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True Beauty (2020–2021)
8/10
Well-made for TV: more interesting plot and characterisation than the Webtoon
15 February 2021
As someone who has been following the Webtoon, I initially tried to compare the plotline and character arcs as I watched the 'live action', and I'm glad I quickly decided it's plain counter-productive (not to mention a setup for disappointment) to do this kind of cross-media comparison anyway.

After all, professionally speaking, it would be quite unfair and unrealistic to expect the 'live action' adaptation to strictly follow the backstory, plot development and all the character relationships as per the original Webtoon; I'm glad this 'live action' showcased a screenplay and direction that is rather unique in its own right.

Here are the main questions I took into consideration as I watched this series: 1. Does the overall story carry its own weight? YES (it addresses the theme of "true beauty" quite consistently; watch this as a standalone, so no need to read the webtoon to get anything; also, backstories, side stories and character relationships in the show are more dynamic and interesting compared to the source material) 2. Is the plot well-developed? YES (no terribly unforgiveable plotholes or too many drag-in-the-mud moments) 3. Are the characters well-portrayed? YES (the casting was really well done overall; key characters are all relatable enough and the chemistry believable; I must say that there's pretty good development in the two male lead characters unlike in the webtoon) 4. Bingeworthy? YES (quite well-paced and well-timed cliffhangers; best devoured over long weekends) 5. Sentimental level? Low to moderate; campy in a good, entertaining way (you have the Kdrama tropes but they're not too-cringey that they detract from the story progression) 6. Re-watch-ability? High (Execution-wise, it's one of the better Kdramas that qualifies for the hall of classics) 7. Major complaints? Some emo moments are unnecessarily drawn out, with some gratuitous montage or filler moments (which feel like time wasters) but hey, this is Kdrama! 8. Does this series need a Season 2? NO; the story is not perfectly written it fits the purpose and most of the plotlines have come to a full circle quite nicely.
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The Perfect Date (I) (2019)
5/10
Very flat
21 April 2019
The premise seemed interesting. The introduction was mildly intriguing.

Unfortunately the overall plot lacks real conflict that I got too bored to finish watching this highly-predictable smart-ish Hallmark-y script with a try-hard kinda-witty script at the 44th minute mark.

Not a good sign. There are better things on Netflix.
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Sex Education: Episode 5 (2019)
Season 1, Episode 5
10/10
Immaculate execution
21 January 2019
It's not the most pleasant episode to watch, yet the first to inspire me to write about one (as opposed to waiting until I have seen the whole season, like I usually do).

The plot twists are rather good, nothing really predictable. My favourite thing about this show so far is how they didn't just dish out your usual Mean Girls, jocks, nerds, and gay stereotypes (which would have been too easy to use as a trope). Love the cinematography and colour grading as well.

I did not expect things to continue going this well.
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You (2018–2024)
6/10
It's not You, it's Me - Joe
11 January 2019
Warning: Spoilers
FIRST: I did not read the book or any of the reviews before I chanced upon this show on Netflix last week. Anti-hero stories are generally more thoughtfully written/directed than your typical heroic tropes, and with the first-person narration, the dialogues and monologues overall come off as poetic, which appeals to the artist/wordsmith in me.

NOW LET'S CUT THE FAT: Frankly speaking, minus 1 Star for unbelievably vapid/one-dimensional characters (I didn't like most of the characters except for Joe and Peach). Minus another Star or two for just plain stupidity of all his victims/targets (seriously, it's like how the "bad guy"/Joe has it easy; things just go his way somehow...over the MONTHS/YEARS). If we wanna talk about realism, at the very LEAST, in the season finale, Beck could have gotten away if she took those damn keys instead of talking/blabbering her logic/common sense away after locking Joe in. Or if/especially when she stabbed him in his eyes or both kneecaps or ankles (if she didn't want to commit murder). I mean, the girl did effing gave him a serious blow to his head... And being a so-called "BRILLIANT/EXTREMELY TALENTED" writer....she couldn't have been more imaginative or insightful about the capabilities of her psychopathic boyfriend? After all, she was convinced that he was still alive and probably, rightly, murderous about her after her initial knock (or slam) on his head.

So, yeah, Beck had it coming and Joe had it easy, if not for the amount of LEVERAGE the former completely wasted on her embarrassing overall lack of emotional control and common sense.

CRITICISM ASIDE: Performances/deliveries were well done. Although initially I didn't think that Penn Badgley deviate much from his Gossip Girl role as Dan, around the middle of the season, I could appreciate a level of maturity in his acting I didn't see before. Also, ambiance and setting are consistent and do well for the mood. Great casting and production design overall.

SEASON 1 CONCLUSION: Quite entertaining, but, simply, Joe did not and has yet to meet his match (Peach was okay, but things got boring quickly with her gone). Maybe in the form of the still-alive Candice, which is the only reason why I'm still mildly interested in this series. The plot build-up is sufficient at this point for a climax at this point. Ultimately, I don't see this lasting beyond Season 2. Would still recommend though.
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10/10
A punch in the gut.
28 December 2018
It is rare that I get inspired to write a review with a headline that sums it up viscerally, succinctly. Much less rate any show an imperfectly perfect 10. And it's not just a punchline, either: I watched this show without any presumption many months ago (when it was just Season 1), and found a whole lot more than just comedy, drama and romance. It's political, sociological, psychological, and outright sensible. I will leave the fault-finding of this show-which has as much gravitas as its pizzazz-to the finickiest of film snobs.

The Marvelous Mrs. Maisel is a largely light-hearted series with the decadence of Madmen (love the fashion, styling, colour grading which has a hint of Down With Love and Stepford Wives) without the ostentatious melodrama, plenty of witty verbal tirade that can give Aaron Sorkin a run for his script money. Each scene and line just flows in and out beautifully, SEAMLESSLY, with no jarring or obvious plot holes or film fails...that it's amazing. Simply amazing. Astonishing even. Direction and delivery is just brilliant overall.

You don't even need to be a chick to fall in love with this show (although I daresay it's extra relatable for females and feminists/egalitarians). Much like the Crazy Rich Asian fanfare (forget the movie, #sorrynotsorry ; just READ the FIRST book alone), despite the fluffy-looking, superficial, glitzy-ditzy facade, The Marvelous Mrs. Maisel showcases so much empathy, pathos and nuanced depth. And each season only seem to get better (pacing and plot especially) than the last. All the characters are dimensional and easy to love (especially the leads; any Susie fans here? ;) . My only warning: the last current episode (Season 2 finale) may fill you will joy, surprise, and break your heart at once.

VERDICT: Currently my only reason to subscribe to Amazon Prime. Highly addictive. Perf for girls' (especially) night in. Looking forward to Season 3 already.
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Batman Ninja (2018)
9/10
Y SO SERIUS, GAIZ?? Seriously unserious: just watch for the art!
17 December 2018
Warning: Spoilers
Yes, script is monotonous, but delivery and execution ranges from palpable to downright ridiculous. But, frankly, the artwork, editing and fight scenes are SO distractingly fantastic from the get-go to the end-credits, that I think the harsh critics should cut this film some slack.

It's a comic, and it doesn't have to make that much sense: the fact that it kept me awake throughout a long bus ride (and I could kinda follow what's going on even though my audio could barely catch the dialogues sometimes) is already a 6/10 in my books. Pacing and editing alone were sufficient to keep me entertained.

Funny: The plot and execution are remniscent of the best of Samurai X, Ironman, Pacific Rim/Power Rangers/Ultraman and a bit of Star Wars (lightsabre scenes, duh). I expected only to watch a katana-wielding Batman and was not disappointed one bit.

If you enjoy Japanese anime, don't really wanna "brain" much, are fine with some inconsistencies, and expect nothing, you may well find Batman Ninja amusing (if not captivating fir the art style alone), at the very least. The details are simply amazing.
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Kim's Convenience (2016–2021)
9/10
On Netflix solely for this!
3 November 2018
Warning: Spoilers
As a prelude, I was born to a Chinese family in a metropolitan city in multi-cultural Malaysia, and have lived a good 4-5 years in Indiana, USA, during my college years; so I can definitely vouch for the authenticity of the nuanced experiences which the cast poignantly (and humorously) captures. I have some South Korean friends who aren't native English speakers, and would say that their accents are very similar to the ones of the Korean parents on the show.

My (2nd/3rd-gen) parents are somewhat like Appa and Umma (my dad kinda pledges pretty strong alliance with China and the traditional Chinese culture, even though he wasn't born there nor did he live there, and my mum's perennially anxious or excitable about the smallest of things and prides herself being modern yet full of proper...Chinese/Asian morals). I can't say that my brothers are like Jung, but I think we (being 3rd? 4th? generation immigrants) can relate with feeling displaced in a cosmopolitan culture that fuses both Eastern and Western values in rapidly changing modern times (e.g. Janet evidently speaks Korean poorly, and I have a freakish penchant for mastering the English language more than the Chinese language, whereas my brothers--and many other Malaysian youths--don't master any single language, not even their own supposed mother tongues).

Anyway, to cut a long story short, like what some of the reviews have said, it's refreshing to find a good comedy series that doesn't rely on cheap gags or laugh tracks, and delivers a very humane narrative so full of little slices-of-life that are completely believable to be based on real family experiences (although to really get it, you'd probably have to be from or live with an Asian immigrant family, or know many East Asians).

I laughed a lot (as in genuinely, MORE than mere chuckles; not even New Girl, which I also quite enjoy get this much from me). Teared up a few times, even. The show really touched my heart with its very thoughtful script, direction and delivery. Keep up the good work, team! Will recommend. OKAY, SEE YOU!
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