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Fritz the Cat (1972)
7/10
Fritz the Cat - Summary
2 October 2012
Warning: Spoilers
Fritz the Cat

This film is an underrated animated film that was very popular during the 1970s but went unnoticed after the release of Cool World, when Bakshi stopped making animated films. Some kids may think this a kids' film because it involves cats and is animated. No, that's Felix the Cat. Fritz the Cat is an animated film reserved for adults. In fact, this film is the first animated film to ever receive an X rating. By today's standards, this film would definitely receive an R rating. But this film was released in the 1970s, and this is before the MPAA introduced the NC-17 rating. Despite this film being an X-rated film, Fritz the Cat is not a porn. However, this film has a lot of sex scenes, violence and drugs.

Fritz the Cat is based on the R. Crumb comics of the same name. Bakshi spent many days mimicking Crumb's style and their drawing style is quite similar. Bakshi made the characters animated, with the background being water colored photographs. What I could infer from this is that Bakshi wasn't intending this animated film to be cartoony, but rather go for a more realistic approach.

The voice acting is also good. Rather than recording the dialogue in a studio, Bakshi recorded the dialogue on the street; making the voices of the characters sound more natural. In fact, Bakshi voices one of the pigs and does a terrific job at it. Bakshi also went to a bar in Harlem and interviewed African Americans and used their responses as the dialogue of the crows. And the voice of Fritz is surprisingly Skip Hinnant from the Electric Company. This means that Skip Hinnant is doing the voice for a children's show AND an animated film for adults!

The film doesn't really have much of a story, it just revolves around the main character Fritz. A bunch of different events occur and Fritz experiences a bunch of them in order to find a cause for himself. This film is pretty much a political satire that pokes fun of the 60s culture; where Fritz explores the hippie movement, race relations and the free love movement.

There are things I like about this film but also things I dislike about this film.

I really like how Fritz seems like he's an intellectual but is also very stupid at the same time. Fritz seems to be interested in sophisticated subjects such as existentialism; but starts complaining about how his friends prefer studying over living life to the fullest. I also love the scene featuring the two pig cops. This by far is my favorite scene in the film. When the pigs hear a lot of noise in the apartment, they try and stop Fritz's shenanigans. The pigs constantly quarrel with each other and eventually catch Fritz; but end up in a synagogue. They get distracted by a bunch of rabbis dancing after being informed about weapons being deployed to the US from Israel.

I also love the character Duke. Duke is a crow who represents an African American. Most of the characters in the film are jerks, but Duke is the only one who has a bit of sanity. Duke serves as Fritz's guardian; saving his life and protecting him after he starts a riot. Unfortunately, Duke gets killed during the riot. It's a pretty dramatic scene, but the death scene of Duke and his final heartbeats coordinate perfectly with pool balls bouncing into their pockets. This summarizes Duke's debut in the film, where we first see him playing billiards in a Harlem bar.

There are also things I dislike about the film. There are a bunch of violent scenes in the film. Some scenes can be too violent, such as the scene where Blue, the heroin-addicted Nazi rabbit beats his cow girlfriend Harriet. There are also a bunch of filler scenes that serve as vignettes and don't pertain to the story of the film. The most obvious example is after Fritz's fussing in his dorm, where we cut to an establishing shot of Harlem being zoomed in, with a crow snapping his finger and "Bo Diddley" being played in the background. I also dislike how some of the characters are introduced during the strangest times. Winston Schwarz, Fritz's girlfriend who takes him to San Francisco, wasn't introduced, but just shows up unexpectedly. At the start of the picture, when Fritz has lured three girls into a bathtub, we hear Fritz mention the name "Winston," even though there is little similarity in voice, personality or even appearance to tie the two "Winstons" together. To make matters worse, the bathtub "Winston" reappears at the end of the film, when the orgy is replayed in a hospital bed.

Crumb strongly hated the film, thinking Skip Hinnant was the wrong voice for Fritz. Crumb also found the film to be racy, but the Crumb comics were originally racy. This film inspired animators to draw influence from Fritz the Cat to create adult cartoon sitcoms, such as The Simpsons, Family Guy and South Park. The film was so popular it spawned a sequel; but without Bakshi's involvement.
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10/10
Do the Right Thing summary
13 July 2012
Warning: Spoilers
Do the Right Thing is a really good movie.  Spike Lee, the director of this film; as well as the lead actor,  displays a rich filmmaking style in his depiction of a racial riot occurring in an Italian pizzeria in a black neighborhood in New York City.  The riot starts when Mookie throws the trash can out the window and causes pandemonium which alerts the neighbors.  On reflection of Mookie throwing the trash can out in the street, Spike Lee introduced us this cliché so he could provide a good introduction to the plot of the film.

Where did this slippery slope on racial hatred begin?  Well, we can totally blame the cliché that started it all... The trash can being thrown out in the streets.. And as I mentioned before, it caused so much pandemonium for the residents in the neighborhood.  As suspicion was growing among the residents, the blacks came to a realization about racial hatred and the residents take back all the devastating things they've previously done.

The message Lee conveys to the audience in this film is that this film is wise about racial hatred and how the characters help each other out and fix each other's problems to avoid repeating their previous mistakes.  

This film also has a fresh way of structuring a narrative by bringing in elements that make this film an actual film.  Pizza, ice cubes being rubbed on, music being blasted out loud on a boombox, and pictures on a wall all pertain to the plot of the film and what the characters are experiencing in New York City on a hot summer day.  Buggin' Out eats at Sal's Pizzeria frequently; and Sal gets annoyed while he sees him constantly.  Buggin' Out also questions Sal about why there are no Italian people on the wall, despite it being an Italian restaurant.  This leads to the two of them having an argument and Sal threatening Buggin' Out with a baseball bat; kicking him out of the restaurant.  Sal is also annoyed by the fact that Radio Raheem pretty much does nothing but walk around, blasting out Public Enemy's "Fight the Power".  

Mookie throwing the garbage can out the window, Radio Raheem blasting out music on his boom box and Buggin' Out constantly eating at Sal's, as well as his problem with the pictures being displayed in Sal's restaurant; prove that nobody in the film does the right thing that lead to an explosion at the end.  Why do they do it?  Because they can't stand the heat on a hot summer day and are exhibiting their reactions.  They have also felt hatred and Spike Lee is conveying to us how blacks and whites had different rights.  So yes, the film can sorta be a political satire if you analyze deeply enough.  This movie is supposed to be about unity; and how blacks deserve to be treated with respect.
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6/10
Hey Good Lookin' summary
19 June 2012
This film is complete garbage.  None of the characters are interesting, the dialogue cannot be understood, and the storyline is so weak.  The main character, Vinny is a bit of a tool and I've noticed similarities between him and Danny Zuko from Grease.  This could mean that Hey Good Lookin' supposedly ripped off Grease, that would explain why many people hate this film.

Vinny, now that I've compared him to Danny Vuto, that led me thinking about how John Travolta played Vincent Vega in Pulp Fiction.  Yep, and Vincent could be Vincent's real name, but everyone in the film refers to him as "Vinny."  Despite that Pulp Fiction was released 12 years later than Hey Good Lookin', Vinny is more like Danny Vuto, due to the fact that he picks up chicks, has a cocky personality, and is portrayed as a greaser, as well as Grease being released prior to Hey Good Lookin'.

The dialogue is somehow entertaining in certain parts of the film, but mostly involves lots of yelling, cheering and reactions to things.  We see typical conversations in this film, but they're about random things that don't really pertain to what's going on in the film.  After watching the first ten minutes of the film, the dialogue gets boring and loud, sounding like a Looney Tunes cartoon.  And did I mention that Warner Bros. distributed this film?

Despite that this film is considered terrible by many, we come across another positive aspect of this film.  How this film began production.  The slippery slope of how the producers dealt with marketing this film started when Ralph Bakshi started writing the script for this film, after producing Coonskin.  This resulted in Warner Bros. trying to cash in on the film. Many black animators were informed about this becoming a film, so they joined Ralph Bakshi's studio and contributed on this film.  Once they realized how the black characters in the film were given mainstream African American stereotypes, the black animators left the studio; supposedly as a response to how Bakshi avoided giving blacks stereotypes in Coonskin, but exploiting the stereotypes negatively and crossing the line in Hey Good Lookin'.

The film contains live action footage that blended the animated characters with the backgrounds used for the film.  In one scene, the black characters break dance, despite the fact that break dancing wasn't popular to the release of this film.  This film perfected the dance style and this dance became popular among African Americans in hip hop culture.

Since Bakshi wanted the break dancing scenes in the film, a lot of the live action footage was deleted and reshot.  Bakshi was capable of rotoscoping the break dancing scenes, but couldn't on some of the scenes that were reshot due to budget issues.  The film was then shelved until the release of American Pop, and despite that Warner Bros. wanted this film to be a success, it didn't do too well.

If the film is so bad, then yes, the music is also horrible and is rare to find.  This film only became a film because Warner Bros. was fascinated with Bakshi's script, yet I personally find it uninteresting.  The music is cheesy, and pretty much exploits the lifestyle the characters live in.  The music attempts to be 50s music but sounds more like 80s music, the type of music this film has is like the 80s version of Nickelback.  It only gets negative reviews.  

The character Crazy has the stupidest name in the film.  Naming him Kangaroo would've been better, because it isn't too obvious that his personality is like a kangaroo's.  Crazy is clearly really clumsy and goofy and the fact that his name is Crazy makes us know that the film will be boring.

The animation is good, and is supposed to be a representation of Coney Island.  However, there's this one scene where Vinny feels something in the sand and digs up a disturbing skull that petrifies the women at the beach.  And what was their reaction to it?  Well, I don't care, because this is frankly an unwatchable film.
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5/10
Story behind Rugrats Go Wild
5 April 2012
The movie introduces the babies in a jungle pretending to be like The Wild Thornberrys, which happens to be a fake-out.  Meanwhile, the adults are preparing for their vacation in the South China Seas.  Stu has everyone's tickets for the Lipschitz Cruise.  We then see that Susie is coming on vacation with them because her parents will be out of town.  The Lipschitz cruise ship leaves without them and we Stu and Spike on a normal boat called the S.S. Nancy.

The adults get disgruntled and attempt to get on the cruise ship by sending signals and driving the boat there themselves.  A large wave attacks them and it turns the ship upside- down.  They get out of the rinky-dink tub, Betty opens up a life raft and they hop on there while the boat sinks.  The family becomes stranded on a deserted island, and they begin disputing about how they're all gonna survive.  Betty eventually becomes a leader after drawing a circle in the sand and she gets all the adults to work together as a team to find ways to survive on the island.

Meanwhile, the babies go their separate ways after Angelica scares them about how they're not gonna survive in the island.  Spike runs into Eliza, and Spike starts to speak for the first time (since Eliza is capable of talking to animals) and Nigel Thornberry suffers amnesia and goes on adventures with the toddlers.  Chuckie gets his clothes stolen from Donnie, and Chuckie ends up wearing his clothes as well.  Angelica, since she is pretty much a b****, becomes good friends with Debbie, due to them sharing the same type of personality.

Nigel and the babies try and find the clouded leopard named Siri.  The parents eventually encounter Mrs. Thornberry.  Their attempt at finding the babies in the Bathosphere worked, but the fuel in there was empty, and Stu solved the problem, making him a hero at the end.  The credits end with the children reuniting with their families and taking the Lipschitz Cruise back home, giving the movie a fantastic ending.
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10/10
Ferris Buellers Day Off
22 March 2012
This coming-of-age film focuses on a high school senior named Ferris Bueller, who takes a day off of school by faking an illness. His parents, however, believe he is serious about being sick. Ferris realizes that he will be going off to different colleges with his two best friends, Cameron Frye; a hypochondriac pessimist, and Sloane Peterson; Bueller's significant other/attractive girlfriend.

You'll notice Ferris Bueller constantly break the fourth wall throughout the film to explain to the audience his thoughts and techniques in order for us to compare our own life experiences with his. The first one we see in the film is when Ferris gives us pointers on how to fake an illness in three different ways if we choose to play hooky.

When we see Ferris Bueller's room, we learn that he likes Simple Minds, as we notice a Simple Minds poster in a few frames throughout the film. He also happens to be a punk, and turns on the television and guess what comes on? Classic old MTV! Before he showers, he blasts "Love Missile F1-11" and even tries to sing part of it while taking a shower. We also hear him share some of his philosophy after his shower and he claims that he thinks "isms" are bad and that people should only believe in themselves. He then quotes John Lennon and compares himself to him due to their mutual beliefs. This leads to Bueller stating that Lennon was meant to be "the walrus" and Bueller, valuing Lennon's philosophy, says that he'd like to be the walrus someday. This is a reference to the Beatles song, in which John sang it.

The movie switches scenes between Ferris Bueller enjoying his day off of school and contacting his friends at the same time and Principal Rooney having a dispute with the school's secretary, Grace. Principal Rooney notifies Ferris Bueller's mother that Ferris has had nine absences throughout the second semester. Mrs. Bueller doesn't remember it, for some reason, so Principal Rooney talks to Grace about why Bueller was frequently absent. Grace explains to him that Bueller is a popular student and that he is a good role model to everyone. Despite him being popular, we learn that his sister, Jeanie despises him and thinks he's a phony.

Cameron takes the day off school because he is suffering from hypochondria, and Sloane gets to miss school early when a teacher notifies her that her grandfather recently passed away. When Ferris and Cameron are at Bueller's house before they pick up Sloane, Bueller wears a different outfit in order to disguise himself and not get caught by the principal. In other words, Bueller is hiding his actual appearance to avoid getting in trouble with the principal.

The trio drive around Chicago in Cameron's father's 1961 Ferrari GT250. Cameron states that his dad loves his Ferrari more than anything else, despite it being an inanimate/unnatural object with no emotion whatsoever. They stop at the Chicago Museum of Art, watch a baseball game at the Wrigley Field and see a parade going on in downtown Chicago. They pretty much just hang out one last time before they go their separate ways when they head off to college.
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