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9/10
Great documentary sheds light on this little known caper
14 August 2017
Stealing Charlie Chaplin, is from what I can see, director Phil Boatswain's first full length documentary feature, and it is an assured and interesting one.

I am by no means a Chaplin aficionado, and while I know the iconic "Tramp" like just about every film lover I was not aware, and underestimated just how enormous a star Chaplin was when at his peak.

With that background, Boatswain expertly navigates what is undoubtedly a "truth is far stranger than fiction" tale of crime and mystery following the theft, and ransom of Chaplin's body after his death. The story takes a number of twists and is told through the eyes of a number of Chaplin experts as the story slowly unravels.

I won't say any more.....thoroughly interesting and entertaining. Highly recommend.
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10/10
Film making perfection.
20 August 2008
Having viewed There Will Be Blood for the second time last night I am still reeling in the wake of its perfection. Paul Thomas Anderson takes his direction to a new level, filming on a larger scale than he ever has, and doing so with the creativity and conviction that will ensure his place as one of the finest film makers of this generation. Every shot is stunning in its composition, framing, and lighting, serving the complexity and multi layered nature of the story.

Despite Anderson's seminal direction and cinematography the film is owned completely by the performance of Daniel Day Lewis. He provides a towering character study of a man driven only by a sense of greed and competition. Many a story has centered around the destructive nature of greed but no actor has captured it with quite as much passion and intensity.

By its conclusion, his Daniel Plainview is a shallow, souless man, destroyed by his own unwavering quest for wealth. Day Lewis is in almost every scene and is utterly commanding whenever on screen. His complete transformation and exploration of the Plainview psyche is on par with that of De Niro in Taxi Driver and Raging Bull, Pacino in the Godfather, or any one of Brando's best performances. The performance is easily the best of the decade if not one of the best in film history.

Dano is worthy support as Eli Sunday, and the mere fact that his character can share the screen with Day Lewis is a testament both to the writing and to his performance. Johnny Greenwood's score is is the perfect counterpoint to the film, bordering at times on creepy, its edgy, off kilter sound enhances Plainview's descent into madness. This is an emotionally draining, yet completely stunning masterpiece, and an exercise in film making perfection.
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10/10
I love Christopher Nolan....
17 July 2008
Dear God I love Christopher Nolan. In his five film career, beginning with "Memento" he has not put a foot wrong, building a body of work which supports the assertion that he is the most talented director of his generation. With The Dark Knight he has created the best comic book film ever. Period.

Dark Knight is the most perfect blend of style and substance, action and drama that I've ever seen. It's technically brilliant, with awe inspiring action sequences that must be seen to be believed. The action however, is not superfluous but feeds off the dramatic subtext of the script. Nolan explores what it is to be a hero, and the pitfalls of protecting a city that seems to be suffering because of the very existence of that so called hero.

Each actor slips perfectly into their role, with honourable mention going to Aaron Eckhart who did far better than I expected as Harvey Dent. Towering above them all however is Heath Ledger. Almost 20 years ago Jack Nicholson portrayed a Joker that many felt could never be topped or re-attempted. Whilst it is unfair to compare the two, one certainty is that it will be at least that long again before any other actor can don the maniacal grin once more. True, the Joker by his very nature is bound to steal the show.....true, the Nolan brothers have scripted the Joker in a unique way, filled with memorable dialogue. Nothing however, can take away from Ledger, who's every movement, every word, every physical nuance is part of a meticulously crafted madman. This Joker ranks among the greatest of villains as he seemingly needs no motivation for his actions other than the constant thirst for chaos. The Joker is all animalistic instinct and in Batman the Joker has found a nemesis whom he enjoys being pitted against. For the Joker it is not the outcome that is important but the fight itself. His lack of fear or reverence to anything is truly terrifying.

Ledger's final completed performance is perhaps the mot bittersweet piece of acting to watch as it now serves as a swansong, rather than heralding the arrival of a monumentally talented superstar. There is nothing I can say about Ledger, or the film that hasn't already been said but in there lies the film's true brilliance......I feel the need to rave about it anyway.
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The Happening (2008)
7/10
A quality effort.
12 June 2008
At the whim of a friend I went in to seeing "The Happening" knowing absolutely nothing about it. No preview. No reviews. All I knew was that Marky Mark was in it (whom I love) and M. Night Shyamalan directed it. I have steered clear of Shyamalan's work since Unbreakable despite the fact that there is a lot about him I like including his Hitchcockian pretensions, and his leanings towards suspense and horror. However, his films following The Sixth Sense appear to lack the intensity and intelligence of his brilliant debut.

Whilst "The Happening" is far from perfect it is a minor return to form, with its clever story and classy direction. The plot is extremely ambitious with a villain that is largely unseen and unknown. However the tension is well maintained throughout and there are a number of genuinely creepy moments. Shyamalan struggles to keep the plot moving at some points opting out for cheap news stories as plot exposition rather than using the characters to advance the story.

The film is terribly cast with Wahlberg and Leguizamo playing science and math teachers respectively. However, Wahlberg in particular settles more and more into the role as the movie unravels.

Interestingly, Shyamalan doesn't offer his regular brand of shock twist endings here, opting to leave a lot unexplained. This was both refreshing and annoying as it meant we were spared a lackluster ending but were left with one that seemed somewhat empty.

Overall, an intense if not flawed thriller on par with Frank Darabont's "The Mist".
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Rocky Balboa (2006)
10/10
A brilliant film that is a fitting finale to a hero.....
18 February 2007
Warning: Spoilers
WARNING SPOILERS Its been just over 24 hours since I had the privilege of attending the Australian premiere of Rocky Balboa at the open air cinema in Sydney………and I'm still reeling.

Is it the fact that I got to ever so briefly meet Sylvester Stallone, an idol of mine since childhood, that is the reason I'm still buzzing, or is it the fact that his latest offering his by far his best work in years, possibly ever? Perhaps it's a bit of both. But despite the obvious bias created by the crowd, and the creative force behind the movie being in attendance, Rocky Balboa is still a stunning movie.

What Stallone has done so perfectly in this film is capture the essence and the magic of the original character and story that he first did over 30 years ago. The themes that made the first film so special are once again present here; Courage, will, determination, and spirit in the face of insurmountable odds is not a new or novel theme, but is compelling and moving in this film. Added to those themes here is the loss of Rocky's one love and pillar of strength; Adrian, and the emptiness of aging, and being perceived as nothing more than a relic or has been.

Stallone manages for the first time in years to present his story with humility and honesty in his writing and direction, as well as genuine passion and even an off beat humour in his performance. It truly is the best acting of his career together with Copland and of course the first Rocky. One thing is certain. The magic is back.

As mentioned before, it is the brutally honest approach to the story that makes it successful. In contrast to the machine like, cartoonish villains of Rocky III, IV, and V (whom I still love and are brilliant entertainment) Balboa faces two enemies in this film, one is the opponent he actually fights: Mason "the line" Dixon who retains the humanity and vulnerability of Apollo Creed, and the other is life itself; particularly the doubts, weaknesses and disappointments that fill everyday. Where the Rocky story is unique in this film and in the very first is that the overall theme is not victory, but is self efficacy; taking the opportunity to fulfil ones own potential even if the result is a foregone conclusion.

The supporting cast is excellent, particularly Burt Young who shares a great deal of screen time with Stallone and is amazing in all of it. The inevitable training sequence felt short, but was as rousing as ever, almost bringing the crowd into hysterics as he climbed the steps in Philly one last time.

Finally, the fight is presented in true pay per view ESPN style that really manages to capture some of the reality that made Balboa's first battle with Creed so special. The fight itself is possibly the most believable of the whole franchise. The punches aren't supported by gargantuan sound effects, but with the realistic thud of actual body contact, and the choreography to its credit even manages to capture the scrappy realism of actual boxing. At the end of the 2nd round however, Bill Conte's rousing score kicks in, as does some inspired direction from Stallone and the fight is elevated to the battle that every Rocky fan loves to see.

I'm sure I could say more…..but in all honesty I could never say enough. This is the most essential sequel I've ever seen that nobody thought needed to be made. Never again will the sixth instalment of a film franchise come along and almost retain the power of the first. The mere premise of the film seemed laughable, but in his infinite wisdom and intelligence, Stallone turned those doubts and reservations into the core of the movie. In doing so he has once and for all created a fitting ending for a heroic, yet human character that in some way is a part of all of us.
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5/10
Doesn't deserve the harsh criticism it's getting but a let down nonetheless.
17 December 2006
The very idea of this film excited me from day one. I love De Palma and I love Noir. I thought this would be De Palma's return to great form. I was wrong. This is not the terrible film that many people are saying it is. However, its not that good a film either. Watching Black Dahlia is frustrating because everything required for a great movie is there, but it never comes together. De Palma's cinematic prowess is in fine noir form as his love of long takes sweeping camera angles, and rapid editing serves the film well. The production is lush and great looking. I understand the thinking behind casting Scarlett Johansson and Josh Hartnett, but they really don't work. And as for Hilary Swank, God that woman is overrated and completely miscast here. The underlying problem here is the script. While I haven't read Ellroy's novel i suspect that this adaptation is far more disjointed than the novel. The plots and subplots fail to connect together at any stage, and most importantly, the Dahlia murder.....what i believed to be the core of the movie almost plays second fiddle to a weak love triangle. I had anticipated this film so very much, and while this film is far from the trash that many are describing it as...devoted De Palma fans will have to continue to wait for his next classic.
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10/10
Majestic and moving cinema masterpiece
13 September 2006
While there is an abundance of personal reviews and comments for this film, I truly feel the need to add my own opinion that is so similar to just about all the others.

I first saw this film when I was about 14 and was moved even then by its powerful and sensitive drama, the wonderful characters and particularly the hero R P McMurphy.

I've seen One Flew many times since and am constantly surprised by its depth, complexity, and emotive power. It is a film that will live on forever as its themes are universal and unending. Most of all the film will continue to live on on the back of the flabbergasting performances by the actors and particularly the amazing and superb Jack Nicholson.

If you haven't seen this movie, watch it and from then on life is just slightly different. And after you've watched it once........watch it again.
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8/10
Brando brilliance
22 August 2005
I finished watching this film only moments ago and I'm still reeling from Brando's performance. I've never seen such an emotional, powerful, intense, yet so natural performance before and doubt I ever will again. Brando manages to cover a spectrum of emotions rarely attempted by other actors. Beautiful direction by Bertollucci as he creates an almost dreamlike state with beautiful lighting and unique angles and framing. I believe this stands alone as Brando's best performance, one that even he i'm sure was proud of. The erotic scenes are anything but erotic but instead convey the feelings of anger desperation and sadness that reside in Brando's character. wonderful supporting cast, but Brando towers above anyone in this movie, and in mind mind just about any other.

A disturbing and beautiful movie.
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