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Shazam! (2019)
5/10
Generic and un-funny
30 March 2019
Warning: Spoilers
SHAZAM! is a weird movie. The stuff it does right is done very well, but the stuff it does wrong it does horribly. I was able to catch an early screening of the film on March 23 so, naturally, the theatre was packed with eager fans. I'll get to it later, but this audience would go on to become an instrumental part of my negative film-going experience.

As for the movie itself, the cast is the easy highlight. Zachary Levi does a really fantastic job as Shazam and perfectly captures the fun and innocence of being 15 years old. Asher Angel plays his "alter-ego," Billy Batson, and when he is given the opportunity he really shines in dramatic scenes. Another stand-out was Jack Dylan Grazer's comedic performance as Billy's best friend, Freddy Freeman. Mark Strong plays the antagonist, Dr. Thaddeus Sivana, though his talent as an actor is wasted in the minimal screen time he is given. Besides a few poor actors such as the little sister and the two bullies from their school, the cast was quite excellent. In particular, a scene in a convenience store was very well done from an acting/writing point-of-view. The action is also pretty good. Though it is nothing all too special, it kept my attention, and I was never bored during the action scenes (which is something I cannot say for other DCEU films). They found many creative ways of utilizing Shazam's abilities, especially the power of changing between a kid and a super-powered adult. As well, the special effects were very effective and never felt fake or cheap. While this film doesn't have as much VFX as most superhero films do, the scenes where they are most prominent are quite good, save for some strange-looking creatures primarily featured in the third act. To round out the pros, the best thing about this movie is how fun it can be when it's not taking itself too seriously. It knows what it is, and relishes in that. Unfortunately, that's where the pros end and the long list of cons begin.

This movie is so poorly written. It is one of the most predictable superhero films I have ever seen, and that's saying a lot. I don't just mean in terms of how the overall story will play out, but also individual scenes and jokes. Things are set up so obviously that it is impossible to not know what the payoff will be. If you're watching a scene and you think you know where it's going, then that's likely what's going to happen in the scene. Even little moments such as characters turning around and seeing their car isn't where it was a moment earlier and it being SO OBVIOUS to the audience that the car is about to fall right in front of them. I know that might seem like a nitpick, but when predictable things like that happen every few minutes, it takes away from the enjoyment of the film. This movie is not only very predictable, but is also not very funny. I'll admit, there were a few moments that made me genuinely laugh, but there are so many jokes in total that the real funny ones likely only comprise 5% of all the comedy in the film. It tries so hard to make the audience laugh that it does the opposite effect for me. For crying out loud, the characters in the film pause after many jokes to give the audience time to laugh. It's hard to sit through at times. Many of the jokes overstay their welcome and go on for way too long, and other jokes are either really obvious slapstick humour or jokes that have been done a million times before. There's one moment when Shazam and the villain are really far apart, and the villain does his generic bad-guy monologue and Shazam can't hear him because they are so far away. This EXACT joke was done (to much better effect, might I add) in Kung Fu Panda 2...eight years ago!

This is where my experience with the audience came in. With Shazam, I am convinced that no one in that theatre had ever seen a film before. Every single slightly humorous comment got UPROARIOUS laughter. People were wheezing, gasping for air, and honestly it was annoying because the movie was simply not that funny. People also clapped and cheered a lot, which I found weird because applause works for a film like Star Wars: The Force Awakens or Avengers: Infinity War; big anticipated films that can be akin to a sporting event. But this was Shazam. This wasn't some massive team-up film or a long awaited return of a beloved franchise. Something else that really bothered me was the choice to acknowledge other DC superheroes such as Batman and Superman as icons of popular culture. It makes sense that if superhero really existed they would become icons for which they would sell toys and merchandise, but in this film it seems overdone and creates a few potholes in the continuity of these films. For instance, a kid at the school has a Batman backpack, but within the world that these films have established, Batman was a vigilante that the press and police deemed too brutal as he would brand his "victims" with bat symbols on their bodies. Even though he's a very different character in Justice League, I don't know that he's now become a friendly neighbourhood superhero that a five year-old would have a backpack of. Another example is in the toy store scene where they are literally selling toys from the Justice League film, complete with the films logo and the DC logo on the side of the packaging. I know this sounds very nitpicky, but remember that on a film there are hundreds of jobs. Someone's entire job is to decorate the set, another person's job is to work on wardrobe. How did things like this get overlooked? This may seem small, but when you notice these things it makes the film feel lazy and cheap.

Moving on, the villain's motivation seemed almost non-existent and seemed like he was evil for the sake of being evil (he even acknowledges at one point how evil he is). Finally, the "drama" element of this film felt so forced and underdeveloped. If the filmmakers wanted the strained relationship between Billy and his foster family to be the main focus, why do they devote such little time to developing all of them as characters? The only developed member of that family is Freddy, but his primary focus is on the Shazam/superhero parts of the film. And again, not to nitpick, but the little sister character is given way too much screen time for a character that matters so little. Her only purpose is to make jokes, but in a comedy film we already have many other characters that serve that purpose. I'm also annoyed at the new trend of-in order to put a twist on the stereotype and to be funny-making the little girl character the most defiant and brave character. If a six year old is going to be picked up and almost eaten by a giant monster/demon, she's not going to make some one-liner or boldly tell it to let go of her. She's going to cry and scream and be a realistic depiction of a six year old girl. "Let go of my brother!" isn't something a little girl would bravely say to a giant demonic monster, but at least my audience got a kick out of it.

This film jumps the line back and forth from taking itself very seriously to acknowledging the silliness of the concept and having fun with it. At one moment, I'm expected to care about whether or not Mary is going to get into the college of her choice, and next I'm shown a homemade video of Shazam trying out his powers. Again, when the movie lets itself have fun it can be enjoyable to watch, it just feels like two people with opposing ideas of how to adapt Shazam for the big screen decided to write this film together. It's very generic and adheres to many of the same tropes that have been done in other superhero films. It presents nothing new and will likely not be remembered in the future as a stand-out within this genre.
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Us (II) (2019)
8/10
Peele is back, and he hits it out of the park!
25 March 2019
Jordan Peele is back and he does not disappoint! Before you read this review, you should know that I am not a fan of horror films and I get scared very easily. I was a big fan of Get Out and although even the concept of seeing this new film terrified me, I just HAD to see what Peele had in store this time.

The cast was absolutely phenomenal. Lupita Nyong'o is the definite stand-out as she plays the protagonist, Adelaide, and the antagonist, Red. Her performances as both characters were convincing and moving; it's hard to take your eyes off her. Playing her husband, Gabe, is Winston Duke, who provides the funniest lines in the film and adds some much needed comedic relief when things start getting serious. The two children, Zora and Jason, played by Shahadi Wright Joseph and Evan Alex respectively, were also really great and were compelling as both their normal selves as well as their evil counterparts. Even the minor supporting roles were excellent.

While the film is scary at times, it often feels more like a thriller than a flat-out horror film. This is why, for me, the comedy stood out as a very strong point in this film. Unlike most horror films, Peele knows when to use comedy to lighten the mood and understands the appropriate situations for characters to take a breather and crack jokes. Again, Winston Duke is the highlight in this section, but each character gets their own moment of humour.

The cinematography was well done for the most part. There were times where the film felt like it was simply shot, and not thought out compositionally and aesthetically, however there were some excellent shots in this film and really great use of colour, especially towards the end of the film. Like I said earlier, the film was scary, but not terrifying like it was marketed. As someone who gets scared easily, this is a positive for me. For die-hard horror fans, this will likely be a negative aspect of the film as it only has a handful of instances of true gross-out horror. The film was very well paced and felt like it flowed naturally, however the film changes slightly in its third act and, in my opinion, makes the third act the weakest. The first act is very effective at setting up the characters and situations. The second act is the most enjoyable to watch as the film descends into pure chaos while the Wilson's fight their respective doubles. The third act, however, presents the final confrontation of Adelaide and Red and, while it is very enjoyable to watch (especially one scene in particular featuring ballet that is very well edited), this is when the film starts to explain its plot. One of my hopes for this film was that it would end with most of the mystery still unanswered, leaving fans to debate about its true nature for years to come. While this film will certainly spark conversations once it ends, the third act begins explaining what is really happening in the film and this is where many of the problems come in. I won't spoil the film here, but certain things feel over-explained and I wish there was more subtlety, whereas other things aren't given enough explanation and I was left confused. Honestly, had the ending been a little more subtle with its explanations and the horror be slightly more scary, this film would've been perfect.

Just like Get Out, the best thing about this film is its writing and directing. Peele is in full control of his craft in this film, and it shows. The film keeps you on the edge of your seat in anticipation due to its incredible writing (as well as a unique-if predictable-twist), and the directing leaves you feeling like you have been brought into Jordan Peele's nightmare. Everything in the film is so purposeful and thought out, it really feels like Peele's unaltered vision, which is something truly exciting to see.

All in all, Us is a fantastic film from beginning to end, though not without its flaws. I am certainly looking forward to seeing more from Peele, who has now cemented himself as one of the best directors working today.
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6/10
Not Marvel's best, but still plenty fun
9 March 2019
I went into this film purposefully ignoring all the political backlash and agendas people have surrounding this movie. I just want to see an entertaining Marvel film. And, for the most part, that's what I got.

The first act of the film is pretty rough, if I'm being honest. This whole section takes place in outer space and different plants, and it is easily the weakest part of the film. Within the first 2 minutes, we visit 3 different locations and are introduced to at least 4 characters we've never met before. It felt very messy. While I was impressed by some of the unique shots throughout the film (especially in the first act), the majority of the film feels very bland in terms of its cinematographic style. This is especially apparent in an early fight scene at night on a dark planet where it was quite difficult to even see what was happening. This first section of the movie is also where Brie Larson was at her worst. Her acting is wooden and the lines she is given are pretty horrible. Thankfully, she gets better as the film goes on. Once Carol arrives on Earth, the film becomes WAY more enjoyable, and the pacing certainly picks up. The chemistry between Brie Larson and Samuel L. Jackson is phenomenal and they were very entertaining to watch. As well, the CGI de-aging technology they used for Fury and Coulson was very effective. While some of the action was edited strangely, a lot of it was fun to watch, especially a train/car chase scene early on in the second act. The Skrulls were interesting antagonists and were done very well. The makeup and design of them looked great, and Ben Mendelsohn as Talos was a definite highlight. In fact, the supporting cast in this film was surprisingly excellent. Jude Law as Yon-Rogg was very good, as well as Carol's friend Maria, played by Lashana Lynch. The only member of the supporting cat that was bad was Maria's daughter who, in her defence, was given some of the worst dialogue in the entire film. The use of a non-linear plot helped the film stand apart from other Marvel films, even if it didn't always feel completely utilized to its full potential. As well, Carol's cat, Goose, was entertaining, if a little overused. The 90s nostalgia certainly felt overdone to me. Between Radio Shack, Blockbuster Video, pagers, and floppy discs, it felt like the 90s was the punchline for every other joke. Speaking of which, many of the jokes just didn't work for me. They fell flat for the most part, except for two lines from Fury which genuinely made me laugh. When Carol shows off the full range of her powers, it's hard not to be impressed. She's so immensely powerful, it's a lot of fun to watch her fight enemies like they're nothing. One of the things that bothered me the most, and in fact pissed me off, was--and I won't outright say it since it's a spoiler--the reveal of how something that had been built up to for a while ended up happening. It was stupid and now it's canon. Finally, Brie Larson's performance was the thing I was most worried about going in. The trainers certainly did her no favours, but I'm happy to say I really enjoyed her as Captain Marvel/Carol Danvers. Of course, there were lines here and there that didn't work for me, and her performance in the first act leaves a lot to be desired, but her performance improves drastically as the film goes on, as does the writing for her character. By the end, I cared about Carol significantly more than I thought I would, and I'm excited to see her interact with the Avengers this April.

So, all in all, I enjoyed Captain Marvel. It's a flawed film (and certainly not one of Marvel's best), but it was fun and I was never bored. I don't ask too much more than that from these films.
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5/10
The weakest of the trilogy
23 February 2019
I'm a pretty big fan of the How to Train Your Dragon films. I enjoyed the first film, though I thought it was somewhat generic, and I was absolutely blown away by the second and its natural progression of the characters and world of the first. So, I went into this film with pretty high expectations considering all the positive buzz it was getting. Unfortunately, I was very let down.

Starting with the positives, the film has stellar animation and has very unique character design for all the different dragons. As well, all the voice acting continues to be good, even if the dialogue isn't very challenging from an emotional standpoint. There's quite a few interesting action scenes and, knowing this is the final film in the trilogy, for the first time the action really has stakes. The message of the movie, and the paralles drawn between Hiccup's story and the side-story with Toothless was quite engaging. Finally, the ending feels well-earned and is by far the most emotionally resonant scene in the film.

All that said, there's a lot wrong with this film. The villain (whose name I already forget) is bland and forgettable, and his motivation is nothing more than evil for evil's sake. The writing in this film is baffling. Absolutely none of the jokes landed, and most of the dialogue felt clunky and cheesy. The story itself feels very unfocused. The film is called The Hidden World, yet that location plays a very minor role in the events of the film, to the point where it feels more like an afterthought. The pacing doesn't help this either. The plot progresses at a brisk pace, but the film feels significantly longer than it actually is. But easily the biggest problem with this movie is how unnecessary it is. And the film knows it. The first and second film each have a purpose. The original told the story of Hiccup meeting Toothless and how he changed the way his town of Berk viewed dragons. The second film built off that story by testing the relationship between Hiccup and Toothless, and pitting them against a foe much stronger than either one of them, while also exploring Hiccup's relationship with his father and mother. This film feels like an afterthought. It doesn't bring anything new to the table or present a challenge to its characters that is any bigger than those they have faced before. The idea to give Toothless a "girlfriend" feels like a major step backwards for a franchise that seemed to be moving in a more serious and dramatic direction.

All in all, I feel very let down by this film, but it certainly has some redeeming qualities and is worth checking out for any fan of the previous films.
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6/10
Everything's NOT Awesome
6 February 2019
I absolutely fell in love with The LEGO Movie. It was creative, unique, and surprisingly heartfelt. Unfortunately, none of these words could be used to describe The LEGO Movie 2: The Second Part. While it is a far cry from bad, it never manages to recapture what made the original so special.

Let's start with the pros. The animation is still as excellent and smooth as it was in the last film, and I continue to marvel at how the animation team is able to replicate the stop-motion look. The voice-acting is still top-notch and I enjoyed the performances from the few new characters. As well, many of the jokes were very funny and, although Phil Lord and Chris Miller did not write this film alone, it is apparent that this is still their specific style of humour. The concept of the film is very interesting and provided some smart scenes that drew parallels to the real-world aspects of the film. Finally, the film was very fast-paced and moved along quickly, therefore I was never bored or felt as though a scene went on too long.

Now, time for the cons (and unfortunately, there's plenty). What made the first film so unique in my opinion was its heartfelt ending and message about creativity and being yourself. This film tries to replicate that with its own emotional message, but fails mainly due to the storyline feeling very messy and unfocused. It doesn't feel as cohesive as the original did because, unlike the first film, this one has its characters split up for the most part, encountering different obstacles and trying to reach different goals. The writing didn't feel lazy by any means, but didn't feel as creative or special as the first. Also, many of the jokes were bad. REALLY bad. Luckily, the movie moves so quickly that it never lingers on any one joke for too long, but I was left thinking about some of the worst ones even after they ended. There are a few new characters in this film and, while I said that the performances were good, I didn't love these new characters. Rex Dangervest is the most interesting out of the bunch and his interactions with Emmet are a highlight, however Queen Whatevra Wanabi was SO annoying. It was hard to get through scenes with her. What made it even worse was that they had a pretty cool new character that could've taken the Queen's place in the story: General Meyhem. Unfortunately, she doesn't do anything in the film and is around for little to no reason, yet she has an interesting design and the helmet on her head adds a mystery that could've been interesting had it been explored more. Another thing that left me scratching my head was the inclusion of a few musical numbers. They were catchy songs, I'll give them that, but they had no place in this film and made it feel like a completely different world than the first one. As well, there is a twist that is very obvious to anyone paying attention, though after it's explained a little more it becomes more interesting.

Overall, the film is still funny, charming, and better than a lot of crappy animated films you'll find out there, it just suffers from an unfocused story and a director that cannot live up to the standards set so high by Lord and Miller. Not bad, but not so awesome either.
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Glass (2019)
5/10
Some great moments, some terrible moments
24 January 2019
I want to preface this review by stating that I really enjoy both Unbreakable and Split, though I have only seen each film once. I am not a die-hard fan of these films to the point of ignoring glaring faults, but I am however invested in this world and these characters and was looking forward to this new film. I believe I went in with a good mindset: expecting some mindless fun and interesting interactions between these well-written characters, but not expecting anything too deep or creative. For the most part, that's what I got (with a few exceptions).

Let's begin with the pros. The first thing I thought when the film ended was how much I enjoyed the score. The ticking clock featured in most of the tracks was very suspenseful and made every scene much more enjoyable. The cinematography (for the most part) was pretty good. I enjoyed the composition of many shots and there are quite a few close-ups on characters that really worked for me. There are, surprisingly, some very creative things that director M. Night Shyamalan did with the camera in this film. Upside down shots, long takes, dutch angles, etc. These things have been in other films, of course, but as someone who expected this film to be shot very blandly, it was a welcome surprise. It was very fun to watch Mr. Glass and David Dunn back on the big screen again, and especially exciting to see them interacting with Kevin and his many personalities. Despite the very different tones of Unbreakable and Split, this film manages to bring those worlds together in a way that feels natural. And, of course, the best part of the movie was James McAvoy's performance. He is one of the best actors working today and this film proves it. He switches personalities so seamlessly it honestly feels like a completely different person every time. He stole the scene every time he showed up on screen and the film is worth seeing just for him.

Unfortunately, the film is not perfect. I have many problems with it. For starters, David Dunn is somewhat irrelevant in this film. He does not go through a character arc and, in fact, disappears for what feels like 20 minutes in the middle of the film. Bruce Willis does what he can with what he's given, but David has nothing to do in this film, which is massively disappointing for fans of Unbreakable. Thee writing is not too great either. The story feels both empty and crowded. The first half of the movie feels like you're caught in a time loop as the same conversations and situations are repeated over and over in the mental facility, then as the second half of the movie rolls around, Shyamalan throws everything at the audience hoping something sticks, making the climactic ending feel too messy. The dialogue, while serviceable for the most part, had some rocky moments as well. For example, the new character, Dr. Ellie Staple, is given lines that feel way too over the top for a character meant to be taken as seriously as her. She also says the same speech about superheroes at least 4 times throughout the course of the film. As well, characters from Unbreakable and Split, such as Joseph Dunn, Elijah's mother, and Casey Cooke, are thrown into this film yet serve no purpose. Elijah's mother and Casey had some fine moments but felt very thrown in, but David's son Joseph was distracting by how bad his acting was at some points. I don't think I have ever said this, but he was better as a child actor. Finally, the direction Shyamalan took with the ending was surprising (and not in a particularly good way). Without spoiling it, there is a reveal at the very end that has absolutely no set up throughout the film and feels very lazy. It is also the weakest "twist" of the trilogy, as it affects almost nothing except providing us with a new perspective on the events of the film, though by that time I was read for it to just end.

So, while GLASS has some really excellent moments and a lot of good things going for it, it also has many problems and plot-holes too big to ignore. It is equally parts good and equally parts bad. A 5/10 score is very fitting for this film. My opinion is very "split.'
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