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Miami Bici (2020)
A movie that is so bad that it cannot be classified as a movie
It is an extremely bad film that not only fails to deliver any funny moments, but also becomes a source of national embarrassment due to the actors' pitiful performances. The story is absurd and portrayed without any trace of talent by an unknown and completely uninspired actor. The actresses in this film completely lack charisma, talent, and the ability to act naturally.
They are only present to serve the purpose of showcasing the stupidity in this film. In a embarrassing and substanceless manner, these actors make a country the laughingstock through their unprofessional performances.
The screenplay is full of clichés and predictable situations, and the direction showcases a lack of creativity and originality in every frame of the film. Additionally, the editing is of questionable quality, and the soundtrack consists of a collection of banal and unoriginal songs.
In conclusion, this film is poorly made, where talentless actors do their best to make a fool of themselves and bring immense shame to the country. A complete failure in all its aspects, this film should be forgotten as soon as possible.
Miami Bici 2 (2023)
A movie that is so bad that it cannot be classified as a movie
A movie that is so bad that it cannot be classified as a movie, and those who are in the movie are not actors but a bunch of trash people.
It is an extremely bad film that not only fails to deliver any funny moments, but also becomes a source of national embarrassment due to the actors' pitiful performances. The story is absurd and portrayed without any trace of talent by an unknown and completely uninspired actor. The actresses in this film completely lack charisma, talent, and the ability to act naturally.
They are only present to serve the purpose of showcasing the stupidity in this film. In a embarrassing and substanceless manner, these actors make a country the laughingstock through their unprofessional performances.
The screenplay is full of clichés and predictable situations, and the direction showcases a lack of creativity and originality in every frame of the film. Additionally, the editing is of questionable quality, and the soundtrack consists of a collection of banal and unoriginal songs.
In conclusion, this film is poorly made, where talentless actors do their best to make a fool of themselves and bring immense shame to the country. A complete failure in all its aspects, this film should be forgotten as soon as possible.
Napoleon (2023)
in the French Revolution was speaking in English
Grade ONE with indulgence!!! Unfortunately, the first fatal mistake in the French Revolution was speaking in the language of France's enemy... in English!
In conclusion, they only used the name "Napoleon" just to make money, but in the end, the movie dealt with a subject of the lowest level of love.
A lot of Marketing, very little of Napoleon's History!
A MAXIMUM SHAME FOR APPLE AND Ridley Scott, they have destroyed a page from the History of France!!!
APPLE IS GARBAGE!!!
AND ANOTHER GARBAGE Ridley Scott!!!
Ridley Scott is a disgrace to current cinematography; he should apologize to the French people!
Don't Look Up (2021)
How Governments Deal with The Problems of society
A film that shows us how Governments treat our societal and people's problems. Even in the 12th hour, they are interested in how they give on the glass, or who we put on the hero! The film deals with the comet, but at this very moment humanity is going through a health problem, which is also treated superficially, and with the sacrifice of ordinary people, who are suffering more and more.
Countdown (2019)
I liked the idea
As a movie buff, I can say that the movie was ok, of course it could have been better, and at the same time, of course it wasn't better than (Final Destination), but it was ok.
(!) why 8 points of mine? :D
6 for movie + 2 for Elizabeth Dean Lail = 8 points :) ... I know I'm guilty, but don't kill me! :))
PS: I'm glad Elizabeth, she came to the end, that I still need her. :))
The Shawshank Redemption (1994)
Very nice
It is a strange comment to make about a film set inside a prison, but "The Shawshank Redemption" creates a warm hold on our feelings because it makes us a member of a family. Many movies offer us vicarious experiences and quick, superficial emotions. "Shawshank" slows down and looks. It uses the narrator's calm, observant voice to include us in the story of men who have formed a community behind bars. It is deeper than most films; about continuity in a lifetime, based on friendship and hope.
Interesting that although the hero of the film is the convicted former banker Andy Dufresne (Tim Robbins), the action is never seen from his point of view. The film's opening scene shows him being given two life sentences for the murder of his wife and her lover, and then we move, permanently, to a point of view representing the prison population and particularly the lifer Ellis 'Red' Redding (Morgan Freeman). It is his voice remembering the first time he saw Andy ("looked like a stiff breeze would blow him over"), and predicting, wrongly, that he wouldn't make it in prison.
From Andy's arrival on the prison bus to the film's end, we see only how others see him - Red, who becomes his best friend, Brooks the old librarian, the corrupt Warden Norton, guards and prisoners. Red is our surrogate. He's the one we identify with, and the redemption, when it comes, is Red's. We've been shown by Andy's example that you have to keep true to yourself, not lose hope, bide your time, set a quiet example and look for your chance. "I guess it comes down to a simple choice, really," he tells Red. "Get busy living' or get busy dying'."
The key to the film's structure, I think, is that it's not about its hero, but about our relationship with him - our curiosity, our pity, our admiration. If Andy had been the heroic center, bravely enduring, the film would have been conventional, and less mysterious. But we wonder about this guy. Did he really kill those two people? Why does he keep so much to himself? Why can he amble through the prison yard like a free man on a stroll, when everyone else plods or sidles?
People like excitement at the movies, and titles that provide it do well. Films about "redemption" are approached with great wariness; a lot of people are not thrilled by the prospect of a great film - it sounds like work. But there's a hunger for messages of hope, and when a film offers one, it's likely to have staying power even if it doesn't grab an immediate audience.
Dumb and Dumber (1994)
Fuuny
Jim Carrey and Jeff Daniels play the title roles (though viewers may find themselves debating which is which) in this genially low-brow comedy. Lloyd Christmas (Jim Carrey) and Harry Dunne (Jeff Daniels) are two intellectually-challenged best friends who share an apartment so messy that gangsters aren't sure how to trash the place; the guys also have a certain problem (not difficult to understand) holding on to jobs. Lloyd is working as a limo driver in Rhode Island when he picks up a beautiful and wealthy woman named Mary Swanson (Lauren Holly) who is being taken to the airport. Lloyd immediately falls head over heels in love with Mary, and when she leaves a briefcase at the airport, he's determined to return it in hopes of impressing her. Lloyd isn't able to get aboard Mary's flight (though not for lack of trying). Harry has a van decorated to look like a dog (to promote his failing dog-grooming business), and the pair hop in the Poochmobile to find Mary in Aspen. What Lloyd and Harry don't know is that the briefcase is full of money, which Mary deliberately left at the airport as a ransom payment to save the life of her kidnapped husband. Incidentally, Lloyd's chipped front tooth happens to be real; while Jim Carrey had the injured tooth capped many years ago, he thought a broken smile would suit Lloyd's character and had the cap removed for the duration of filming. ~ Mark Deming, Rovi
Casablanca (1942)
among skeletons in his closet
Michael Curtiz. Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad Veidt, Peter Lorre, Sydney Greenstreet, Dooley Wilson, Marcel Dalio, S. Z. Sakall, Joy Page, Helmut Dantine, Curt Bois. Everything is right in this WW2 classic of war-torn Morocco with elusive nightclub owner Rick (Bogart) finding old flame (Bergman) and her husband, underground leader Henreid, among skeletons in his closet. Rains is marvelous as dapper police chief, and nobody sings ''As Time Goes By'' like Dooley Wilson. Three Oscars include Picture, Director, and Screenplay (Julius & Philip Epstein and Howard Koch). Our candidate for the best Hollywood movie of all time. Spawned short-lived TV series in the 1950s and the 1980s. Also shown in computer-colored version.