Reviews

....And way better than it has any right to be! *Make sure you watch the original Dark Crystal first for context, as this show is a prequel to events in the Dark Crystal!* I went into this with my hopes relatively low; I was expecting a little world-building, a little character building, pretty pictures and creatures, and a lot more of those furry dog-things (which I found a bit grating after a while.) I was NOT expecting a massive expansion on Gelfling and Aguhra's backstories and how they interact with each other. I was amazed at the world-expansion this series gave to a old movie made with (slightly-creepy) puppets. Thra looks as beautiful and even more full of life than ever, and I was really amazed at how likable the Gelflings turned out to be. I had fun watching the Chamberlain's schemes as well. This expansion of the world of The Dark Crystal is superbly done and absolutely worth your time if you had even mixed feelings about the movie (as I did). It throws a lot of interesting (and sometimes horrifying) surprises into the mix, and it's a lot of fun seeing each element of the twists and turns unfold. What a refreshing and fascinating dark fantasy addition to Netflix's library, and an almost-instant favorite of mine!

I have seen both Trollhunters and 3Below, and I left a glowing review of Trollhunters (mainly of the villains) 3Below, I'm not ready to praise so highly, The art style is beautiful as always, the character designs are pretty cool, and I enjoy the music. I LOVED the arch-baddie's voice and am sad there's not more of him. Some of the jokes are also quite amusing...at first. It's fine for something bright and entertaining and whimsical. Does this live up to Trollhunters, though? Not so much. Unlike Trollhunters' villains, 3Below;s villains amount to mustache-twirling baddies at best, and incompetent excuses for action pieces at worst. The bounty hunters exist solely so that the good guys have someone to fight/acquire alien tech from when needed, and the senior baddie barely shows up at all other than to give his villain spiel about how he is Evil McEvilton come to overthrow a good, peaceful empire. In Trollhunters, the villains had a weight and menace to them due to the fact they presented a real threat to the Trollhunters, who struggled to stay ahead of them. In 3Below, the baddies are rarely seen, except when the plot needs them to show up, and they are not particularly intimidating despite the fact they are portrayed as though we should be frightened of them. They don't display much skill in fighting, despite the fact that they usually outnumber and outclass the heroes, and their plans and motivations don't reach past killing the heroes. Compare this to Trollhunters, where each of the villains was playing their own separate games trying to fulfill their own wishes and grudges (as well as racking up casualties on-screen and off-screen, making it much more believable that they can and would kill the Trollhunters). The heroes themselves are okay, but they try to be funny too hard, and in doing so, the stale humor of "look at us, we're super-quirky" dialogue sweeps aside much room for character development, i.e. making the three into actually likable characters. Aja seems a bit selfish in dodging her duties for no apparent reason. Tech-guy (no, I don't remember his name even after 9 episodes) comes off as exactly that: he likes technology, and that's his character trait. Vex was funny at first, and there are some good scenes with him adapting to his human form, but he can get rather obnoxious. Even with episode 8's reveal, the viewer knows how Vex's character is going to play out and resolve this conflict. There is literally no payoff to this plot point: just set-up and instant reaction telling the viewer what they already know. As far as the Trollhunters' appearances go; well, they're all right, but they only made me wish more and more I was watching Trollhunters instead of this. It's wonderful to hear the crew back together, and it makes me wish for more Trollhunters. The Trollhunters world is better-built, their rules more concrete, the integration of both normal world and magical world much smoother, the conflict more intense, and the characters both more relatable and more exciting. All in all, 3Below is a harmless, if slightly bland, addition to the Tales of Arcadia collection that honestly is a little lackluster after Trollhunters' magnificent storytelling. I might pass on the rest of these episodes, but if you need me, I'll be re-bingeing Trollhunters for the third time! (Seriously, just go check it out. It's TOTALLY worth it!)

I've seen a lot of negative reviews of this based on complaints about the host, but I personally love her. In the world of straight-laced cooking shows, the host comes off as spunky and silly and perfectly in tune with the pastel backgrounds. She can be a bit over-the-top at times, but for the most part I find her really enjoyable, and she's an excellent foil to the more serious French chef. The more-advanced baking tips are pretty neat and make me want to try some of these highly-advanced sculpture cakes myself. The cooks who fail are hilarious, the cooks who nail are inspiring, and the judges try to keep things very positive for the most part. An uplifting, cheery, goofy show for anyone who likes baking or cooking.

Please note that I have not seen the original. I really enjoy the chemistry between the Robinsons as a family unit; their banter and struggles all seem very natural and are some of the best parts of the show. Watching Will and the robot interact is interesting, especially with some of the situations they get into and with the varying personalities the robot seems to display. THIS is what I came here to see. More of this, please. 10/10 on visual artwork. This series is stunning to look at. But eye candy does not a good show make. This show does have some major flaws, one of which is this Dr. Smith character. She seems to be written as highly self-centered, but does a couple things that make little to no sense in the context of her self-centered character. If the script writers are trying to slowly change her into a likable, functional individual, they failed; I still hate the character and I don't know enough about her to really feel sorry for her, other than what she said and her actions. But since she has been established as a chronic liar, she cannot be trusted by the characters or the viewer, and her actions only reinforce the fact she cannot be trusted. Also, this is NOT a PG character. The writers attempt to add a little depth to the colonists by having the Robinsons talk to/interact with them, but they're not exactly built up very well, and only once does this have payoff later in the story, and then briefly. The third glaring issue is the danger scenarios. I binge-watched a couple of the later episodes, and there was so much going on that my head hurt afterwards. There's always an urgent danger and difficulties that compound said danger. If the writers cut back on the complications and contrived problems that arise, they would have more space for character development instead of having the characters race to solve a life-or-death situation. Some of the larger plot threads are downright enjoyable to follow, but the danger scenarios definitely get overbearing into the realm of contrivance, a fact that becomes more and more apparent as the season goes on. Looking back on the show (and having seen it from beginning to end), I realize that the only characters that got any real development were the Mr. and Mrs. Robinson, Judy, and Will. Because they had time to reflect on what happened, they learned things and grew as characters, and they became characters I enjoyed watching. I liked the "smuggler" as a character as well. He has a lighthearted, careless charm to him, and though he didn't really grow much, he helped other characters grow by providing opportunities for them to reflect on themselves, others, and their actions.Sadly, these moments were few and far between, and continue to thin out as the action continues to pick up. The first couple episodes were thoroughly enjoyable, but afterwards, it spirals down into a loop of danger scenario after danger scenario, and the characters don't get a lot of development if at all. Like its title might suggest, Lost in Space provided a few hours of intrigue and mystery at first, but devolved into a tense, predictable slog by the end. Lots of lost potential with this one.