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Dark Night of the Scarecrow (1981 TV Movie)
4/10
Good Seasonal Movie for Kids, Not Really Horror
6 June 2012
Warning: Spoilers
The "You-Don't-Need-Gore" crowd have made this movie out to be a lot more than it is. With so many reviewers citing this as one of the best horror movies made for TV, I was expecting something like John Carpenter's TV work or some of the BBC's classic ghost stories. Something genuinely atmospheric and creepy.

This is one of those Specials that networks used to make around the holidays that are just vaguely seasonal and don't really commit to any particular genre. It's an "autumn story", not a horror story, and bland enough for grandma. Scarecrow was very competently made. It makes the most of a virtually non-existent budget. I was impressed with the pacing and tightness of the script. But it's a "scary" movie made by people who aren't horror fans, and those movies never work. The first act set-up is engagingly snappy, but once the story starts, it's a by-the-numbers formula piece that moves way too slowly.

The story is one we've seen a million times. A small group of people think they've gotten away with murder until they start dying "accidentally" one by one. Once the first victim died, I immediately knew how the rest of the movie would progress right up to the end. The only mystery was whether the murderer would turn out to be the little girl or a ghost, and either/or mysteries aren't very mysterious. (And what are the chances that a family-friendly prime time special is going to reveal a revoltingly "sweet" little girl to be a serial killer in the final act?)

To me, a horror/suspense movie that does not even attempt to surprise its audience is betraying that audience. It's bad-faith storytelling not to anticipate audience expectation and work to thwart it. And that's where I have to call out the anti-gore crowd. Special effects are the only thing that could have lent a story this bland an element of surprise.

For kids under ten around Halloween, this movie will be scary. For anyone else, it will be mildly diverting in a I-wonder-what-else-is-on kind of way.
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9/10
Svankmajer on Survival
22 May 2012
In a time of international turmoil, Svankmajer comes out with a film about what it takes to survive. The current state of independent film production looms over the whole picture. The director begins with a personal introduction explaining that he conceived the piece as being shot in live-action, but ended up making it in stop-motion with photographs of actors, as he couldn't raise the money for a full shoot. And it is clearly very low-budget. Most of the actors probably completed their roles in a day or two, being photographed in various poses, recording their dialog, and then getting animated in post. The live-action is mostly limited to close-ups of the actors' faces to avoid the need for sets and costumes. Svankmajer plays the lead Eugene himself.

Eugene lives in a small apartment with his wife and works a drudging, unspecified job sitting in front of a computer. The two of them have been getting by, and he thinks he's reasonably happy, but he's being troubled by strange dreams about a beautiful woman whose name keeps changing. As his relationship with the woman develops from night to night, Eugene begins visiting a psychoanalyst and researching dream manipulation to try and determine the significance of his nocturnal experiences. Meanwhile a strange figure in the dream world warns him darkly of the consequences of pursuing the mysterious woman.

This may sound like another "character goes crazy while dreams blur with reality," story but it quickly establishes itself as something very different. Svankmajer makes the dream world and reality equally surreal. They are clearly distinguishable, but both worlds feature bizarre elements that are treated as "normal". For example, Eugene's boss has a pet man on a leash with a bulldog for a head, and some events and objects inexplicably transfer themselves from one reality to the other without anyone noticing. The reality and dream form an intersecting puzzle that slowly unravels the secret and forgotten troubles that are creating Eugene's dreams.

This is Svankmajer's most humane film. It is touching, beautiful and devastating in ways that none of his earlier work has been. Where before he has been often cynical and critical of humanity, this entire piece is straightforward and emotionally honest. In the end, it's a film about what it takes for a sensitive person to survive in an eternally brutal world. The final scene is going to stay with you for a very long time.
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