This is a wonderful movie - spooky, lyrical, spiritual, and beautiful. I bought it on DVD a few months ago from Amazon.UK, after reading about the film at the British Film Institute's most enjoyable and informative website:
http://www.screenonline.org.UK/film/id/438020/index.html
Then, last week, the NYTimes pointed out that Criterion has just come out with a remastered version of the film, complete with a set of related documentaries and even a contemporary interview with John Sweet himself, sitting in the café from the movie (more or less). The Times noted that this new edition features striking black&white photography. So, I've bought it, too, and am just sitting down to view it. So far, so very good.
Listen carefully to the American GI character's language. It is crammed full of Americanisms and slang, which must have struck British audiences back then as quite odd.
Is that land girl with the tie short hair, and cigaret hanging out of her mouth a lesbian?
The movie is full of great dialog and observations of life and culture; I look forward to paying attention to them all. One that caught my ear is about watching movies vs. living life itself - an interesting issue to bring up in a movie like this.
I am a particular fan of Dennis Price, and this is his first film, I believe. (He went on, of course, to a brilliant performance in Kind Hearts and Coronets, but perhaps his funniest bit is as Dunstan, one of a pair of crafty Welsh used-car dealers in a later film, School for Scoundrels.) Most of all, I am enjoying the photography in this movie, which captures the magic of the English countryside, which I know, a little, from some childhood visits in the '50s and '60s. Powell, especially, loved landscapes and they were a major character, of sorts, in his films.
http://www.screenonline.org.UK/film/id/438020/index.html
Then, last week, the NYTimes pointed out that Criterion has just come out with a remastered version of the film, complete with a set of related documentaries and even a contemporary interview with John Sweet himself, sitting in the café from the movie (more or less). The Times noted that this new edition features striking black&white photography. So, I've bought it, too, and am just sitting down to view it. So far, so very good.
Listen carefully to the American GI character's language. It is crammed full of Americanisms and slang, which must have struck British audiences back then as quite odd.
Is that land girl with the tie short hair, and cigaret hanging out of her mouth a lesbian?
The movie is full of great dialog and observations of life and culture; I look forward to paying attention to them all. One that caught my ear is about watching movies vs. living life itself - an interesting issue to bring up in a movie like this.
I am a particular fan of Dennis Price, and this is his first film, I believe. (He went on, of course, to a brilliant performance in Kind Hearts and Coronets, but perhaps his funniest bit is as Dunstan, one of a pair of crafty Welsh used-car dealers in a later film, School for Scoundrels.) Most of all, I am enjoying the photography in this movie, which captures the magic of the English countryside, which I know, a little, from some childhood visits in the '50s and '60s. Powell, especially, loved landscapes and they were a major character, of sorts, in his films.
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