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Attraction (2017)
7/10
Similar to Starman, good CGI, shows that humans are not ready for contact
11 March 2018
Warning: Spoilers
Attraction is a good SF film, though not perfect. Where does it succeed? The CGI is world-class, as good as Avatar, for example. It also succeeds in portraying how ill equipped humanity is for First Contact. The first thing the military does is shoot to kill, and human aggression and fear is a constant throughout. It appears to be a love story, but the female human (Irina) is spoiled and irritating in the extreme. The alien is a likable character. Irina's boyfriend is a violent thug, which is unfortunate in this case. The film illustrates well what the alien AI ends up telling us: Earth is off-limit to them because our species' aggression. It also adds that in 600 years we will be extinct, which is quite plausible. The whole thing seems like a miss opportunity for us, due to the violence and ignorance of our nature. We tend to form into lynch mobs informed by tribal thinking. History is full of examples. Worth seeing even if the female lead was irritating, the alien seems lost most of the time, and the portrayal of our nature depressing.
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Life (I) (2017)
5/10
Don't watch this film if you are squeamish
9 March 2018
It's a horror movie in outer space, much like Alien, but looks like Gravity. I found it disturbing, which I suppose horror firms are intended to do -- but regret having watch it now. Some horrible images will stay in my mind for awhile now.
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Ares (2016)
7/10
Good story, well done - dystopian noir future
8 March 2018
Like Blade Runner it's a dystopian future, and in this is mass human experimentation by heartless corporations, as well a brutal prize fighting. But it's not a martial arts movie. It's a movie about the sacrifices that one man makes to try to save his family. I thought it extremely well done and compelling, and somewhat sad. There is a hint of the original French revolution throughout, which is interesting. The setting is Paris.
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7/10
Comparable to the original, but more action and less science
6 March 2018
Both the original and the remake are with seeing. The original is slower, less action, but mores science, and the remake is fast-faced as is normal in today's thrillers. They're both good. The twists in the remake regarding the source of the virus were convoluted and at times a bit implausible. In the original it is just some random space virus from a comet -- more plausible. Having just seen the remake it makes me want to see the original again, after many years.
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The Beyond (2017)
6/10
Hard SF story about first contact - documdrama style
6 March 2018
Warning: Spoilers
Yes, it's slow as most are saying. Still, I appreciated it, as it gave a good idea of the kinds of decisions that might attend first contact, if and when it comes. The one thing I could not abide was the "vocal fry" / valley girl upseak speech of one of the lady actors. Ugg, who do so many girls and women do that these days? A lot of the film centers on the ethics of a human brain to robot body transplant. But I was thinking: why not just wait for the aliens to do the first move? Also, 100% of the first contact films assume the aliens want to talk to us and we are all important. What if aliens want contact with non-human animals and find us too violent? Star Trek IV and the Day the earth Stood Still remake push in that direction. Humans are obsessed with themselves. What makes us think that aliens will trust us after they see how poorly we treat sentient beings who look different than us? This never gets properly explored.
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The Bible (2013)
7/10
Race issues, martial arts, miracles, and the Gospel of John
16 February 2018
I just finished binge-watching Season 1, which appears to be all there , thus far on Netflix, from Noah to the Crucifixion. Overall, it's worth watching. It's clearly taking a page out of The Ten Commandments in showing the miracles in Egypt, and Gibson's depiction of the Passion (excessive bloodiness and a lot of tears). It's clearly an American production in many ways, with a target audience of evangelical Christians.

I noticed right off that it was racially diverse, although Jesus is portrayed as the traditional white representation, not a dark-skinned Jew. But Sampson is a black man and he is persecuted for going out with a white girl (a very civil rights interpretation). Angels often appear as black men as well, and there is one Asian angel. I believe this was to appeal to black evangelical audiences. The racial diversity was not over-played, though, and it highlighted the universality of the Gospel message.

There was quite a bit of martial arts and swordplay in the series -- very Hollywood. It's a bit gory in places, perhaps too much so, and I found myself skipping past scenes with excessive violence. It's not for everyone.

The biggest tip-off that this was written by and intended for evangelical audiences was the representation of Jesus as a saying that he is the Son of God -- from the Gospel of John. The other gospels are not as clear about that, and the historical record seems to indicate that Jesus regarded himself as a rabbi, not as the Messiah.

Another small point: there is a lot the series skips over in Old Testament history, though I suppose that's necessary when you are dealing with so many stories. I do commend the writers for keeping the story going in an engaging, entertaining, and meaningful way. The spirit of the Bible is well portrayed.

A last point: it is heavy in miracles and the supernatural. Jefferson's Bible cuts out all such miracles, focusing instead on Jesus' ethical teachings. This story, like Hollywood depictions, use CGI liberally to show miracles from God. It is an example of biblical literalism. It might have been more powerful to interpret it without such imagery, but it would have been less entertaining too. And some people's faith is based on biblical literalism, as much or more than inner spiritual transformations. However, one could also tell these stories from the vantage of rational religion, showing inner transformations. It's hard to convey this in stories, so miracles are used as representations -- but the danger is that they are then taken literally -- which for some engenders disbelief.

Overall, I enjoyed it and would happily watch Season 2. I found it thought-provoking and a good way for lay audiences to engage with the Bible stories -- which in this day and age would be a good thing. I don't think secular society has done the world that much good, all things considered. The Christian message is still a good one for this world, provided it focuses on morality and nonviolence and goodness. Jesus' teachings could be an antidote for much that ails us.
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Soldier (I) (1998)
10/10
A futuristic morality tale
15 February 2018
Warning: Spoilers
Soldier is vastly underrated. It's actually a great movie. I think it may be misunderstood because it is more like an old Western than a modern dystopian SF tale. It conveys the idea that genetically bred soldiers of the future still have something human in them, which can be awakened by the love of community. It certainly portrays the military industrial complex as evil and seeks to inject a sense of humanity into what it means to be a soldier. It could be seen as a morality tale in support of today's soldiers who are increasingly expected to act like robots in hi-tech wars. It juxtaposes the utopian self-supporting family community with the dehumanizing corporate-military machine -- which is unfortunately what many future conflicts may look like. As in a Western of old, the hero is the underdog fighting for the community against overwhelming odds. A one man Seven Samurai. I found it quite moving. The acting, story, sets, music -- all masterful. It's a mystery to me why it did poorly in the boxoffice. I hope Soldier 2 is made with the same cast set 20 years later!
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9/10
funny and good music
4 March 2015
I thought this was an excellent mock documentary. Yes, it borrows liberally from Spinal Tap (some scenes are identical) but the music, script, direction, and acting were quite good. I ended up watching it several times and quite enjoyed it. The music is extremely well done. A lot of parts are funny, but esp. the part with "Momma Rag." I hope the filmmaker does a sequel to this.

What else? (this site wants me to write 10 lines for some reason). The love story was extremely well done (good acting), showing the tension between musicians and romance (a la John Lennon and Yoko Ono). The parody of the 'hardcore' gangsta persona was funny (Murder Mike flinching). I guess Durag is my favourite character. The failed aging musician theme is unfortunately all too real for most musicians in our culture, so it needed to be shown. Reminds me of the real life Spinal Tap, "Anvil" (a great documentary if you have the chance to see it).
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