Reviews

Extremely interesting at first, covers the centuries of colonialism in Cuba. I really appreciated the historical perspective to understand how long-lasting the Spanish colonial rule was, and how devastating and oppressive it was for the Cuban peasants and enslaved Africans. And how the U. S. simply took over managing the colonial rule of Cuba instead of actually "liberating" the people.

The episodes regarding Castro's childhood and upbringing were extremely insightful. Also interesting information on the Cuban Revolution and the years leading up to and after 1959. Fascinating.

But a couple of things were troubling. One is, the documentary completely skips over the Tricontinental Conference of 1966, an important anti-colonial world event in politics hosted by Cuba, which took place in Havana. Revolutionary leaders from Africa, Asia, and Latin America were in attendance, including Amilcar Cabral, and Salvador Allende.

And also seems to paint Castro as wrongly "always" blaming the U. S. for Cuba's problems. Well. The U. S. is responsible for the embargo which has lasted decades. So, the U. S. is culpable and it is correct to say so.

Also, the documentary seems to blame Cuba for Guantanamo's existence, that was absolutely bizarre. It's the U. S. that is responsible for the massive human rights violations and war crimes that have occurred on their own military base, which should not exist, period, in Cuba. And it is a provocation that it should be there at all. This is not accurately portrayed in the documentary.

The fact that Cuba still exists and has free healthcare and education, and exports doctors and medical assistance throughout the world, also during the Pandemic, should tell the viewer much. Especially when the documentary strangely tries to say "socialism failed in Cuba," um, free healthcare and education is a success, not a "failure." So it's kind of pro-U. S. imperialism especially towards the end. Also, left out Che's dying words: "Shoot, coward. You will only kill a man." Because the Cuban Revolution lives on, and will eternally. Viva Cuba!

Sutherland plays the patriarch of the Getty family during the tumultuous early 1970's when his grandson was kidnapped.

So much context is provided to tell the story, it's really enjoyable. Hillary Swank gives a memorable performance as the mother of the kidnapped Paul Getty III.

The production is lavish. Set mostly against the backdrop of beautiful southern Italy, where the economic turmoil is ever present in the lives of the peasants and townspeople who live there. This also helps the viewer understand why the locals would go to such extremes to acquire money.

This series exposes the greed and ruthlessness of the Getty empire. And by the way, Brendan Fraser delivers an unforgettable performance throughout. Just perfect. What an amazing actor.

The viewer expects a fantastic and entertaining series with amazing stars like John Leguizamo, Sam Shepard, Sissy Spacek, Kyle Chandler, and Beau Bridges, and these actors truly deliver amazing performances. I'd never heard of Ben Mendelsohn, but as "Danny Rayburn," he is a masterful villain.

Two other actors who stand out for deeply emotional performances are Norbert Leo Butz as "Kevin Rayburn," and Jamie McShane as "Eric O'Bannon."

This series is completely binge-worthy, a compelling family and crime saga set in the Florida Keys. While the entire series is exemplary viewing, the first two episodes of season 3 contain some of the most riveting television I've ever seen.

I found this 12 part documentary very enjoyable, as an American who is kind of an anglophile. Also enjoyed the nostalgia of the 1970's, a time when I was a child. If this documentary had featured a "middle class family" as the preceding American documentary had, I'm not sure I would have been much interested.

The Wilkins family are a working class household with nine members: Parents Margaret and Terry, children Marian and her boyfriend Tom, Gary and his wife, Karen who lives with them, Heather, young Christopher, and their grandchild (Gary's son) Scott.

It's interesting to watch the older children going through the trials of independence, under the guidance of Margaret, their mother. For example, the viewer gets to see Gary and Karen's arduous journey to secure a council flat (public housing), something many people all over the world face in today's economy. But the viewer gets to see what it was like in the early 1970's; almost a history lesson.

It was also interesting to see a working class family coping with cramped conditions, and just spending so much time together; planning for the future (holidays and weddings), caring for the younger children, preparing meals, dining together, talking together. So intimate. Very different from what life is like today with all of us glued to our respective and separate screens, not really interacting with one another in daily ritual.

If you are an American anglophile, or if you enjoy honest portrayals of the working class, you might enjoy this very much.

This was kind of interesting, BUT. . . It's so amazing/ disturbing to see people who were living there, in Humboldt County, people who had moved there precisely to take advantage of being black market marijuana growers- and especially those who moved there in the 1990's or later- decry the eventual legalization of marijuana (in California where this takes place), and at the same exact time relate their stories as if they are some kind of heroes, as if they were interested at all in people, improving things, etc. These growers were practicing abhorrent labor practices, taking advantage of workers, and making absolute bank, tax-free, with little labor cost, charging exorbitant prices for their product. . . like hello, look in the mirror. . . . . .the problem was YOU. You weren't doing a "good thing;" you were taking advantage of a situation that required violence, extortion, labor abuse, even kidnapping and murders.

This is a really good expose of how disgusting capitalism is. If you can stand to listen to the greedy, delusional, mean growers (there may have been some nice ones; but they, too, were taking advantage) and their families wax sentimental and poetic (vom!) about their disappointment in not being able to carry on their criminal enterprise that was making them lots of money, but once legalized, they couldn't get black market prices anymore and that made them so unhappy. Just wow.

Kind of difficult to watch the delusion and hypocrisy, over and over and over, as the growers interviewed tell their stories.

A star-studded cast of some of the finest actors and David Tennant is #1. This is so scary, I can't place why it's so much more scary than other series on sinister crimes, but this is defo not to be missed.

The Netflix drama "The Crown" didn't interest me at all at first; I presumed it would be filled with an attitude of fawning praise; a love letter to monarchy and British imperialism. I'll bet some viewers whose worldview isn't based on the challenges facing oppressed, colonized people, whose worldview isn't informed by the struggles of the working class, and colonized working classes, do sadly see it that way; taking away from it what they wish or think is "true."

But in this drama, which is lavishly produced, the viewer is definitely exposed to the callous, cruel, sociopathic, self-serving, world of British imperialism and the British monarchy.

Even taking a highly critical view of the series, one can still very much appreciate the amazing performances of Matt Smith, as a younger Prince Phillip, John LIthgow as Churchill, Gillian Anderson as Thatcher, and so many more (which I may edit to include).

There are even episodes which could stand alone as movies themselves, particularly Season 1's "Assassins," Season 3's "Aberfan" and "Moondust," and Season 4's "The Balmoral Test."

It was satisfying to see the tragic circumstances surrounding Diana Spencer's introduction into the family portrayed with (righteously) ominous doom, and in Season 4, if one didn't think this series was sometimes an indictment of the sociopathy of the ruling elite and the monarchy, it's made pretty clear.

I'm no fan of the real Churchill, (you can look up his "dog in a manger" quote to see a bit about why not), but in "Assassins" Lithgow gives an astounding performance, without giving the plot away, the character is developed with complexity and it's pretty poignant.

The series also places in context the clashes with the IRA, and doesn't leave out the historical murders of Irish dissidents and the historical struggle for Irish self-determination free from British rule.

In fact, "self-determination" is revisited in a few episodes, that deal with the Welsh ("Tywysog Cymru" of Season 3), the Irish ("Gold Stick" of Season 4), and hinted at re: the African "colonies" of the British Empire when Nkruma and others are portrayed (Season 2's "Dear Mrs. Kennedy" is one example). It's to be noted that in the episodes dealing with Irish and Welsh self-determination respectively, that context is developed at least somewhat, whereas for the questions of the African colonies of the British Empire, it's not portrayed as passionately, sadly small wonder.

A very interesting series, especially when viewed with an informed view of colonialism and imperialism, and the struggles of colonized people to be free.

Enjoying this doc, but it completely glosses over, I mean withholds completely, some key historical truths: the u.s. under the Kennedy administration attempted to assassinate Castro several times; Castro was leading a revolution against u.s. imperialism; Cuba under u.s. influence was a playground for the rich ruling elite, at the expense of the Cuban people; the u.s. has interfered in foreign elections, thwarting democracy, many times up to this present time; Castro was not leading during peace time but fighting for the very lives of the Cuban workers; McGovern had support because of his courageous anti-war stance, and that was different from any other candidates for primaries; the u.s. violence against Vietnam escalated under Nixon, and was abominable; and I'm on episode 3 and have yet to see Kissinger, architect of dastardly u.s. war crimes, mentioned. Also re: Mrs. Mitchell, I doubt most people thought being a "southern belle" was "cool" during the black revolution of the 1960's, which was crushed by u.s./ CIA. I mean, gross. But there are great features in this doc that make it otherwise worthwhile.

Really cute series and Danson is entertaining in it. I don't understand why no one has made a movie about Keith Moon just so Jason Schwartzman could star in it. That would have been so great.

I've never heard so many euphemisms for "gangster," "criminal," "mobster," "blood-sucker," "enriched by ties to mafia," "mafia," "mob" in my entire life. The abjectly criminal and disgusting past of the Kennedys is glossed-over to shine a false light on this as if "oh; an immigrant family coming up in the ranks," instead of "Joe Kennedy gets rich by being a criminal." Super gross, but if viewed critically it's eye opening. Shame they decided not to do an ACTUAL documentary.

This Finnish series is remarkable for the quality of acting, suspenseful and humorous writing, lavish sets, and endearing and beautiful leading ladies.

This film is an emotional and sensory feast. This is now my favorite horror of all time. Breathtaking scenery and astounding artwork/special effects. The emotion and imagery will stay with you long after viewing, and I mean that in a good way, (but I really love the genre, so it may not be for everyone).

Hoping for an updated "Blue Sunshine," meets "Suspiria," but this was literally trash. What a shame to waste dancing on this excrement.

Suspense, action, and pretty scenery. Not saying it's the greatest movie in the world; but it's entertaining and suspenseful. I am mystified by the many poor reviews, and by the accusations that this is "soft porn;" no, no it's not. When people review the Sopranos and complain that there is mob violence; that is as much sense as some of the low reviews make. I dunno if a religious church group went to go see this en masse or what; but it's a decent flick.

Let me explain how scary this is: I've seen this movie in its entirety before. Been a couple years since I've seen it. Was looking for a good scary movie, disappointed with current finds. I started watching this one again, and had to turn it off halfway through. Nope; don't need to be that scared r/n thanks.

Really scary. Not understanding the low ratings. This is the kind of movie that will mess with your mind.

This series begins with a great mystery\ suspense, and breathtaking Arctic scenery, then by the mid to end of season one, descends into a non-intelligent and without merit Lord- of- the- flies- for -grownups slasher film without end. What a bore. Could have been a great series, but those in power of it opted for predictable and grotesquely gratuitous gore, not only that, the characters are so unsympathetic the viewer looks forward to their demise in the script. Sad case.

Fleabag, brainchild of Phoebe Waller-Bridge who plays the main character, is positively mesmerizing. What a poignant, candid, and heartfelt comedy/ drama series. You'll fall in love as I did. I've enjoyed binge-worthy series before, but this is in a class by itself. So real. Don't miss it.

Great performances from Langella as Nixon, and Sheen as David Frost. For fans of 1970's movies or political lore/ history, after viewing this you might enjoy All The President's Men with Hoffman and Redford. Really a pleasure to watch the performances of Sheen and Langella; it's amazing how convincing Langella is as Nixon because he doesn't really favor him physically (Langella is very handsome), but the voice and delivery are done so well one suspends any disbelief. Of course Michael Sheen looks like everyone he's ever portrayed, most notably Tony Blair.

This film, say unlike "The Final Days" overall, shows context and footage of the damage done to civilians and their lives and land in Vietnam and Cambodia.

For the performance of Lane, who plays Nixon, alone- giving this 7 stars. Even though parts of this movie are seriously bizarre; seemingly an attempt to look at Nixon with sympathetic eyes (so strange), Lane gives a performance that will send chills down your spine.

Every gesture and word spoken are so eerily and to be honest, creepily like Nixon- for that alone this movie is riveting.

I hope subsequent viewers and even those who have seen this film will also look elsewhere for their information on Nixon's administration- while it's true there was "detente" with China and somewhat with Russia, we cannot forget the escalated violence against civilians during the Vietnam war. Definitely, Kissinger was also masterminding that, but Nixon carried it out during his administration. Not to mention Watergate, etc.

Entertaining film despite seeming goal of eliciting sympathy for Nixon.

This is some of the best TV possibly in the history of television. Many reasons for this, here are a few to begin: 1) Richard Thomas (the beloved "John-Boy" from the series "The Waltons")

• he plays head of FBI counterintelligence, Agent Gaad; is lucky to deliver some of the most memorable and witty lines of the entire series.

2) Frank Langella (plays Gabriel- he was the sexiest "Dracula" in the '70's) 3) Alison Wright (the beloved and adorable and wonderful character, "Martha") 4) Annet Mahendru (plays the astoundingly beautiful "Nina") 5) Margo Martindale, (plays "Claudia," is amazing) 6) Noah Emmerich (plays FBI agent Stan Beeman) 7) the memorable performances by so many other talented actors as well 8) the writing

While Matthew Rhys is an adorable and fantastic actor, as is Holly Taylor who plays his teenage daughter in this series, Langella and Thomas dominate for their understated and powerful performances. Also some of the best lines in this entire series belong to Thomas and are delivered in such a way that reveals the writing for this series is amazing; comedic yet poignant, so real.

Have never seen a more talented young actor than Holly Taylor with possible exception of Jodi Foster in her hey-day ala Taxi Driver, etc. You will fall in love with Taylor's character.

FBI agent Stan Beeman is played by Noah Emmerich. Emmerich uses his entire body and every muscle in his face to portray this character to perfection and it is riveting. Stan also happens to be one of my favorite characters in the show (Martha is my personal fave- partly because of the story-line and what happens to her; also because of the semi-comedic and very effective portrayal offered by Alison Wright).

The topic/ subject of the cold war is treated so differently here than on many films and tv; it's anything but one-sided; so many beautiful things are revealed that add to the realism and poignancy of this series; you'll come away not only entertained but also a bit more informed, imo. The series doesn't shy away from the atrocities committed by the US during the Reagan era, and one reason why is because that's also a part of the history of the cold war and Soviet sentiment, etc. toward "America" (USA).

Everything scary, frightening, heart-breaking, bleak about the cold war and the nuclear arms race is so well covered in this series; it's an intimate part of the series; not just a "backdrop."

This is a true slow burn yet spine-tingling series that will keep you guessing and also maintains excitement even upon subsequent viewings. Entertaining, top-notch, suspenseful television. There is nothing not to love about this show; it's one of the best ever series on TV.

Very suspenseful thriller that is well acted and even poignant. This is one of the best crime dramas I've seen in a long, long time. Beautiful scenery. Very literate and understated script. Watching this movie was as enjoyable as reading a favorite mystery novel. And it's a very timely movie for the subject matter as well. Just excellent.

Amazing movie on so many levels: performances, cinematography, music. . . . And while it may not be important that it's also a remarkably deft vehicle for the showcasing of the sheer physical beauty of Kris Kristofferson and his voice, it happens to be the truth. Just oh my gawd. Definitely an atypical western which can be enjoyed even by those who may otherwise hold the genre in disdain.

And then of course, Bob Dylan and the music. Pretty cool.

I sometimes get bored with even extremely popular series; parts of the screenplay will lie flat, emptiness will be filled with halfhearted sentimentality or worse- poor attempts at humor. But If you are a fan of any superior legal drama- To Kill a Mockingbird; Damages; And Justice for All; etc. you get the picture...you are going to really enjoy this well done, tight, suspenseful and superior series.

Billy Bob Thornton is absolutely perfect as the protagonist, and William Hurt is compelling, nuanced, masterful as a more villainous type- don't wish to give too much away. And while for example Damages (with Glenn Close) offered thrills and shocks, and other quite classic legal dramas offer a somewhat sentimental and (not really entirely believable) but profound emotional pull, or bring a sentimental tear or can be quite humbling and lovely, Goliath is purely entertaining and winning, and profound; it's just beautifully done. You will love it!

William Hurt brings his art to this just completely; if you've seen him in his decades and decades of films, many of them really pretty great ones, you'll treasure his performance in this one. So understated yet so powerful; it's truly satisfying.

While the set isn't the most important part of a legal drama, this series stands out; like Mad Men does, for the attention to detail and for the mood set with each environment in scenes. The law offices of the "Goliath" firm are so detailed, from their new, low-seniority lawyers- saddled with research, drafting, etc., to the court lawyers and defending "first chair" councilors whose offices are each unique and so expertly appointed (and beautiful) to reveal to the viewer the immense wealth of this firm. In fact the extravagant and needless expense is so clear; it's another layer of the plot and character development; we can see who is "important" and "valued" at the firm, and the level of freedom and responsibility certain of the staff have won from the Partners and especially from the head of the firm, William Hurt's character.

I'm sure that's not unique in the real world; what I mean is the creators of the series who came up with the sets. . . it's art, truly. The more buffered in material extravagance, the more expensive, detailed, and unique the decor of the offices reveals two things: 1) who is well thought of and "trusted" at the firm and 2) who has the most to lose.

In fact the cinematography in this series also calls to mind the location-based cinematography of Miami Vice (albeit not one of my favorite crime dramas, but visually memorable in some ways), but this one taking place in L.A. Los Angeles is practically a character in this series.

Season 1 admittedly has a superstar cast with BBT and William Hurt, and I'm not denying that Hurt's performance makes season one profoundly epic. But I really don't get why everyone is dissing season 2; I'm enjoying it so far. Thornton is still enjoyable, the cinematography, . . . I like it so far. For some reason the title theme is missing from season 2, and it was a kick-a## theme, reminiscent of the theme from "Damages," but still.

Edit: finished season 2 and I have to say I don't get the negative reviews. Most of the one and two star reviews included complaints that the characters who were drug cartel gangsters were "violent" or "sick." I find that very perplexing; how is that news? Of course in the world of organized crime and politics there are going to be mostly violent, sick people; we see this every day on this planet. I found most of the negative reviews to be really childish. I wonder if people reviewed "The Sopranos" and complained about mob violence? The story is *about* a violent criminal operation.

I admit season one was great fun to watch. And season two is darker. But it was still suspenseful.

To whet your appetite for this series and pique your curiosity, I'll say it shares some aspects of films like The China Syndrome, Inherit the Wind, even The Paper Chase. . . I know I'm leaving out some titles (of other series or films) that would be great comparisons; will update later if something else comes to mind.

This film is lovely and you should watch it. This is a beautiful movie about love and vanity and pride and it's also about women as it must be because Bette is starring in it. If you want to know why Bette Davis is considered to be a formidable and powerful actor just watch this one. I promise you will like it.My favorite Bette and it will be yours, too