"Victoria" is a movie about the young Spanish girl, Victoria, played by the no-name actress Laia Costa from Spain, who has been in Germany for only a few months. At one night she's dancing in a club and as she decides to go home, she's meeting a group of young drunken Berliner, which more and more appear addicted to criminal activities. The next two hours runtime are telling what Victoria experiences with this group within the next two hours in the streets of Berlin. And so the ball starts rolling...
As the film starts, Victoria is dancing in the flashlights of a discotheque in Berlin at night and I already thought, that this could be another very long Arthaus-film, which would start to bore me from now on...but instead of confirming my first impression, the film fortunately fascinated me. And here's why:
First of all the most important thing - because it's so enormous relevant in this particular subject for this flick to work - the cinematography respectively the cameraman, Sturla Brandth Grøvlen. His camera work is extraordinary. The fact that he's filming nearly 140 minutes straight is remarkable in itself, but that he's also accomplishing to make the camera seem like an own acting person, who is part of these events, feels with the characters and sometimes is even "scared", too, is absolutely magnificent and helps by dragging the audience into the movie. Further I want to consider that Berlin looks gorgeous in the early morning hours.
That leads me to my second point, that the film feels so incredible realistic caused by its great acting - especially Laia Costa and Frederick Lau have got a splendid chemistry - and its way of telling an heist-story. In one particular scene, we're not seeing the heist per se, but Victoria waiting in the car for her friends coming back. So this flick shows another and much deeper perspective into the essence of robbing a bank. The camera always stays at Laia Costa's character, Victoria, so the viewer is forced setting up a closer emotional relationship to her, what clearly pays off in the third act, when there's a terrific emotional outburst by Laia Costa, who well- deserved won "Best Actress" at the German Film Awards.
There's also a great climactic structure in the movie and you won't believe what crazy things can happen in only 2 1/2 hours. All the other characters are also very well played and they're much more worth mentioning considering that the most parts have been improvised by the actors. The not so good English language also helps by raising the realism and makes it much easier for the viewer to identify with Victoria, Sonne, Boxer, Blinker and Fuß. Every character gives another essence to the movie, without that this flick wouldn't have worked so well.
After leaving the cinema I still was very excited and that's always a very good sign for me because it shows how the film has infected me. With a bit of distance I have to admit that "Victoria" might be my favorite film of 2015 and also being one of my Top 10-movies of all time.
Thank you, Sebastian Schipper, for bringing your idea to life.
As the film starts, Victoria is dancing in the flashlights of a discotheque in Berlin at night and I already thought, that this could be another very long Arthaus-film, which would start to bore me from now on...but instead of confirming my first impression, the film fortunately fascinated me. And here's why:
First of all the most important thing - because it's so enormous relevant in this particular subject for this flick to work - the cinematography respectively the cameraman, Sturla Brandth Grøvlen. His camera work is extraordinary. The fact that he's filming nearly 140 minutes straight is remarkable in itself, but that he's also accomplishing to make the camera seem like an own acting person, who is part of these events, feels with the characters and sometimes is even "scared", too, is absolutely magnificent and helps by dragging the audience into the movie. Further I want to consider that Berlin looks gorgeous in the early morning hours.
That leads me to my second point, that the film feels so incredible realistic caused by its great acting - especially Laia Costa and Frederick Lau have got a splendid chemistry - and its way of telling an heist-story. In one particular scene, we're not seeing the heist per se, but Victoria waiting in the car for her friends coming back. So this flick shows another and much deeper perspective into the essence of robbing a bank. The camera always stays at Laia Costa's character, Victoria, so the viewer is forced setting up a closer emotional relationship to her, what clearly pays off in the third act, when there's a terrific emotional outburst by Laia Costa, who well- deserved won "Best Actress" at the German Film Awards.
There's also a great climactic structure in the movie and you won't believe what crazy things can happen in only 2 1/2 hours. All the other characters are also very well played and they're much more worth mentioning considering that the most parts have been improvised by the actors. The not so good English language also helps by raising the realism and makes it much easier for the viewer to identify with Victoria, Sonne, Boxer, Blinker and Fuß. Every character gives another essence to the movie, without that this flick wouldn't have worked so well.
After leaving the cinema I still was very excited and that's always a very good sign for me because it shows how the film has infected me. With a bit of distance I have to admit that "Victoria" might be my favorite film of 2015 and also being one of my Top 10-movies of all time.
Thank you, Sebastian Schipper, for bringing your idea to life.
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