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DmC: Devil May Cry (2013 Video Game)
7/10
Reboot, re-vamp
31 October 2021
This is one of those games that I always wanted to play, but didn't get around to playing when it first came out. It's now 2021 and I am playing this game for the first time. I was a big fan of the first three original Devil May Cry games on PS2 and I never played Devil May Cry 4 mainly as I never got around to play it and it's trailers did not appeal to me too much even till this day.

This DMC "reboot" however, is a very, VERY challenging game to play. Like DMC 3 this is a very hard game to get through. Even in normal mode. If you're just looking to play for fun, try it on easy "human" mode, which is still not so easy as you may think. As the old DMC games before this, this game is all about the button smashing and combat style. However, there are too many combos to remember and too many new actions to adapt to while playing through out this game.

This game can get both repetitive and frustrating at the same time very quickly. It's the kind of game that you can play for an hour or hour and a half and you will feel like you have reached your limit of playing for each session and yet maybe later in the day or the next day you will be eager to get back to it for another hour or two if you can muster the will.

Aside from this, the visuals for this game stand out and it's quite a marvel for a game that came out back in 2013. The story itself is not so bad and it gives an interesting new take compared to the old DMC games before it. Still, there are a few aspects of the storytelling that may be hit and miss for many. I would not be surprised if some people gave up on this game along the way or just simply played it one time and never again afterwards. The game is just a very challenging one to get through and some bosses are not easy to figure out how to beat as it is. The story doesn't keep you as interested and you just want to play and get through the game instead of sitting through the story. Still, the story is not so bad if you give it a chance.

Overall, even though this is a very challenging game, this is a solid fun to play and beautiful game to look at. It may not be an easy game to play but it continues the traditional DMC games that were hard but worthwhile. This game is not for every one but if you enjoy the old DMC games or games like the Bayonetta series this might be down your alley. I rate it 7 out of 10 stars.
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Sake-Bomb (2013)
7/10
East Meets West in A Different Context.....
6 February 2018
Warning: Spoilers
While looking for a comedy to watch on the Asian Crush App, I came across Sake-Bomb. Not knowing anything about it, I looked it up here on IMDB to find that it had a 5.4 rating. So, for some time I avoided watching it. Eventually the day came where I did not care about its rating and took a chance on this movie and it surely turned out much better than it was advertised.

Sake-Bomb is a movie about two characters: Naoto a simple native Japanese guy who lives in a small Japanese Village, works in a Sake Brewery Factory and who doesn't own a phone or computer in his daily life. At the beginning of the movie, his boss in Japan tells him that he wants him to take over the Sake Brewery Factory as he is the best employee he's ever had. He also tells Naoto that before he announces his promotion in a about a week's time, he wants Naoto to take a week off work to do something he always wanted to do in life, because in a week, the company will essentially be his life and he won't ever get a chance to ever do it once promoted. And then there's Sebastian, a crude Japanese American, who lives in Los Angeles, is an Internet "Star" Vlogger who for personal reasons won't upload his videos on Youtube but on his own website. Aside from that he's unemployed and has no intentions of getting a real job. In the beginning of the movie, his girlfriend breaks up with him and kicks him out of her apartment. As a result, he moves back in with his father just in time for his cousin Naoto's visit to America.

Upon his arrival to America, Naoto shows Sebastian and his uncle a picture of a woman who he used to be in a relationship with. This woman taught English in Japan, which is how he met her, but then one day without a word, she suddenly went back to America and he never hears back from her. As he only has her address and she lives in Northern California, he wants to go find her to find out why she left without a word. Having experienced a similar dilemma in his younger days, his uncle not only sympathizes with Naoto, but makes Sebastian drive Naoto to Northern California to find this woman.

-Mild Spoiler Alert-

While at first, Sebastian doesn't want to go or spend any time with his cousin, this road trip ends up being a journey of Self Realization and Discovery not just for him but also for Naota. Where Sebastian comes to realize how the world actually sees him and that he's been going about life all wrong. While Naota comes to learn that Adults, especially American Adults, are not always who they seem to be, are selfish, lie more than often than they should to cover their asses and to get through life as a survival trait.

-End of Mild Spoiler Alert -

This is a very genuine low budget Indie Comedy Movie. Definitely, this is not as raunchy as it might be advertised in the trailer. In fact very tame. Surely, you're not going to find top Hollywood talent on this film either, yet the film does more than fine without it. This movie is not just about Naoto and Sebastian's Journey, but this movie also brings up the topic of how Asian stereotypes are seen in American culture and how some Asians are not okay with these stereotypes even though they can't do much of a thing about them. In spite of it all, at the end, Naoto and Sebastian's bond is made for life not just because they just happen to be cousins but as they end up coming together as family.

Overall, give this movie a chance and try not to dismiss this movie based on Sebastian's somewhat "misinformed" views early on, which will surely put off some viewers. Though it's is not what this movie is really all about, as Sebastian comes out in a different light in the end. Also, at the very end, this movie also leaves it open at the end for a possible sequel, though not guaranteed by any means we will ever get to see one. To me this movie was almost "kind of" heartfelt and I look forward to watching this from time to time. Take a chance on this film you might potentially feel the same...... or not. Up to you.

7 out of 10 stars.
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Bullet Ballet (1998)
8/10
Man With A Bullet Sure Has Dance Moves.
31 March 2013
Ever since I watched Bullet Ballet for the very first time it's been by far my favorite of all Tsukamoto films. Being a director with a cult following, Tsukamoto is one of the better known Japanese Directors of the last twenty years with a unique visual style of movement and imagery. After watching this film, Bullet Ballet could arguably be Tsukamoto's best film as some of his succeeding works have faltered to produce better quality of work ever since.

As the main character in Bullet Ballet, Tsukamoto himself plays a man named Goda who one night after his usual daily drinking routine goes home to find that his girlfriend of ten years has committed suicide by gun. Torn by his girlfriend's own demise, Goda goes out looking to buy a gun in the streets and along the way runs into a gang of punks who beat him up for a previous spat with the female gang member Chisako (played by the actress Kirina Mano), which leads Goda to hold a personal and unforgivable grudge towards Chisako that he will not let go without violence of his own.

The story and the cinematography of this film holds up this movie and while the acting may be questionable in some minor scenes it doesn't affect the film in any way. Like most of Tsukamoto's other films, Bullet Ballet is presented with plenty Tsukamoto's usual signature hand-held kinetic camera style in most of his films. In my opinion there's room to say that the story of this film could have benefited from some improvements here and there for the characters, though based on Japanese culture and behavior should they had made certain changes would have made the film a bit unusual for Japanese audiences to understand opposed to Western style filmmaking.

Compared to other Tsukamoto's films that I have enjoyed, this is definitely his best looking film to date. Tetsuo "The Iron Man"(1989) which blew me away still had a very dark look and even at times looked underexposed in some scenes. Still, I was amazed with what Tsukamoto was able to accomplish on Tetsuo with very little. A Snake of June is another one of his films that nicely paints a picture while being a very daring film to awe the viewer. In many ways A Snake of June would have given Bullet Ballet a run for its money to be Tsukamoto's best looking film had Tsukamoto have filmed A Snake of June in widescreen format instead of 4:3 full screen which I did not care for and annoyed the hell out of me.

Personally, I can't say I care for any of Tsukamoto's films shot in color except for maybe Vital which was beautifully shot. In spite of it, I still wonder whether I care for the story in Vital by itself, which I am still a bit conflicted about. Style over substance or not, Tsukamoto's visual style in itself is very unique, which can only be seen in films like these.

Whether it's old fashion or not, I still hope for Tsukamoto to one day go back to shooting films in black and white. I feel that in black in white movies he's able to present a much better looking product compared to the ones he made in color. As the current Japanese movie trend is shooting movies in Digital HD that look like video (which in my opinion ruins the visual aesthetics of a traditional film even though you save in budget by in shooting video) I hope Tsukamoto doesn't go on to follow just to save money and sacrifice production quality on his films. That would be a shame to say the least.

There are many versions of Bullet Ballet out there. The version I saw was the standard 87 minute version. There are longer versions in the mid 90 minute marks out there even one that goes on almost close to two hours, but are those rare to come by.

All in all, give Bullet Ballet a go and some of Tsukamoto's other works if you wish. You might enjoy some of them if you're into bizarre, weird and unusual stories. 8 out of 10.
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Bates Motel (2013–2017)
4/10
Psycho Meets Pretty Little Liars?
20 March 2013
Warning: Spoilers
For awhile I've seen billboards, internet ads, commercials, etcetera about Bates Motel and I was sort of piqued by the idea of a TV series based to be a modern day Psycho Prequel. In all honesty, I do like Hitchcock movies very much, but I was never really big on Psycho. In fact North by Northwest is my personal favorite Hitchcock flick of all time. After watching the first episode of Bates Motel on A&E I wasn't completely sold on the show but after watching it I am still willing to give it a few more episodes before I decide whether I will continue watching it or "Lemon-Law" it as a viewer.

Bates Motel is basically the very beginning of when Norman Bates (Freddie Highmore) and his mother Norma (Vera Farmiga) first move into the Motel and the house on the hill to be told in a modern day setting. They end up buying the property after the "death" of Norman's father to leave their lives in Arizona behind and start a new beginning. When they first arrive into town, Norman immediately makes an impression on the pretty girls from his High School especially Bradley (Nicola Peltz), who even comes around with her clique to ask him to go "study" with them, but instead they end up taking him to a party. Meanwhile both Norman and Norma were paid an earlier visit by the previous owner of the property, who lost the property to the local bank and who has extreme resentful feelings about losing the property, which results in him lashing out a nasty cold reception at them that results in Norma threatening him to stay away. Regardless he still comes back later that night while Norman is away with intentions to rape Norma and terrorize their new found life, which after a struggle and turn of events he ends up being killed by Norma in a moment of passion. That same night after Norman and Norma moved the body from the house into one of the motel rooms, the Bates' end up being paid a visit by the police. As a result the Sheriff is suspicious of them while his deputy is taken by Norma. By the next night they end up dropping the body at the bottom of the lake with preconceptions that the worse is over.

In my opinion this show may or may not show promise, even though it does get somewhat creepier by the minute. All the characters in the series seem a bit "off" somehow and as the story slowly progresses we will eventually determine what their deal is within the storyline. The modern day setting does give the show half of a teen vibe to be on a par with your usual CW teen drama and half of your usual network horror/thriller drama, which seems the direction in which they decided on. I personally would have preferred for them to have kept it in a 1960s setting, but that's just me.

It's too early for me to give this an honest rating, but the episodes will eventually tell what its true rating is. As I continue giving this show a chance I hope that it goes on to adopt a stronger storyline by each episode, but only time will tell. Give it a shot. See if you like it. (For now) 6 out of 10 stars.
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Stoker (2013)
8/10
Chan-wook Park's English Language "Stoker"
2 March 2013
As one of my most anticipated movies of 2013, I went to see Stoker on it's opening Friday with nothing but great expectations. Being a die-hard fan of Chan-wook Park's movies also had me excited to see his first English language effort that as I sat in that theater from the very first moment I watched this film without favoritism or preconceptions. By the end, this movie still reached my expectations but I left the theater replaying how it unfolded over and over in my head for the rest of the day.

At the funeral of her father's death, India (played by Mia Wasikowska) for the first time meets and learns of the existence of her uncle Charlie. As charming and ominous Uncle Charlie (Matthew Goode) seems to India, early on he seeks her friendship. Still India seems suspicious of him and his sudden reemergence to which slowly starts to unfold before her. As India slowly uncovers the truth about Uncle Charlie she unexpectedly finds herself drawn to him as not only she opens herself up emotionally but she opens herself up to what makes Uncle Charlie tick.

The acting performances on this film are stellar. Mia Wasikowska who I am not a usual fan of, gives an amazing performance as India. Matthew Goode is also a star in the making who should be seen in bigger roles as he's proved in his other previous films (Watchmen, Leap year…) and plays a great part on this one as well. Nicole Kidman also shines in all her scenes as a morbid mother to India and plays her role brilliantly. They couldn't have casted for a better cast for this film.

Visually, this film is stunning as within the first couple of minutes you will be overwhelmed by this films visual style. Cinematographer Chung-hoon Chung really outdoes himself on this one. Compared to Thirst (2009) this film goes on to be a über "close up film" along with a standard usage of longer lenses not previously used in Park's earlier films, giving him perhaps a new visual aesthetics for his next films.

This might be Chan-wook Park's first English language film, but this is not your usual Hollywood Thriller/Horror genre flick. Also had this film been shot in South Korea with the same budget and a Korean cast instead, this film might have probably gone over the top to be a quintessential Chan-wook Park film which Stoker did not entirely turn out to be.

Don't get me wrong. This film had me throughout the entire movie and it's very well made, but Stoker end up being somewhat of a "small" film with a semi-rushed ending that you will see when you watch it. The direction on this film was fine but this is NOT a director's cut film which we usually get from this director and from what I have read online 20 minutes of this film was cut out of the final version for American audiences.

Still I would've liked for them to have screened a director's cut of this film at the theaters or something close to it. It's a shame that it's not to say the least, but what can we do?

Overall, I almost loved the film but I still really really dug this film and will go on to watch this again and again. I would have preferred for the studio to have allowed Chan-wook Park to make the type of movie he usually makes but this is Hollywood not South Korea. So it is what it is. 8 out of 10 stars.
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Scratch (I) (2008)
8/10
More than "Scatching" the surface
22 July 2012
Like any other movies about young characters in their twenties, SCRATCH explores the curiosity and the intricacies of personal boundaries between two young strangers. Starring Norwegian's own Viktoria Winge and UK's Luke Treadaway, this is a story about the secrets we hide from the world and those who intrusively try to uncover them.

Lena (Winge) has been struggling to put together a photography project for a student art exhibit. For awhile, she's been following a young guy named Sol (Treadaway) who she kept seeing around many artists of the London art scene at many art exhibits. Unsatisfied with the big photo prints she's made of the pictures she has taken of Sol from a distance, Lena obsession with the project compels her to get closer picture shots of Sol, which ultimately ends up getting her caught and confronted by Sol who unforgivingly sticks to following Lena while trying to figure out why she was following him and intrusively ends up invading her private life. As they spend time together there's a mutual attraction between the two which up close ends up blowing up in each other's faces.

This short film nicely paints a picture with great visuals to a superb written story. Along with some nice punk rock and slowcore tunes it just can't go wrong. Directed by Norwegian filmmaker/producer/casting director Jakob Rørvik, this short film shows great promise as a future filmmaker. The film is only about 35 minutes long that if it was longer it would only drag on the story. Still this film is long enough to be told in that time frame and is better for it.

As much as this is a story about the secrets we hide from the world and those who intrusively try to uncover them, this also about how we perceive other people from afar and who they turn up being up close. If you ever get a chance of watching this film, invite your friends to watch it with you. This is one of those cult classic shorts people will talk about and try to emulate. At least I think so. 8 out of 10.
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7/10
Joachim Trier does it again.
1 April 2012
After seeing Reprise some years ago I had been eagerly awaiting for Joachim Trier's next film. Loosely based on the same novel Louis Malle's Le Feu Follet is based on by Pierre Drieu La Rochelle, Oslo, August 31st retells this story for the new age. By no means this movie happens to be a remake. The movie happens to have some similar basic elements here and there, as well as different encounters for the main character played this time out by Anders Danielsen Lie who was also happened to be one of the leads in Reprise who this time around plays a wonderful role on his own .

This is a story about a 34 year old recovering drug addict who has screwed up his life due to excessive partying, doing heavy drugs and alienating his loved ones that at his age he finds himself stuck and unable to move forward in his life. As he's about to finish his rehab stint, he's allowed to go into town for a job interview and in the process he decides to use this opportunity to visit old friends and relatives which in a way ends up making matters much worse for him. With all his old friends now married with children and successful careers he feels completely useless and overwhelmed. As he's end up being given the sympathetic pep talks, or being lectured at by unsympathetic characters who are trying to protect themselves throughout the day he finds himself challenging their personal views head on while struggling to convey his frustrations that no one seems to fully understand yet take personally.

In my opinion there's not much to compare Oslo, August 31st to Le Feu Follet. Louis Malle's version (1963) which I am a huge fan of is one of those cinematic gems that story-wise packs a punch. Le Feu Follet also stands next to other classic black and white pictures like Fellini's 8 ½ as one of the best looking black and white movies ever made and I highly recommend everyone to see it.

Oslo, August 31st in itself has an entirely different approach and has a more melancholic feel throughout the film. With almost 50 year gap difference from Le Feu Follet to be told as a modern day tale this story depicts modern day tactlessness that society potentially sees these situations as almost insignificant when dealing with recovering addicts. Sure, maybe some people will try to try and understand but the world is also more likely to let a person deal with his/her own demons for they can't be bothered and even distance themselves for they have their own problems to deal with no matter how much a friend or a loved one really needs their help to get through life.

Oslo, August 31st has been called a "Devastating and Heartbreaking" Film by some, and I agree. If you're expecting to see another Reprise this might probably not be it, but it could be just as great of a film depending on the person. I will even go as far as to say this can be a total "hit and miss" for some viewers. To me this is still a beautiful film that really moved me and made me feel sad watching it. I will definitely be on the lookout for the DVD when it finally comes out for sale. Overall, make sure to watch this movie with an open mind then make your own opinion. 7 out of 10.
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7/10
Cool Film with an Awesome Score
1 April 2012
Like any other Indie Teen Movie about Sex,"Turn Me On Dammit!" is a movie about a fifteen year old girl named Alma who's hormones are out of control and desperately wants to experience sex for the first time.

Living in a very dull small Norwegian town, Alma can only daydream about Arthur (The guy at her school she crushes on) and make calls to phone sex lines just so she can pleasure herself. Basically, her life is very mono-sexual. At a party one night, Alma finds herself suddenly alone with Arthur, who out of nowhere ends up exposing himself to her and pokes her on her thigh with it. As she under reacts in her own way though still freaked out about it, Alma makes the mistake to run off and tell her "friend" who also secretly crushes on Arthur and out of jealousy ends up telling the entire school for her own benefit. As a result Alma becomes an outcast at school and no one would talk to her. To make matters worse her mother finds out about her phone sex calls and becomes aware of Alma's sexual frustration that is out of control. As Alma does her best to live life as best as she can life closes in on her as she struggles to deal with her new found solitude.

This is a very funny and cool movie that I truly enjoyed watching. It has a great young cast, along with a very honest storyline. The cinematography is simple. The color palette on this film is superb which nicely paints a picture. Filled with an awesome score of eclectic acoustic tunes, this is truly a nice simple movie to chill out to. I personally wished it been a little longer but still works out for what it is.

Overall, don't just watch this movie expecting just to see teen sex. You'll probably be somewhat disappointed if you do. This is a movie about a teenager coping with her sexual frustration at home and finding a way to deal with her public humiliation at the same time. Give it a chance, you might just enjoy yourself. 7 out of 10
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Redline (2009)
8/10
Take the Redline ride!
29 August 2011
Redline is an anime movie directed by Takeshi Koike and written by Katsuhito Ishii. Originally Redline is a spin off anime of Trava: Fist Planet (2003) and although the characters from Trava: Fist Planet are in it briefly, this is a story that conceptually was developed from Trava: Fist Planet into a full length movie.

Redline itself is a story about a race driver JP who is in driving under influence of some Yakuza/Mafia types. Although, JP is an excellent and exciting driver he just does what he's told. When he finds out he qualified for The Redline competition he's up and about and this time ready to race the way he wants no matter the consequences. However, the Redline race is unlike any other race and is hosted in a hostile war-like environment that can get you killed just for participating. Prior to the Redline race JP meets female driver Sonoshee. Though they do hit it off right away, they slowly come to realize they have met before.

Redline takes you on an exciting ride that is visually stunning filled with hilarious animated characters. In the whole movie there is just one scene with some brief nudity but nothing that is shown in a sexual or perverted context. Personally, I would have liked them to have followed Trava's quest and competition in the Fist Planet Competition and maybe once again have a run in with Princess Mikuru, or even just have seen more of them in Redline which you do not see a whole lot of. Still Redline in itself is a cool anime movie and stands out by itself.

You do not have to see Trava: Fist Planet before watching Redline, but it wouldn't hurt to see it. I do recommend Trava: Fist Planet if you're into funny action packed anime with some nice trippy undertones and cool looking visuals. Redline is awesome! Check it out!
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9/10
For those who have only seen this movie and those who have only read the novel.
13 March 2011
Warning: Spoilers
First and foremost, I am a Haruki Murakami Fan. So far I have read nine of his novels and still going. Although of me being a fan of his work, Norwegian Wood is NOT one of my all time Murakami favorites despite of having enjoyed reading it (To each his own). In fact after reading it I wondered whether if being named after a Beatles song had maybe something to do with this novel's popularity. Still once I heard it was being made into a movie I had to see it! Before seeing this I had previously seen Tony Takitani which is also a Haruki Murakami short story that was made into a movie, and also enjoyed. So needles to say I am a die hard Murakami fan.

The movie itself was wonderfully filmed. Ping Bin Lee, the cinematographer behind Hou Hsiao-Hsien's movies (Millenium Mambo, Three Times, Café Lumière........) did a stellar job on this film. He shot wonderful strong visual scenes making the scenery, and all other locations look beautiful throughout the movie. Needles to say this movie visually stands out.

The music also sets the tone for this film. Jonny Greenwood from Radiohead was hired to do the score, and although I am familiar with the music from Radiohead (not a big fan though) I could tell it was done by him.

Anh Hung Tran's direction keeps up with his previous film "I Come With The Rain" which in my opinion was quite successfully presented even though it was highly criticize among movie goers. Whether you enjoy his works or not, this guy piques my interest and I will keep an eye out for whatever he makes next. In my opinion he honestly did his best keeping the story true to the novel. Of course there are a few things that he did not get into telling; like Reiko's back story(though was briefly referenced), Watanabe's roommate antics(there were some minor moments though but whole scenes), Nagasawa and Watanabe's escapades were kept to a minimum.......etc. Also the first ten minutes of the film rushes easily through about a third of the novel. It's a movie so not everything from the book will make it on screen. And YES, the ending on the movie is just like on the novel, although the novel describes the underlying Murakami ending which you only get through reading some of his novels, so if you're interested in understanding the "abrupt" ending you might just read the novel just for that (in case you we're put off by it and did not understand what was actually going on on the final scene which there's much more to it). There are also much more that you don't get from watching the movie so you're interested in knowing what wasn't told on screen you might want to read it.

Overall, I enjoyed the movie more than the novel. I still love Haruki Murakami novels. All His works are very straight forward which I always enjoy. Whether your a fan of his works or not watch the film and compare it with the novel. Worth checking out!
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