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4/10
looks good, unfortunately isn't
5 November 2023
The production values (cinematography, music, editing) are quite high for a short film, and not an uninteresting premise. But neither script nor acting (nor the ending 'twist') is any good at all. Not much more to be said.

However, given the 600-character minimum, and since I'm not going to spend longer on this review than the film took to watch, I will say it all once again.

The production values (cinematography, music, editing) are quite high for a short film, and not an uninteresting premise. But neither script nor acting (nor the ending 'twist') is any good at all. Not much more to be said.
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The Robbery (2020)
7/10
It's just fun
17 November 2022
Warning: Spoilers
Two groups of robbers hit a small store at the same time, and the conflict degenerates into unexpected unresolved personal conflicts and ideological debates. And it doesn't end well for anyone...except maybe the clerk, who gets to vent.

That makes it sound boring and pedantic. It's not. It's funny. The actors are bright and clever and the dialogue is smart and the direction keeps it moving.

But more than anything, it's fun. Is it insensitive to political ideologues and true believers? Yes, of course. That's the whole point of the film; does ideology stand up in the real world?

It's a short, and it's a comedy, and so it's a bit of a trifle. But worth seeing? Oh yes. In an era when every issue and every opinion is life and death, this film says "umm, y'know, maybe not?"
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8/10
Simple and short and sweet
17 November 2022
Short films often reach for something bigger than the form allows (and thus, disappoint), or they're not much more than a drawn-out punchline (and thus, disappoint), or else they intentionally tease as if pitching for a feature (and thus, disappoint).

But this short film knows exactly what it is and what it's doing. It's a short story, with briefly-sketched but recognizable characters, smart dialogue, well-played scenes, and a likable lead. The roles are believable (at least in a rom-com-genre sense) yet there's a consistently sweet tone to it.

Any film (especially a short) that - by the end - has you feeling something for the lead is a job well done; they've told you almost nothing but they've touched something in you.

Is it a masterpiece? Probably not. Is it a really good short film and worth watching? Yes, absolutely.
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8/10
Delightful and heartfelt fantasy...
5 November 2022
It's mostly fantasy, and so it seems a bit glossy, and it hinges on a dilemma that some may find objectionable. And it's LGBTQ friendly, which may put off others. But it's still deeper and truer to life than 75% of what you're watching now; unrecognized hurts and selfishness masquerading as selflessness and how protecting yourself can end up walling you off from the people you need, and who need you.

There's an unnecessarily long (gratuitous?) love scene towards the end that's distracting, so it's not perfect, not flawless acting, last scenes a bit formulaic and Hallmark-ish...but still, worth a watch.
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Acapulco H.E.A.T. (1993–1994)
2/10
If you liked Charlie's Angels...
17 February 2021
...then this is for you. A bit more skin, a bit more violence, a bit more risque (it was the 90s), but the same halfhearted acting, writing, and directing. But the women and the settings are beautiful, so it's a fine choice to have on in the background while you're sandblasting the house or having a tooth pulled or something.
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