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We Live in Time (2024)
Honest Opinion
Oh, "We Live in Time," you say? Another gem from director John Crowley and writer Nick Payne, eh? Well, let's all have a round of applause for mediocrity, shall we? I mean, it's got Andrew Garfield and Florence Pugh - so it must be brilliant, right? Wrong. This one's got everything except, oh, I don't know, a soul.
The plot? Well, it's alright, if you enjoy the cinematic equivalent of beige wallpaper. The narration? Textbook stuff, really. By which I mean the writer clearly ticked off all the rules but forgot the one about making it, you know, feel like real life. And don't get me started on the direction. It's all perfectly polished, perfectly staged, perfectly... fake. The scenes are flatter than a pancake on a Sunday brunch.
Now, let's talk Garfield. Bless him, he's trying his hardest. Really giving it some welly. But Florence Pugh? Ah, she's only gone and trotted out the same old facial expressions she's been flogging in every film since the dawn of time. Overrated, much? There's nothing fresh about her performance; it's like reheated leftovers, isn't it?
As for the rest of the cast, well, they gave it a shot, didn't they? Can't fault 'em for trying. Cinematography? Production design? Fine. Just fine. Music? About as memorable as elevator tunes.
Bottom line? Don't bother. Absolutely not worth the time or the ticket. You're welcome.
Mathu Vadalara 2 (2024)
Honest Opinion
The story is paper-thin, but the narration keeps things fun and suspenseful. The screenplay delivers some good laughs and a few dull moments.
Sathya's comedy steals the show in the first half, especially before the interval-some scenes are laugh-out-loud funny, while others miss the mark. Rohini's track is kind of flat this time around-not as hilarious as in the first part.
The second half brings in more crime and thrills, but only a few hit the right notes, with some feeling silly, and the climax is downright ridiculous.
Sri Simha, Fariah, Sunil, Vennela Kishore, and the rest of the cast give it their all.
The cinematography and sets look good, while the music is just average. The direction holds up well.
You can watch it for the comedy, but overall, it's a bit of a below-average ride.
A.R.M (2024)
Honest Opinion
Caught the Telugu dubbed version of this Malayalam flick in Hyderabad, and here's my take:
The story has its highs and lows. There are many interesting and fresh ideas, but a few parts are a bit silly and boring.
The characters, though, keep things lively and engaging most of the time.
The screenplay flows well, with some scenes standing out as exceptional and a few feeling like they could have been shorter.
Tovino Thomas shines, playing three different roles across three time periods-he nailed it! My favorite was his thief character.
Surabhi Lakshmi, Krithi Shetty, and the rest of the cast also did a great job in their roles.
Aishwarya Rajesh's extended Cameo appearance added extra flavor to the film.
The production values are top-notch, with great cinematography.
The locations, sets, and costumes are all on point.
The background music sets the right mood, and the direction ties everything together nicely.
Overall, it's worth a watch!
Joker: Folie à Deux (2024)
Honest Opinion
The story falls flat due to weak writing. While a few scenes are dramatically well-executed, they fail to captivate the audience, making the movie feel tedious from the start. The progression in both writing and direction is lacking, raising the question of whether a sequel was necessary in the first place.
Joaquin Phoenix once again delivers a remarkable performance, but it is difficult to fully appreciate or enjoy it given the film's flaws.
Lady Gaga's portrayal of Harley Quinn is underwhelming.
Even Todd Phillips' competent direction does little to elevate the movie.
I don't recommend watching this film. Instead, revisit the original "Joker," or better yet, check out the Indian mini Web Series "BRINDA" - you'll thank me later.
The Greatest of All Time (2024)
Short Review
This flick's got a bit of a mix, innit? Some bits of the story are quite good, but a fair few are a bit daft.
The screenplay's got a few decent scenes here and there, but some parts just don't sit right.
A couple of plot twists are proper clever, while others fall flat on their face.
Seems like the director was having a go at copying that Hollywood action movie style-bit too much, if you ask me.
We've got a few cameo turns from some big names, Dhoni looking up in the cricket ground and Trisha popping up for a peppy dance are the best of the lot.
As for Thalapathy Vijay and the rest of the cast, they've given it a fair shot, bless 'em.
But the cinematography? Not much to write home about.
The music doesn't hit the mark either.
And that de-aging tech? Looks a bit like it's been done on a budget, mate.
All in all, it's a bit of alright if you're a die-hard Vijay fan, but don't expect too much, yeah?
35-Chinna Katha Kaadu (2024)
No Spoilers
This movie's got some serious vibes! The concept? Straight-up beautiful. Characters and plot? Built like a pro. The screenplay's got that slow-burn pace that totally fits the flick. Dialogues are on point, though a few scenes feel like they're draggin' a bit. A few scenes you might see coming, but overall, it's mad well-written and directed.
Nivetha Thomas? She's slayin' in her role, giving a killer performance. The kid actors? They brought their A-game. Vishwadev, Priyadarshi, and the rest of the cast? They did their thing just fine. Cinematography is pure fire-those shots are chef's kiss. Sets, costumes, makeup? All looking legit.
Bottom line? You gotta check this out-hit up the theaters or atleast catch it on OTT when they release it, but don't sleep on this one, especially if you're rolling with kids or parents!
IC 814: The Kandahar Hijack (2024)
Worth Watching.
The web series on the IC 814 hijacking is a commendable effort that captures one of the most gripping and significant episodes in India's modern history. One of the standout aspects of the series is the extensive research and development that clearly went into crafting the story. The attention to detail in portraying the real-life events, characters, and intricate political dynamics is truly appreciated.
The screenplay is solid, managing to hold the viewer's interest throughout the six episodes. The narration is engaging and well-paced, maintaining a fine balance between tension and storytelling. Notably, the series does a great job of staying away from any propaganda, which is refreshing.
The dramatic elements of the series are well-executed, though there is room for improvement in terms of clarity. Certain aspects, such as how RAW (Research and Analysis Wing, India's foreign intelligence agency) or airport security operates, might be challenging for the average viewer to grasp.
The acting performances are commendable overall. The actors portraying various roles deliver convincing performances, bringing depth to their characters. However, the portrayal of the hijackers could have been more impactful. While they performed adequately, there was potential for a more nuanced and intense portrayal.
From a production standpoint, the series does well. The production values are high, with well-designed sets that effectively recreate the environments of the time. The cinematography is particularly impressive, capturing the intensity and urgency of the situation. However, the choice of a blue tint in the color grading felt somewhat jarring and detracted from the overall visual appeal.
The music is well-composed, adding to the tension and drama without being overpowering.
The direction is commendable, effectively steering the complex narrative and managing to keep the audience engaged from start to finish.
Overall, this series is definitely worth watching. It provides an engrossing retelling of a dramatic real-life event, supported by good direction, solid performances, and high production values.
Saripodhaa Sanivaaram (2024)
Honest Opinion.
The story and concept are decent, but the screenplay feels a bit stretched, with a few standout moments and quite a few slow ones. Some scenes drag on and could use a bit more energy.
SJ Surya's part is a highlight, bringing in humor that's well-written and entertaining.
The movie lacks a strong emotional connection, which could have made it more impactful.
The interval and climax action scenes are a treat to watch and are executed very well, but the cliffhanger ending for part 2 feels more irritating than exciting.
Nani, as always, gives a solid performance.
SJ Surya truly brings his best to the role, He is the best part of the film.
Priyanka Mohan continues to struggle with her acting and her pretty face charm seems to be fading.
I was hoping for more from Aditi Balan since I'm personally a fan of her acting skills.
Sai Kumar, Ajay Ghosh and the rest of the cast do a commendable job.
The music is a bit of a mixed bag - great in some scenes, overly loud in others, and just plain dull at times.
The production values are top-notch, with beautiful locations, detailed sets, and eye-catching costumes.
The cinematography is fantastic, adding a lot of visual appeal.
Vivek Atreya's direction shows promise, but the writing could have been sharper and more engaging.
So, Decide for your self, weather to watch it in theatres or wait for the OTT release.
Maruthi Nagar Subramanyam (2024)
Worth Skipping.
I had some hope after seeing the promos-thought this would be a delightful, feel-good film. Silly me! Apparently, the filmmakers believed every scene would be a riot, but alas, only a couple of them managed to tickle a nerve. The rest? About as exciting as watching paint dry. They decided to stretch a tiny plot, probably enough for a short film, into a full-length feature-brilliant idea, right?
So, we have a jobless, lower-middle-class man Subramanyam in his 50s who suddenly finds a million bucks in his bank account. Why? How? That's the burning question. The answer? Oh, they drag us through an hour-long tribute to Allu Arjun-movies, dialogues, antics, you name it. Just what we needed, right? And don't even get me started on the "wedding during the corona lockdown" sequence. It felt longer and more torturous than the actual lockdown. I couldn't help but wonder if I was watching a movie or accidentally switched to a never-ending daily serial.
As for the love story between Arjun and his girl friend? Riveting stuff-if by riveting, you mean uninteresting and downright annoying.
Now, let's talk about the lead actor, Rao Ramesh. His acting is as good as ever-though, good luck actually enjoying it. Indraja, playing his wife, did an okay job. Nothing to write home about.
The music? Let's just say it's generously below average. And the direction? Middling at best.
In summary, totally worth skipping.
Double Ismart (2024)
NOT GOOD
This movie falls short in several areas, starting with its plot and characters, which come across as silly and poorly developed. There's no proper connection to the prequel, making it feel disjointed for fans who were expecting continuity. The narration is loud and grating, which only adds to the overall unpleasant experience. Much of the film is uninteresting and boring, with the few moments that try to stand out instead coming off as cringe-worthy.
Ram, as expected, gives his best performance. He does what he can with the material he's given, but even his efforts can't lift the movie out of mediocrity. Sanjay Dutt is unfortunately underutilized and doesn't get the opportunity to showcase his abilities. Kavya Thapar brings some visual appeal to the film, but her role lacks depth. Ali's comedy, which might have been a saving grace, ends up being more irritating than entertaining.
The music fails to leave a lasting impression, and the direction feels outdated, lacking the freshness or creativity needed to engage a modern audience. Given all these factors, this movie is not one I would recommend. It's better to skip this one and look for something more worthwhile.
Mr. Bachchan (2024)
Bad Remake
This movie is based on the Hindi film "Raid," which is a good choice. The period setting trying to bring back some memories in a few scenes failed. The screenplay has a mix of few fun moments, but there are also many awkward, silly, and dull parts.
Ravi Teja does a fantastic job in his role as usual though It's not his best written role.
Bhagyashree looks good, with expressive eyes, cute face and hot body. While her acting is average, with some luck, smart choices, and good publicity, she could become a star in a few years.
Sathya's comedy is okay.
The production values are fine, and the music is decent. The cinematography is well-done, and the direction fits the style of a cringe commercial entertainer.
Overall, this movie is a cheap entertainer with many flaws. If you can watch it without any expectations, you may still not like it.
Indrani: Epic-1 Dharam vs Karam (2024)
CHEAP
This Telugu sci-fi superhero flick really went all out-on failing, that is. The plot? Oh, it's got a "great idea" buried somewhere, but you'd need a treasure map to find it. The story development is so weak, it feels like they made it up as they went along. The screenplay? A total snoozefest, with pacing so off you'll wonder if the editor just gave up halfway through.
As for the direction, let's just say it seems like they let a first-timer call the shots. The dialogues? Pure gold-if you're into cringe-worthy lines that sound like they were pulled from a bad soap opera. And those production values? Wow, they really stretched that budget, didn't they? Cheap sets, even cheaper costumes, and VFX that look like someone's first attempt at CGI.
The acting is just as impressive-if your standard is lifeless delivery and zero chemistry. The songs? Oh, they're just the cherry on top of this disaster, making you question every life choice that led you to this point.
Cinematography? It's as exciting as watching paint dry. So yeah, if you're into wasting your time, this movie's perfect for you.
Committee Kurrollu (2024)
Friendship and Nostalgia
Where do I begin ..? Let's start with the storyline, shall we? It's packed with all the fresh and exhilarating elements you could ever dream of-like "Elections," "Jathara," and "Caste." Because, of course, nothing screams originality quite like cramming every overused trope into one film.
The screenplay? Well, it's not bad. But don't get your hopes up, it's not good either. It does just enough to keep you from falling asleep, but not enough to keep you engaged.
The actors? They did good. Not great, not terrible, just good. A round of applause for their effort in delivering performances that won't be remembered but won't be completely forgotten either.
Ah, the nostalgia and friendship how could we forget? It's that forced, contrived kind of emotions that tries so hard to remind you of the good old days and make you emotional.
Background music is Good but songs are as average as you can get.
Cinematography is decent. It's not going to win any awards, but hey, it gets the job done.
Production values are, well, okay. They're not rich, but they're not poor either.
As for the art and costumes, they are just fine.
So, if you're the type who gets a thrill out of watching the same old elements like "Elections," "Jathara," and "Caste" rehashed for the umpteenth time, then this film is absolutely for you. If not, well, you've been warned. Decide for yourself...
Usha Parinayam (2024)
Outdated
This movie feels like a blast from the past, reminiscent of films from two decades ago. While the story offers a few fresh ideas, the rest is just more of the same old stuff we've seen before. Most of the comedy scenes fall flat, with only a handful managing to elicit a chuckle. The screenplay drags and feels outdated, and the direction is stuck in the past.
Lead actor Sri Kamal doesn't have the looks or the acting chops to impress, but he does come across as hardworking and dedicated. Tanvi is cute, but her acting is just okay. If she takes a page out of Samantha's book (think cosmetic surgeries, fillers, gym, skin show, self-promotion, PR, etc.), she might become a star.
The production values are decent, the cinematography is average, and the music is below par. Overall, it's not worth your time.
Brinda (2024)
Honest Opinion
The story is has compelling elements and features a cast of intriguing characters.
The treatment of the narrative is realistic, making it easy to immerse oneself in the unfolding drama.
The Screenplay is captivating and holds your attention, even if it progresses at a slow pace.
The suspenseful plot, enhancing the mystery elements keeps the viewer hooked.
The dialogue, while not exceptional, serves its purpose adequately.
The direction is commendable, reflecting a solid grasp of the storyline and characters, though there is always room for slight improvement.
Trisha embodies her character with a subtlety and naturalness. She avoids any hint of overacting, instead delivering a performance that feels genuinely real. Her simple, makeup-free look is both stunning and fitting for the role, showcasing her natural beauty and acting prowess.
While she did not dub her own voice, the dubbing artist put forth a commendable effort to match Trisha's nuanced acting but it lacked the subtlety that was in Trisha's performance and there are also a few instances of imperfect lip-syncing. However, these minor discrepancies are easily overlooked.
Anand Sami delivers a chilling and intense portrayal of a serial killer, bringing a fresh and captivating presence to the screen. His performance is both innovative and convincing, making his character stand out.
Ravindra Vijay shines in his role, delivering such a convincing performance that one might believe he could be a real-life police officer. His portrayal is authentic and grounded, adding depth to the narrative.
Rakendu Mouli also delivers a solid performance,
Yashna, as Chutki, is endearing and plays her role with charm, adding a lighthearted touch to the film.
Indrajit Sukumaran and the rest of the cast also deliver commendable performances, each bringing their characters to life in a believable and engaging manner.
The production values, while modest, demonstrate a commendable effort. The locations are well-chosen, the sets appropriate, and the makeup is kept natural to match the series' realistic tone.
The cinematography, although it could be improved, effectively captures the essence of the scenes.
The music complements the mood of the series beautifully, adding depth to the viewing experience.
Overall, this is the best web series to come out of South India.
Darling (2024)
Avoid This Film
Honestly, this film is atrocious. It's beyond cringeworthy and unbearably slow. Despite its 2 hours and 40 minutes runtime, it feels like it drags on for over four hours. I was tempted to leave the theater halfway through. Nothing feels organic; every element is forced and artificial.
The lead character's arc has potential and relatability as a concept, but its execution is severely lacking.
Priya Darshi is a talented actor who has done commendable work recently.
Unfortunately, Naba Natesh was a terrible choice for the female lead. Her role is too demanding and intense for her capabilities. Her acting is poor, she comes across as artificial, and even her dubbing is subpar.
There are a few comedy actors in the film, but they don't deliver any laughs because the script fails to provide them with good material.
While the cinematography is amateur, production design, and costumes are well done, the songs are terrible, and the background music is below average.
This film is not recommended at all.
Indian 2 (2024)
Skip it
I watched "Indian 2" with low expectations, especially after the lackluster trailer and songs. I was worried they'd ruin the original, and they came close.
For starters, there's no direct continuation from the first part, they just borrowed the theme and our beloved main character Senapati for this new story.
The plot has its ups and downs- few good, and a few unconvincing and silly moments.
The screenplay follows suit, featuring few engaging sequences, a lot of dull scenes, and cringe-worthy ones.
Kamal Hassan, as always, delivers a stellar performance. His dedication, hard work, and love for cinema shine through.
I wasn't a fan of his makeup in the trailer which reflected in the film as well.
Siddharth plays his part perfectly, and it's heartwarming to see Vivek and Venu back on screen, Priya and others did fine in their roles.
The cinematography is top-notch, with fantastic sets and rich locations.
While the songs are average, the background score is fine.
The fight scenes are a bit over the top, but that's to be expected.
Shankar's direction remains impressive in few scenes, and this is his weakest work till date.
The film is lengthy.
I've got a feeling the third part will have more potential.
Kalki 2898-AD (2024)
Mixed bag of Delights and Letdowns.
Buckle up for a roller-coaster ride through cinematic chaos! The story idea is an absolute gem, brimming with potential, and the characters are nothing short of a casting director's dream-each one brimming with pizzazz and personality. But alas, their development seems to have been left in the microwave a bit too long, coming out half-baked.
The screenplay? It's flatter than a week-old soda. Though, I must admit, it does have its fizz in a few key moments, like the interval and the climax.
Dialogues? Let's just say they won't be winning any literary awards.
Now, onto the comedy-it's the kind that instead of tickling your funny bone, it goes straight for the jugular, and not in a good way. The world-building feels like it was put together with duct tape and imagination, lacking the immersive magic we hoped for.
But let's talk about the legendary Amitabh Bachchan, who is stellar as always.
Prabhas gives it his all, bless his heart.
Kamal Hassan makes a brief yet dazzling appearance, hinting at more brilliance in the next instalment.
Saswata Chatterjee? He brings his A-game, no doubt about it.
Deepika Padukone looks fine and delivers a decent performance, and her Telugu dubbing is better than that in the trailer.
Disha Patani is scorching enough to set the screen on fire in her limited screen time.
The rest of the cast, including Pashupati, Shobhana and Rajendra Prasad put in decent efforts. However, the film is sprinkled with cameos like confetti at a surprise party-most of which are more of a head-scratcher than a treat.
The action scenes? They're as disappointing as a soggy French fry.
Cinematography is serviceable, background music hits the right notes, but the songs miss the mark.
Production values are respectable, but direction sails somewhere in the middling seas of mediocrity.
Some VFX are eye-poppingly good, though.
Overall, it's a mixed bag of delights and letdowns-a cinematic hotpot where the ingredients are only half-cooked. Enjoy it for what it is, but don't be surprised if you leave the theater feeling a little unsatisfied.
Ground (2024)
Gem
The story unfolds within a single location over the course of a day-well, actually, just half a day-with most of the action happening in real-time. This clearly is a micro-budget film, crafted in a short period but bursting with passion, commitment, and hard work.
The writing is spot on. The way the screenplay unfolds is commendable, managing to be simple yet thoroughly engaging. The direction is excellent, with everything meticulously planned and executed. The continuity is seamlessly maintained.
The actors deliver natural and authentic performances, enhancing the film's realism. The cinematography is impressive; while it might not reach the heights of grandiosity, given the constraints of time, budget, and resources, it's nothing short of remarkable.
The music complements the mood of the film well, adding to its charm. This film is a must-watch, and everyone should spread the word about this little gem.
Paruvu (2024)
👍
The storyline is adequate, while the screenplay is commendably executed, with well-crafted suspense and thriller elements. There are moments where the narrative feels somewhat protracted, but overall, it remains engaging. The conclusion, however, leaves room for improvement.
The direction is satisfactory, though it doesn't particularly stand out.
In terms of performances, Nivetha and Naresh Agastya deliver solid portrayals. Moin, Sunil and Rajkumar did good but unfortunately, Praneetha falls short in convincingly executing her role. Naga Babu's performance is notably underwhelming, suggesting a lapse in his acting prowess. The remaining cast members perform admirably, contributing positively to the series.
The music is serviceable, complementing the narrative without being particularly memorable. Production values are decent, ensuring a visually appealing presentation.
Overall, it is worth watching despite its minor flaws.
Harom Hara (2024)
Outdated stuff..
The film is below average, with a screenplay that starts okayish in the first half but falters in the second. The music is mediocre, and the action choreography is violent but made with efforts, Cinematography is cheap with poor color palettes and tint, the sets are disappointingly poor.
Sudheer Babu delivers an average performance, while Malavika, despite her lackluster acting, looks pretty. Sunil and the rest of the cast do their best with what they are given. Unfortunately, the antagonists' characters are not effectively utilized.
The direction is amateur, overall, the film is not worth watching in theatres.
Maharaja (2024)
👍
The narrative is robust, though it contains some disturbing elements.
The film follows a traditional Tamil movie treatment, and while the screenplay may come off as somewhat perplexing, it is skillfully crafted.
The plot twists are effectively executed even the predictable climax twist, and showcasing the strength of the writing.
Vijay Sethupathy delivers a stellar performance, as expected.
Anurag Kashyap, Abhirami, Natty and the rest of the cast perform admirably, with a special mention to the child actor.
Mamatha Mohandas is wasted.
The music is passable, though not remarkable.
The cinematography leaves room for improvement; it isn't bad, but it does have a somewhat cheap feel.
The direction is commendable.
Overall, it is worth watching.
Manamey (2024)
Boring and predictable.
The story begins with an intriguing premise but quickly devolves into a predictable, routine, and rather dull affair. The screenplay is quite flat, offering a few laughs here and there, but is often clumsy. The director, it seems, brought no personal touch to the project.
Sharvanand looks quite dashing and his performance is commendable. Kriti Shetty also looks fine and takes on a different role compared to her previous films, showing some improvement in her acting. The rest of the cast does exactly what's expected of them.
The music is uninspired, though the production values are impressively high. The cinematography is excellent, but the editing leaves much to be desired. Overall, not worth the watch.
Satyabhama (2024)
🍿
The story of the movie is quite good but several elements come across as unconvincing. While the screenplay manages to create a few compelling sequences, but few parts are uninteresting. Though there are moments where the suspense works, these are few and far between. Unfortunately, the climax is a letdown. There is a plot twist that comes off as rather silly.
Direction in the film is average.
Kajal, the leading actress, neither looks her best nor delivers a noteworthy performance despite showing clear effort and dedication.
On a brighter note, Naveen Chandra and the supporting cast do a commendable job, bringing some life to their characters.
Sampada is cute.
The music, however, fails to leave an impression but tries to enhance the viewing experience.
The cinematography is merely okay, not particularly memorable but serviceable. Production quality is decent, meeting the basic standards without standing out.
In conclusion, this film is not worth the trip to the theater. If you're really interested, you might consider watching it on OTT.
Chaitanya (1991)
NA
Premise:
Chaitanya is the head mechanic for the upcoming Roots Challenge 1991 Automotive Rally, which runs from Chennai to Goa, a route notorious for illegal drug and arms trafficking. Retired Major Harischandra Prasad is the rally's chief guest, and his daughter Padmini is among the competitors vying for the Roots Challenge Trophy.
Review
The story starts off intriguing but loses steam as it progresses. The screenplay is uneven, with some scenes standing out while others fall flat. The climax twists are disappointingly predictable. The romantic subplot is lackluster and unconvincing.
On the plus side, the locations and cinematography are commendable, and one song in particular is excellent.
The stunts, including the boat and helicopter chase scenes, are impressive for a Telugu film made in 1991.
If you missed this film in the 90s, there's no pressing need to watch it now.