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Great
21 June 2003
I saw this film only recently. I was sparked to see it because I was interested in seeing Paul LeMat in what I had heard to be was his most defining film role. From the first scene I was hooked. The scene in which the character of Melvin picks up Jason Robards, playing Howard Hughes, in the desert. The two singing Bye Bye Blackbird to each other and then remarking about the scent of sage and greasewood was both touching and humorous. Robards short performance in the film was underrated and one of the best I have seen him give. Paul Le Mat is wonderful, giving a performance that is oozing with comical sweetness and vulnerability. He is one of the only actors I have seen to truly embody the blue-collar man authentically. Mary Steenburgen in daffy and hilarious. There was not a lacking actor in the film in my opinion. It is a travesty that Paul LeMat never achieved the success that he could have with performances like this and in his many other seldom viewed films. This offbeat treat is one of the best written movies I have seen in a long time. If you get the chance to see it, please do.
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American Pop (1981)
Good, but underviewed and misunderstood.
20 June 2003
This film was one that I was reluctant to see at first when it came out on video in the mid 90's. I eventually saw it and it interested me in many ways. The concept of a newly American family transcending through the century by ways of musical pop culture is an innovative idea. The main fault in the film resides on the fact that the filmmaker had somewhat misguided judgements on what exactly pop music and history was in the era that he was depicting. Apart from that I found the dialogue not condescending and the actor's voiceovers quite convincing. The verbal exchange between the character of Tony and the blonde was one of the most authentically written love scenes I have ever encountered in a movie. It was interesting to see the tortured characters succumb to weaknesses and eventually prevail at the end, however unrealistic it may have been represented. Some viewers of this film complain of the chopping rotoscoping used in it, but I found it refreshing seeing through the film to it's eventual endeavor by use of the actor's faces along with their voices. The grittiness of the film was more enjoyable to me. It showcased a lot of underrated talents of actors whose careers never took off such as Jeffrey Lippa and Lisa Jane Persky, among many others. It is often sad how talented represented actors get pushed aside the a world of notoriety. The most identifiable to me was Ron Thompson in the voice of Tony and Pete. I wish that I had seen him in so many other films. His verbal performance was enough to convince me that he was accomplished otherwise as an actor. I think that this film could have been a bit better if it were less presumptuous of the musical mainstream that carried the story through, but eventually it was entertaining. Though this film was not well known and a bit misguided I recommend viewing it at least once.
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