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The Square (2008)
10/10
an excellent debut for the edgertons
25 November 2019
I saw this when it first came out, thanks to a roger ebert review. ten years later it's stuck with me and i just rewatched it for the first time in years. the square is simply brilliant.

there are issues with the film that some people might find daunting. it's definitely low budget, though it doesn't come across as cheaply made. the special effects are limited to torrential rainfalls on demand. it's a no-name cast, at least by usa standards, though joel edgerton has made a bit of a name for himself and his brother nash also directed the fairly enjoyable 'gringo!'. the australian accents can be difficult to decipher at times (no, "g'donya" is not a single word). many of the characters look similar and are a challenge to tell apart unless you're paying somewhat decent attention (pervasive mullets and scruffy beards will do that). the dialog is mostly forgettable or hard to hear. but i quibble.

the plot is a fantastic spiral of bad decisions and worse outcomes feeding on each other in an almost gleefully inevitable way. accidents happen. people die. crimes are hidden...but not for long. never has the phrase, "you're a hero," been so mis-applied. no scenes are wasted and even trivial-seeming remarks ultimately have significance. the dialog is nothing special, but that just makes the characters seem more real. the acting is top notch. the square might have worked almost as well as a silent movie, which i consider high cinematic praise.

what is 'the square'? is it the concrete courtyard that ray, a harried construction manager, is increasingly desperate to get built? is it the relationships between ray, his lover carla, and their respective spouses? or is it ray himself, about as square as any lead character in a movie can be. i bet he listens to the australian equivalent of perry como in his free time.

and is that the director in a cameo in the hospital scene, sporting an eye patch over the eye that he lost in his short film "the spider"? (included as an extra on the dvd or on youtube)

a film definitely worth a watch...and then watch again to see what you overlooked the first time.
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Tin Man (2007)
3/10
simply dreadful
9 December 2007
Warning: Spoilers
OK, we've all seen the "real" wizard of oz. since this is a "re-imagining" of that story, it would be improper to compare the two directly.

since tin man tries so hard to be different, it's appropriate to judge it on it's own merits.

unfortunately, those merits are few and far between. the o-z world is very cool, and has plenty of potential for interesting parallel universe adventures. the glitch character is a hoot, and alan cumming does a fine job with him.

as for the rest....ugh what a train wreck! the acting is cardboard at best, but that's understandable given the horrendous script. seriously, can you remember more than a couple lines worth? i can't, and i spent six loooong hours watching the disaster unfold. visuals...nice. concepts...excellent. dialog...cliché at best, otherwise deadly dull and redundant with the visuals.

the plot jumped the shark so many times in the second episode the poor critter probably got whiplash. the first episode ends when the tin man (at least they didn't call him a copper) is shot and falls a hundred feet, smashing through ice into a frozen lake, surely breaking every bone in his body (at least!). how does he survive? oh he just magically pops out onto the surface ice at the beginning of the second episode. i'm a big believer in suspending disbelief for movies, but that was simply too unbelievable. (how does he survive being shot at point blank range? oh yeah, the bullet is blocked by a memento in his pocket - i guess they don't have lucky pocket watches or bibles in the o-z.) even worse is the discovery that azkadelia isn't *really* bad, merely possessed by an ugly old witch. huh? she was boring enough before, but now we can't even root against her cuz it's not her fault? she's more a pale imitation of darth vader than wicked witch, right down to killing officers that fail her and promoting their replacement on the spot. yawn.

maybe this would work better as an open ended series than as the dreary and predictable mini-series they came up with. tons of potential in the world of the outer zone. just please, please, please...get some decent writers.
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Liquid Sky (1982)
10/10
an overlooked low-budget gem
3 September 2006
i first saw liquid sky when it came out and was so intrigued i went back to see it four more times. hadn't seen anything before like it, and haven't seen anything like it since. given that it's obviously a no-budget production by non-actors they do an incredible job. c'mon, anybody who doesn't laugh at the interaction between the scientist and sylvia just has no sense of humor. and there are other priceless moments... ordering shrimp, the look on everyone's faces when jimmy vanishes, "i can't have all these bodies", and best of all: "delicious, delicious." there's more creativity in liquid sky than in a whole summer's worth of Hollywood blockbusters. a lot of it is ugly, some is dated 1980s scene stuff, but it's undeniable and there's not a false note by a single performer. anne carlisle's performance(s) is utterly convincing and it's a shame it's been overlooked.
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10/10
a stunning combination of music and images
6 August 2006
it's hard to believe that this film was made in 1928. the photography is outstanding. the print was sharp. and the music (played by a live pianist in this case) is utterly sublime. the special effects are extremely well done, with a variety of explosions (ok, a huge variety of explosions), ghostly images, scenery (the french countryside as a moonscape of craters and splintered trees) and graphic maps that would work nicely in a film created today.

considering that this is essentially a documentary/re-enactment of the now nearly-forgotten world war one trench battle of verdun, it is surprisingly engrossing material. the presence of several fictionalized characters fighting through the battle helps hold interest as opposed to a dry, third-person telling. it has a pro-french slant (it is a french film, after all), but the Germans are presented sympathetically.

i understand that this film has been "lost" for years, with a print recently reconstructed from footage found in a moscow film archives (the Germans took the original during ww2 & the russians subsequently took it from them later in the war) and it has only been shown a handful of times, though a DVD is coming soon. if the opportunity presents, see this movie. the music alone is reason enough, but pair that with the images on screen and it's amazing.
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3/10
could be better
4 August 2006
OK, so i didn't like the film all that much. haskell wexler makes several interesting and valuable points, i'll give him that. unfortunately he does so in a very tedious, lecturing manner. the presentation is all over the place and doesn't come to any particularly coherent conclusion. this feels like four or five mini-documentaries tacked together, with only one of them focused on the title subject.

i suppose that he wouldn't have gotten nearly as much attention if he'd called the film "working conditions in Hollywood suck", though that would have been a better title for it.

and i suppose the ultimate critique: the two people i saw the film with both fell asleep about halfway through!
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