To start, I'm not a Hallmark fan in general. The movies are, at best, B-plot remixes of popular and/or well-known stories with the same guessable ending. They used to be great; the. Gold Crown series (now called Hall of Fame) comes to mind. Hallmark used to win Emmys and. Golden Globes but now they seemed focused on quantity rather than quality.
Except this gem.
My mom (an avid Hallmark fan) and my dad (not a Hallmark fan) were watching this series when I visited them a few times in a row. I wasn't watching in order and considering how predictable Hallmark series are, I was honestly confused at the jumps in character development. After the back and forth of story progression, I finally sat down and watched the series on Prime and I was hooked. This is not a typical series and I dread giving Hallmark the distinction of producing it because it's so unique. I fell in love with the characters, the story lines, and the letter adventures and when covid delayed the next movie in the line up; I was as disappointed as any fan.
But then October 2021 came and we were gifted the near-perfect continuation of the series.
To address previous reviews; I don't see this as an ending of the series any more than any of the other movies could be viewed as possible endings. Yes, the main characters are married but marriage isn't the end of the story. The story has so many avenues it could take from here the idea it's ended is only possible if Hallmark says they're done making this series. I sincerely hope they realize the poor decision that would be.
Anyway, how is this movie nearly perfect?
First, the letter story is a tearjerker. We've seen the Postables deal with previous letters decades old (To Whom it May Concern, From the Heart, and Home Again) and accidentally stumble onto medical emergencies (From the Heart and Home Again) but never at the same time and never from something where the person could have passed in the time since writing. It gave the story a sense of urgency butting up against the wedding so you ended up wondering if both will be settled in time. In a normal Hallmark series you wouldn't doubt but in this series, Williamson does delay personal lives for the sake of the greater story so you're never really sure what's going to happen.
The conclusion of the letter isn't the "happy ending" we're used to but it's the realistic ending you expect with hopeful possibility. Owen, now 17, is on his last hope for a cure and the Postables arrive in time to give him back his friend and the support of a community he never realized would help carry him through. Absolute 10/10 on the letter story.
Where the movie falters is the personal side: I give this an 8/10.
Oliver and Shane are days away from their wedding and Shane's mother is flying in a few days before to meet Oliver and be there for the wedding. Where's Alex, the gambling addicted sister Shane introduced two movies ago? No where to be seen, heard from or mentioned. Shane has told several heart-warming stories of her mother so we're expecting a close relationship...it's almost anything but. Sharon McInerney drives Shane up a wall, described as a "holy grail of guilt" and can barely spend three days with her without going insane.
Jump to Norman and Rita who, two movies ago, decided to adopt because of Norman's upbringing are now actively trying to get pregnant with no mention of adoption. It isn't a case of trying to get pregnant while actively trying to adopt, they seem to have forgotten about adoption until Rita brings it up later in relation to their new coworker.
Joe and Shane strike a wonderful dynamic duo; their scenes together were some of my favorites. This seemed to be the most consistent development in the series.
The story revolves around Oliver--a lost boy looking for his lost friend when the world is falling apart around him. We dive deep into his past and learn even more about how he's processed his mother and Holly leaving him. They did the best with the time they had but it felt rushed--we took an entire TV series and several movies to dig into Shane's hurt from her father leaving and Oliver's processing Holly leaving. We now have one movie to examine Oliver in depth? This really should have been two movies.
The script falters and falls flat in some areas, specifically in pigeon-holing the characters into a box or rout response, but overall it's one of the better SSD movies. There are MANY callbacks and small "easter eggs" to the previous movies and TV show. I hope Hallmark realizes it has a gem of a series in this show and continues to produce movies like it does the Teagarden series.
Except this gem.
My mom (an avid Hallmark fan) and my dad (not a Hallmark fan) were watching this series when I visited them a few times in a row. I wasn't watching in order and considering how predictable Hallmark series are, I was honestly confused at the jumps in character development. After the back and forth of story progression, I finally sat down and watched the series on Prime and I was hooked. This is not a typical series and I dread giving Hallmark the distinction of producing it because it's so unique. I fell in love with the characters, the story lines, and the letter adventures and when covid delayed the next movie in the line up; I was as disappointed as any fan.
But then October 2021 came and we were gifted the near-perfect continuation of the series.
To address previous reviews; I don't see this as an ending of the series any more than any of the other movies could be viewed as possible endings. Yes, the main characters are married but marriage isn't the end of the story. The story has so many avenues it could take from here the idea it's ended is only possible if Hallmark says they're done making this series. I sincerely hope they realize the poor decision that would be.
Anyway, how is this movie nearly perfect?
First, the letter story is a tearjerker. We've seen the Postables deal with previous letters decades old (To Whom it May Concern, From the Heart, and Home Again) and accidentally stumble onto medical emergencies (From the Heart and Home Again) but never at the same time and never from something where the person could have passed in the time since writing. It gave the story a sense of urgency butting up against the wedding so you ended up wondering if both will be settled in time. In a normal Hallmark series you wouldn't doubt but in this series, Williamson does delay personal lives for the sake of the greater story so you're never really sure what's going to happen.
The conclusion of the letter isn't the "happy ending" we're used to but it's the realistic ending you expect with hopeful possibility. Owen, now 17, is on his last hope for a cure and the Postables arrive in time to give him back his friend and the support of a community he never realized would help carry him through. Absolute 10/10 on the letter story.
Where the movie falters is the personal side: I give this an 8/10.
Oliver and Shane are days away from their wedding and Shane's mother is flying in a few days before to meet Oliver and be there for the wedding. Where's Alex, the gambling addicted sister Shane introduced two movies ago? No where to be seen, heard from or mentioned. Shane has told several heart-warming stories of her mother so we're expecting a close relationship...it's almost anything but. Sharon McInerney drives Shane up a wall, described as a "holy grail of guilt" and can barely spend three days with her without going insane.
Jump to Norman and Rita who, two movies ago, decided to adopt because of Norman's upbringing are now actively trying to get pregnant with no mention of adoption. It isn't a case of trying to get pregnant while actively trying to adopt, they seem to have forgotten about adoption until Rita brings it up later in relation to their new coworker.
Joe and Shane strike a wonderful dynamic duo; their scenes together were some of my favorites. This seemed to be the most consistent development in the series.
The story revolves around Oliver--a lost boy looking for his lost friend when the world is falling apart around him. We dive deep into his past and learn even more about how he's processed his mother and Holly leaving him. They did the best with the time they had but it felt rushed--we took an entire TV series and several movies to dig into Shane's hurt from her father leaving and Oliver's processing Holly leaving. We now have one movie to examine Oliver in depth? This really should have been two movies.
The script falters and falls flat in some areas, specifically in pigeon-holing the characters into a box or rout response, but overall it's one of the better SSD movies. There are MANY callbacks and small "easter eggs" to the previous movies and TV show. I hope Hallmark realizes it has a gem of a series in this show and continues to produce movies like it does the Teagarden series.
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