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500 titles |
Public
Just for fun: 500 films whose titles are a pair of one-word names. No doubt there are hundreds more of these.
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30 titles |
Public
The only religious way to think of death is as part and parcel of life; to regard it, with the understanding and the emotions, as the the inviolable condition of life
Thomas Mann - The Magic Mountain
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20 titles |
Public
Renewal, hope, harmony... evil, envy, decay...
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200 titles |
Public
Direct, indirect and marginal interpretations of Uncle Vanya and other Chekhov.
![](https://m.media-amazon.com/images/M/MV5BN2U1NGNjY2YtYmVlNy00ZjYzLThkODItNmE3NzVlMDA5OTNhXkEyXkFqcGdeQXVyOTk4MjA5NjQ@._V1_SX86_CR0,0,86,86_.jpg)
20 titles |
Public
Life is always a tightrope or a feather bed. Give me the tightrope.
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792 titles |
Public
Sunshine through lush foliage, rustling breezes, cicadas and crickets, hazy vistas, languid days... I love and search for these films.
Must have: a significant part of the film or at least a critical scene with the "dappled summer" criterion of sunshine amidst greenery.
Usually: filmed in natural daylight, outdoors in nature in the spring or summer, with a soundtrack with field recordings of insects and wind through leaves.
Excludes: urban, dry or treeless settings (no desert, scrubland, grassland, savanna, tundra..) and most beach movies with a few honourable exceptions. Also fiction preferred to documentaries, mainly, and colour to black & white almost always.
Must have: a significant part of the film or at least a critical scene with the "dappled summer" criterion of sunshine amidst greenery.
Usually: filmed in natural daylight, outdoors in nature in the spring or summer, with a soundtrack with field recordings of insects and wind through leaves.
Excludes: urban, dry or treeless settings (no desert, scrubland, grassland, savanna, tundra..) and most beach movies with a few honourable exceptions. Also fiction preferred to documentaries, mainly, and colour to black & white almost always.
![](https://m.media-amazon.com/images/M/MV5BYWQxOTdjZTktOTRmZS00Y2QxLWFhZDUtZmE3NDBjNGYwOTQ4XkEyXkFqcGdeQXVyMzg1ODEwNQ@@._V1_SX86_CR0,0,86,86_.jpg)
10 titles |
Public
A recurring trope of post-war movies, also exploited on TV, famously in episodes of Abbott and Costello (https://www.imdb.com/title/tt0504554/) and I Love Lucy (https://www.imdb.com/title/tt0609331/) that oddly aired only ten days apart in January 1953.
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