I generally hate it when individuals in the theatres can't keep quiet while a movie is running especially such an intensely character driven emotional cinema that requires attention of all your senses or It baffles my mind why people carry their babies into movie theatre for such kind of movies. Sorry for the Spoiler alert ! I get it if it was some comedy family entertainer or some dumb bollywood film but this one deserves all your mind and heart because it is an immersive experience. I'd say even do away with the intervals because that is another distraction to serious viewers. Malayalam cinema has this habit of making movies that scream 'keep it real'. Being a migrant mallu myself, there are so many nuances and cultural themes that only malayalees can relate and unfortunately outsiders who rely on subtitles will miss many of the nuances and will categorize it as just another survival cinema.
Malayankunju has some exceptional cinematography, shots that capture the beautiful village in idduki district in kerala stands apart. On many occasions, most good malayalam movie plots are built around gorgeous locations in kerala. That itself is a winner right there as viewers need to know where the plot and story take place. When it comes to regional cinema, three indian movie industries have an artistic edge namely malayalam, Bengali and marathi. If it's always about mass commercial cinema, then there are many movies you can watch. This is definitely not one of those. Slow paced cinema is the real cinema. If you can't understand that aspect, stay there in your commercial cinema circle because some exceptionally creative movies are not for those audiences. I loved the ending, climax really moves you in a way that rarely any cinema does as you come to a realization that events depicted in this movie actually happened and landslide is a common occurrence in hilly regions of kerala during some peak heavy monsoon. Fahad carries you all by himself with his complex character throughout the whole movie as we sympathize with him because of the miserable events he had to witness in his family. Mother and the son relationship is somewhat underrated in this movie and significance of such a bond cant be depicted in any indian movie without any sentimenal value to it. The way Aniyankunju( full name later revealed as anil kumar) acutely mistreats his mother really made me emotional to a certain point that I was sentimentally triggered even before the second part began. Aniyankunju was mentally disturbed even before the baby and her parents move in the neighboring house. Baby was just an instrument through which aniyankunju could find redemption after all the traumatic experiences been through. In a way, landslide is a blessing in disguise for aniyankutty who lives in ignorance at times and it makes him realise nothing matters at the time of life and death. I'd disagree to the fact that he being a casteist creates a certain dislike among specific viewers particularly since the character is nowhere perfect and one has to realise the fact that he is a flawed character like everyone else in this world. That is the reason why scripts are written. The entire burden of the events that shape aniyankunjus character is very well portrayed by fahadh fazil and this might well be one of his best performance till date. However, he does his best in every movie and his growth from chappakurish till now is phenomenal. I don't think any actor has given such mesmerizing performances. After every other movie, his creative acting skills are overpowering his all other previous performances and there is no stagnancy. He is criminally underrated and I won't be surprised if he is ignored further since real artists don't stand a chance for recognition in india. I felt AR Rahmans music was unnesscesarily added in some scenes and that could have been avoided. Fahads acting is so raw and immersive that ar rahmans background music may seem like a hindrance and often forcibly inserted into some scenes for pleasing a section of viewers. Creators need not worry about the lag and all as movies such as these need a slow pace otherwise it will seem like a Tamil movie where there is no space for conversations and everyone is continously talking and that really bothers me when all the characters are speaking continously breathlessly. I'm sure if this movie was released in the west, it would have bagged multiple awards.
Malayankunju has some exceptional cinematography, shots that capture the beautiful village in idduki district in kerala stands apart. On many occasions, most good malayalam movie plots are built around gorgeous locations in kerala. That itself is a winner right there as viewers need to know where the plot and story take place. When it comes to regional cinema, three indian movie industries have an artistic edge namely malayalam, Bengali and marathi. If it's always about mass commercial cinema, then there are many movies you can watch. This is definitely not one of those. Slow paced cinema is the real cinema. If you can't understand that aspect, stay there in your commercial cinema circle because some exceptionally creative movies are not for those audiences. I loved the ending, climax really moves you in a way that rarely any cinema does as you come to a realization that events depicted in this movie actually happened and landslide is a common occurrence in hilly regions of kerala during some peak heavy monsoon. Fahad carries you all by himself with his complex character throughout the whole movie as we sympathize with him because of the miserable events he had to witness in his family. Mother and the son relationship is somewhat underrated in this movie and significance of such a bond cant be depicted in any indian movie without any sentimenal value to it. The way Aniyankunju( full name later revealed as anil kumar) acutely mistreats his mother really made me emotional to a certain point that I was sentimentally triggered even before the second part began. Aniyankunju was mentally disturbed even before the baby and her parents move in the neighboring house. Baby was just an instrument through which aniyankunju could find redemption after all the traumatic experiences been through. In a way, landslide is a blessing in disguise for aniyankutty who lives in ignorance at times and it makes him realise nothing matters at the time of life and death. I'd disagree to the fact that he being a casteist creates a certain dislike among specific viewers particularly since the character is nowhere perfect and one has to realise the fact that he is a flawed character like everyone else in this world. That is the reason why scripts are written. The entire burden of the events that shape aniyankunjus character is very well portrayed by fahadh fazil and this might well be one of his best performance till date. However, he does his best in every movie and his growth from chappakurish till now is phenomenal. I don't think any actor has given such mesmerizing performances. After every other movie, his creative acting skills are overpowering his all other previous performances and there is no stagnancy. He is criminally underrated and I won't be surprised if he is ignored further since real artists don't stand a chance for recognition in india. I felt AR Rahmans music was unnesscesarily added in some scenes and that could have been avoided. Fahads acting is so raw and immersive that ar rahmans background music may seem like a hindrance and often forcibly inserted into some scenes for pleasing a section of viewers. Creators need not worry about the lag and all as movies such as these need a slow pace otherwise it will seem like a Tamil movie where there is no space for conversations and everyone is continously talking and that really bothers me when all the characters are speaking continously breathlessly. I'm sure if this movie was released in the west, it would have bagged multiple awards.
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