Reviews

The cinematography is spectacular and unlike many others I enjoyed the soundtrack, but this is a Titanically boring "adventure." A Man and a Boy, trying to outrun the Apocalypse, wander into danger, hide, whisper, cower, run, escape ... then wander into new danger (and repeat steps 2,3,4,5 and 6). Between dangers, the Boy cryptically asks the Man colossally significant questions ("Are we the good guys?" ... "Would we ever eat people?"), and the Man reassures the Boy with all the right answers. And they gaze into each other's face for hours and hours it seems at a variety of camp fires on their trek to the sea. After about a half-dozen mainly implausible dangers, uninteresting escapes, pretty camp fires, and lame father-son heart-to-hearts, plus one tableau of emaciated prisoners awaiting to be eaten, I was looking at my watch, preferring to stick a fork in my eye than see one more faux-frightening episode. For me, the only superlative for "The Road" is it is the most unlikable movie I've seen.

The scenery is breathtaking, the explorer/scientists brave and adventurous. What "Journey Into Amazing Caves" does is take viewers on an excursion to several caves -- virtually impossible to reach, in some cases never before seen by the human eye caves, spectacularly remote caverns tucked away in some of the Earth's most extreme landscapes. And they do it not so much for the joy of the journey as for, potentially, the benefit of mankind.

The theory behind these grand, yes life-threatening expeditions is that if organisms that can live in the earth's least friendly enviornments, if they can thrive despite extreme heat or cold or other hideously harsh conditions, they might well provide clues to cures for human disease.

The name for these extraordinarily hearty organisms is "extremeophiles," and the "stars" of "Journey Into Amazing Caves" set about reaching and collecting samples of these admirable little forms of life, from caves cut into the walls of the desert mountains of Arizona, and the ice caps of Greenland, and the deep seas and lagoons of the Yucatan Penninsula of Mexico.

At minimum, "Amazing Caves" is a collection of glorious moving-picture postcards, the likes of which you surely have never seen. At best, it is an inspirational look at some amazing feats that humans accomplish in order to fulfill, well, curiosity.

As the credits rolled today when I saw this film, the audience cheered. Take yourself on an expedition this summer, see planet Earth as you've not seen it before, give yourself something to cheer, go see this movie.

Million Dollar Baby is a movie about boxing like Braveheart is a movie about men in kilts riding horses. What it is is a movie to experience if you find yourself ever entertaining thoughts about loyalty, determination, talent, no talent, age, youth, courage, fear, fate, and the pain and joy of both living and dying.

I read reviews of Million Dollar Baby and expected to like it. Roger Ebert can be soft on movies because he is plainly a big fan, but even he does not lightly toss around the M-word, masterpiece. Yet he drops it on MDB, and justly so. The story is simple and searing. A gal (Hilary Swank) with much heart and no experience aspires to be the champion of the world. She is Rocky in a sports bra. A grizzled fight trainer-manager/gym owner (Clint Eastwood) reluctantly takes her on. His best pal and wise-man assistant (Morgan Freemna) stands alongside them, as the plot unwinds steadily, seamlessly, picking up speed, scene by scene, act after act. Eastwood and Freeman are artists at the top of their profession and they, along with the brilliant Swank, present you the very worthy lives of three people you will care about and remember. The arena is boxing, but it might as well have been boating or baking. It is a story about values and truths that far exceed sports and movies. I walked into the Lowes Lincoln Square theater last night knowing Million Dollar Baby was taking me on a ride and willing to hop aboard. What a beautiful, memorable ride it was.