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The Red Shoes (1948)
6/10
Thought I'd like it more
31 May 2020
Warning: Spoilers
I love ballet and had long wanted to see this film, but was rather disappointed with key elements. I loved the music and dance sequences, and I was quite impressed with the cinemagic, considering the tech of that era. I liked the cinematography overall as well. The characters seemed much too much like caricatures to me, and the acting was too over-the-top melodramatic for my taste. It's probably too 2020 to think this, but near the end, it would have been reasonable for the loving couple to discuss how to arrange supporting each other's careers and being there for each other, but instead she flies off the handle, and the balcony, and that was that.
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Tamango (1958)
7/10
A very bold effort for its era
27 July 2018
I was quite impressed with this film, mostly for the incredible strides forward it made in portraying the horrors of the slave trade and horrific abuse of the kidnapped and enslaved Africans. The epic miniseries Roots, two decades later, and Spielberg's Amistad some 40 years after this film offer more detail and arguably higher production values, but Tamango is well worth watching, especially for those keen on either film or world history. Like another reviewer, I found the acting a little flat, despite the presence of the talented Curd Jurgens and Dorothy Dandridge. But the performances of all were engaging enough for me to want to stick with it to see the resolution of the conflicts. I was also very impressed to see the relationship between CJ's and DD's characters, at a time in the US when white mobs were trying to prevent children of different colors from going to school together, and a decade before the US Loving case forced states to accept marriages between people of different colors.
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The Runaway (2000 TV Movie)
5/10
Sadly mediocre
4 July 2012
With all the potent ingredients in this story, including racial conflict in the South just after WWII, this film was sadly bland, tepid, cautious, weak, likely fearful of offending anyone. I assume it was limited by the production company, as a more daring script might not have found a home on the network that ran it. But seriously, given the setting, not a single white person, even the obviously drunk and/or bigoted ones, ever uses the n-word? I dislike that word myself, but pretending that people in that time and place never used it rather hurts the credibility of a period piece. The actors did the best they could with their material, especially Ms Erbe. I'd love to see a more realistic version by either a bolder network or for theatrical release. Alas.
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