing, and other times shaddowy and brainy. The cameraman is a willing accomplice who become more involved in the action and becomes vitally important to the conclusion which I found less than satisfying. The promise of the early part of the film seemed unfulfilled at the end for me. While this one is not as highly documented as Stone's JFK, and won't reopen investigations to fill in many of the blanks, it is a good film nonetheless.
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