Apostle is a 2018 period live action-2D animatedhorror film written, directed and edited by Gareth Evans and starring Dan Stevens, Lucy Boynton, Mark Lewis Jones, Bill Milner, Kristine Froseth, Paul Higgins and Michael Sheen. It had its world premiere at Fantastic Fest in September 2018. The film began streaming on Netflix on 12 October 2018. The story follows a British man as he attempts to rescue his sister from an evil cult on a remote island.
First I was afraid (but not petrified), because almost all of the Netflix productions I've stumbled onto were flawed movies with annoying political correctness sprinkled here and there, when it wasn't the full movie whose only goal was apparently to spread a political/sociological agenda. This is not the case here. I think I know what pleased Netflix here: a good part of the movie is an harsh criticism of religion (linked to catholicism of course), and also an attack on the traditionalism, but this time it's subtle enough to serve the story. I knew Gareth Evans for his two extremely awesome and graphic Raid movies so I was really curious to see him in charge of another story. He didn't disappoint. From the mystery of the first part to the violent climax, the director knows his job and builds a tense suspense, followed in the last part by several bloody explosions of violence. The SFX are great and some tortures even look painful. The main characters are interesting enough to care about what happens to them. I read in some reviews that the second part of the film was just an accumulation of violent scenes, I beg to differ, it's not a silly gorefest, just the logical follow up of all the released tension. I also really liked the mystical/fantasy aspect of a few scenes, with discreet but relevant pagan influences. I'm looking forward to see anything by Gareth Evans.
First I was afraid (but not petrified), because almost all of the Netflix productions I've stumbled onto were flawed movies with annoying political correctness sprinkled here and there, when it wasn't the full movie whose only goal was apparently to spread a political/sociological agenda. This is not the case here. I think I know what pleased Netflix here: a good part of the movie is an harsh criticism of religion (linked to catholicism of course), and also an attack on the traditionalism, but this time it's subtle enough to serve the story. I knew Gareth Evans for his two extremely awesome and graphic Raid movies so I was really curious to see him in charge of another story. He didn't disappoint. From the mystery of the first part to the violent climax, the director knows his job and builds a tense suspense, followed in the last part by several bloody explosions of violence. The SFX are great and some tortures even look painful. The main characters are interesting enough to care about what happens to them. I read in some reviews that the second part of the film was just an accumulation of violent scenes, I beg to differ, it's not a silly gorefest, just the logical follow up of all the released tension. I also really liked the mystical/fantasy aspect of a few scenes, with discreet but relevant pagan influences. I'm looking forward to see anything by Gareth Evans.
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