Film-maker Jhananthan is known for making films that portray complex issues of the society in a rather simplistic ways (read it as impractical, amateur and preachy). This film too is no exception to that. The film is about a convicted terrorist awaiting death sentence at jail and his terror supporting friends' attempt at saving him via jailbreak before the inevitable happens.
From the first scene, it is apparent that the director wants to thrust his warped Utopian ideologies that is poorly disguised in a commercial platform on viewer's mind. This is one of those films that struggles to to have an identity of its own. It isn't out and out commercial film and at the same time it doesn't have a sense of realism. The film rightly bombed at the box office like the director's previous films. This is a badly written, badly acted, and most importantly badly directed flick which tries to speak against capital punishment while hyping communist ideology as the savior of mankind of sorts.
From the first scene, it is apparent that the director wants to thrust his warped Utopian ideologies that is poorly disguised in a commercial platform on viewer's mind. This is one of those films that struggles to to have an identity of its own. It isn't out and out commercial film and at the same time it doesn't have a sense of realism. The film rightly bombed at the box office like the director's previous films. This is a badly written, badly acted, and most importantly badly directed flick which tries to speak against capital punishment while hyping communist ideology as the savior of mankind of sorts.
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