1987 - BEST MUSIC
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A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for A Fistful of Dollars (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies - making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvo's The Battle of Algiers (1966) , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's The Hawks and the Sparrows (1966).- Composer
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Ryuichi Sakamoto was born on 17 January 1952 in Tokyo, Japan. He was a composer and actor, known for The Last Emperor (1987), The Revenant (2015) and Merry Christmas Mr. Lawrence (1983). He was married to Akiko Yano. He died on 28 March 2023 in Tokyo, Japan.- Music Artist
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David Byrne is an Oscar winning composer, songwriter and singer, best known for being frontman of the New Wave/punk band Talking Heads, which was active between 1975 and 1991. Born in Scotland but raised in the United States in Maryland, Byrne began performing musically in high school.
Byrne attended the Rhode Island School of Design (RISD) between 1970 and '71. He dropped out to attend the Maryland Institute College of Art before dropping out for good in 1972. He returned to Providence and started a band in 1973 called The Artistics with Chris Frantz, whom he knew at RISD. The band broke up in May '74 and Byrne moved to New York, followed by Frantz and his girlfriend Tina Weymouth in September. The three started performing as Talking Heads in 1975. The band was one of the major acts of the punk and new wave scene of the 1970s.
Byrne won an Oscar and a Grammy Award for his soundtrack to the movie The Last Emperor (1987) in 1988, the same year Talking Heads ceased to function. Except for a brief reunion in 1991, the band stopped recording together in '88 as Byrne launched a solo career. Talking Heads were inducted into Rock and Roll Hall of Fame in 2002.- Composer
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Cong Su was born in 1957 in Tianjin, China. He is a composer, known for The Last Emperor (1987), Jasmine Women (2004) and Miracles: The Canton Godfather (1989).- Music Department
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As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.- Composer
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Richard Robbins was born on 4 December 1940 in South Weymouth, Massachusetts, USA. He was a composer and director, known for The Remains of the Day (1993), A Room with a View (1985) and Howards End (1992). He died on 7 November 2012 in Rhinebeck, New York, USA.- Composer
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Jerzy Satanowski was born on 23 August 1947 in Warsaw, Mazowieckie, Poland. He is a composer and actor, known for Day of the Wacko (2002), Schodami w góre, schodami w dól (1988) and Wrzeciono czasu (1995).- Composer
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Wojciech Kilar was born on 17 July 1932 in Lwów, Lwowskie, Poland [now Lviv, Ukraine]. He was a composer, known for Bram Stoker's Dracula (1992), The Ninth Gate (1999) and The Pianist (2002). He was married to Barbara Pomianowska. He died on 29 December 2013 in Katowice, Slaskie, Poland.- Composer
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George Fenton was born on 19 October 1949 in Bromley, Kent, England, UK. He is a composer and actor, known for Groundhog Day (1993), Ever After: A Cinderella Story (1998) and The Bounty Hunter (2010).- Music Department
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Jonas Gwangwa was born on 19 October 1937 in Orlando East, South Africa. He was a composer and actor, known for Cry Freedom (1987), Generations: The Legacy (2014) and Soweto Green (1995). He was married to Violet Molebatsi. He died on 23 January 2021 in Johannesburg, South Africa.- Composer
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In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over. With a credit list of over 100 films Silvestri has composed some of the most recognizable and beloved themes in movie history. His efforts have been recognized with two Oscar nominations, two Golden Globe nominations, three Grammy awards, two Emmy awards, and numerous International Film Music Critics Awards, Saturn Awards, and Hollywood Music In Media Awards.
Born in New York City and raised in Teaneck, New Jersey, Silvestri first dreamed of becoming a jazz guitar player. After spending two years at the Berklee School of Music in Boston, he hit the road as a performer and arranger. Landing in Hollywood at the age of 22, he found himself successfully composing the music for 1972's "The Doberman Gang" which established his place in the world of film composing.
The 1970s witnessed the rise of energetic synth-pop scores, establishing Silvestri as the action rhythmatist for TV's highway patrol hit "CHiPs." This action driven score caught the ear of a young filmmaker named Robert Zemeckis, whose hit film, 1984's "Romancing the Stone," was the perfect first date for the composer and director. It's success became the basis of a decades long collaboration that continues to this day. Their numerous collaborations have taken them through fascinating landscapes and stylistic variations, from the "Back to the Future" trilogy to the jazzy world of Toontown in "Who Framed Roger Rabbit?" the tension filled rooms of "What Lies Beneath" and "Death Becomes Her", to the cosmic wonder of "Contact;" the emotional isolation of "Castaway", to the magic of the "Polar Express". But perhaps no film collaboration defines their creative relationship better than Zemeckis' 1994 Best Picture winner, "Forrest Gump", for which Silvestri's gift for melodically beautiful themes earned him an Oscar and Golden Globe nomination and the affection of film music lovers everywhere. This 35 year, 21 film collaboration includes such recent films as "Flight", "Allied" and most recently "Welcome To Marwen". Zemeckis and Silvestri are currently working on "The Witches" based on Roald Dahl's 1973 classic book scheduled for release in October of 2020.
Though the Zemeckis/Silvestri collaboration is legendary, Silvestri has scored films of every imaginable style and genre. His energy has brought excitement and emotion to the hard-hitting orchestral scores for Steven Spielberg's "Ready Player One", James Cameron's "The Abyss" as well as "Predator" and "The Mummy Returns." Alan's diversity is on full display in family entertainment films such as "The Father of the Bride 1 and 2", "Parent Trap", "Stuart Little 1 and 2", Disney's "Lilo and Stitch", "The Croods" as well as "Night at the Museum 1, 2 and 3" while his passion for melody fuels the romantic emotion of films like "The Bodyguard" and "What Women Want".
Most recently, Alan has composed the music for Marvel's "Avengers: Endgame." The film is the culmination of a partnership with Marvel that began in 2011 with Alan's dynamically heroic score for "Captain America: The First Avenger" followed by "Avengers". Since 2011 Alan's collaboration with Marvel helped propel "The Avengers" and "Avengers: Infinity War" to spectacular world-wide success.
Silvestri's success has also crossed into the world of songwriting. His partnership with Six-Time Grammy Award winner Glen Ballard has produced hits such as the Grammy-winning and Oscar-nominated song "Believe" (Josh Groban) for "The Polar Express", "Butterfly Fly Away" (Miley Cyrus) for "Hannah Montana The Movie", "God Bless Us Everyone" (Andrea Bocelli) for "A Christmas Carol" and "A Hero Comes Home" (Idina Menzel) for "Beowulf".
Alan and his wife Sandra are long time residents of California's central coast. In 1998 the Silvestri family embarked on a new venture as the founders of Silvestri Vineyards. Their wines show that lovingly cultivated fruit has a music all its own. "There's something about the elemental side of winemaking that appeals to me," he says. "Both music making and wine making involve a magical blending of art and science. Just as each note brings it own voice to the melody, each vine brings it's own unique personality to the wine."
Their other great passion is the ongoing search for the cure to Type 1 Juvenile Diabetes. With the diagnosis of their son at two years of age (now 29) they continue to work the Juvenile Diabetes Research Foundation and dream of the day this disease (and all of the suffering it brings to so many) will finally become a thing of the past.- Composer
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Mario Nascimbene was born on 28 November 1913 in Milan, Lombardy, Italy. He was a composer and actor, known for The French Dispatch (2021), Matchstick Men (2003) and Violent Summer (1959). He was married to Mara Caterina Ripari and Tamara Adrian. He died on 6 January 2002 in Rome, Lazio, Italy.- Music Artist
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Eric Clapton was born in Ripley, Surrey, England, on March 30, 1945. His real father was a Canadian pilot but he didn't find that out until he was 53. When he was 2 his mother felt she was unable to look after him, so Eric then went to live with his grandparents. When he was 14 he took up the guitar, having been influenced by blues artists such as B.B King, Buddy Guy, Muddy Waters and John Lee Hooker.
In 1963, after he was chucked out of art college, he joined Paul Samwell-Smith, as he was in art school with Keith Relf. He stayed for about 18 months before beginning a stint with John Mayall's Bluesbreakers. Eric became known as "god", as he impressed the whole English music scene with his amazing guitar playing.
After about a year Eric had had enough of impersonating his blues idols and decided to form a group of his own, so in 1966 he formed a band with bassist Jack Bruce and drummer Ginger Baker (who had the idea) that became known as Cream. This band was not a purist blues group but a hard-driving rock and blues trio. They first performed together at a jazz and blues festival in Surrey before signing a record contract. In November 1966 their debut single, "Wrapping Paper", hit UK #34, but their next single, "I Feel Free", made more of an impression, hitting UK #11 the following January. At the same time they released their debut album "Fresh Cream", which was a top-ten hit, going to UK #6 and went on to make US #39 later in the year.
Cream spent most of 1967 either touring or writing, recording and producing "Disreali Gears", which was to be one of their finest efforts. The first single that confirmed the group as a mainstream success was "Strange Brew", which went to #17 in the UK. After a hectic worldwide tour, their second album "Disreali Gears" was released and became an enormous worldwide hit, rising to UK #5 and US #4. The album's success r4esulted in one of its tracks, "Sunshine Of Your Love", a hit in the US, going to #36. In February 1968 Cream set out on a six-month US tour, the longest time that a British band ad ever been in America. The tour took in hundreds of theaters, arenas and stadiums, but in April 1968 the band was exhausted and decided to take a short break from touring. However, during their break disaster struck. While Cream was in America Eric had given an interview to the magazine "Rolling Stone" which had Eric the editor make critical points about his guitar playing. This led to an eruption within the band, which was the beginning of the end. Despite this setback, the band's US tour carried on until June, during which they had been recording their most popular project, "Wheels Of Fire", a double album that was released in August 1968; the live album shot to UK #3 and the studio effort to UK #7, but both went directly to US #1 for four weeks. Despite the fact that the band had sold so many records, had sold out nearly every concert, had made millions and even managed to boost "Sunshine Of Your Love" to hit US #5 and UK #25, they decided that after a farewell tour of America Cream would split. The band toured North America in October, played two concerts at the Royal Albert Hall in London in November and then Cream was no more - as Clapton explained, "The Cream has lost direction."
In the winter of 1969 Eric began jamming with former Traffic front man Steve Winwood, with Ginger Baker also joining in Eric's mansion in Surrey. With bassist Ric Grech added to the lineup, the band became Blind Faith and started rehearsing and recording material. In June 1969, after the band finished a recording session for their first and only album, they made their live debut in Hyde Park to a crowd of over 200,000 fans. Despite the fact that Baker and Grech felt that the concert was a triumph, Clapton and Winwood, however, were more or less convinced that Blind Faith had blown it first time round. However, despite their feelings, Blind Faith set out on a summer sellout tour of the US, playing in arenas and stadiums all over the country. The tour itself earned the band a fortune, but the band members were convinced that the music itself was unsatisfying.
After the tour was over their only album, "Blind Faith", was released, and it topped the charts worldwide. Despite the success of the album and tour Blind Faith still decided to disband, though, and Clapton went on tour with Delaney & Bonnie & Friends, who were Blind Faith's support act on the tour, and also performed at times with The Plastic Ono Band. In March 1970 Eric launched his highly successful solo career, by releasing a first solo album, which featured Delaney & Bonnie.- Music Department
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Thomas Newman is an American film score composer. He was born in Los Angeles. His father was notable film score composer Alfred Newman (1900-1970). The Newman family is of Russian-Jewish descent, and includes several other well-known musicians. Thomas' mother Martha Louis Montgomery (1920-2005) wanted her sons to have a musical education. Thomas attended regular lessons in violin as a child. An older Thomas received his musical education while attending the University of Southern California and Yale University. Thomas Newman graduated as Bachelor of Arts in 1977, and a Master of Music in 1978.
Thomas originally composed music for theatrical productions in Broadway, working with his mentor Stephen Sondheim. His uncle Lionel Newman asked him to compose music for the television series "The Paper Chase" (1978-1979, 1986), which was Thomas' first credit in a television production.
In the 1980s, Thomas first worked in film. Composer John Williams, a close family friend, hired Thomas to work in the music department for space opera film "Return of the Jedi" (1983). Thomas' main work in the film was orchestrating the music in a scene where character Darth Vader dies. Afterwards, Thomas was approached by film producer Scott Rudin and hired to work as a film score composer in his own right. His first work in the field was the film score of romantic drama "Reckless" (1984).
While he worked regularly as a film score composer during the 1980s, Thomas reportedly felt he had to retrain himself for a hard and demanding job. It reportedly took him 8 years to not feel fraudulent in his efforts. In 1994, Thomas received his first Academy Award nominations, for the film scores of "The Shawshank Redemption" (1994) and "Little Women" (1994). He lost the Award to rival composer Hans Zimmer, who had been nominated for the film score of the animated film "The Lion King" (1994).
Newman was an established and increasingly famous composer in the 1990s. He received further Academy Award nominations, although he never actually won. Among his more notable works was the film score of the drama film "American Beauty" (1999), which earned Thomas both a Grammy and a BAFTA award. Newman had a good working relationship with the film's director Sam Mendes. Mendes has kept hiring Thomas as the composer for most of his films. The main exception being the comedy-drama film "Away We Go" (2009), which did not have a film score.
In the 2000s, Thomas continued working in high-profile films, such as "Road to Perdition" (2002), "Finding Nemo" (2003), and "Lemony Snicket's A Series of Unfortunate Events". By 2006, he had been nominated eight times for an Academy Award, while never winning it. He started joking about his lack of victories in public.
In 2008, Thomas was nominated for two Academy Awards, for both the film score and an original song for the animated film "WALL-E" (2008). He won neither, though the hit song "Down to Earth" earned him a Grammy Award. He continues to work regularly in the 2010s. Among his more acclaimed works were the film scores for spy film "Skyfall" (2012) and period drama "Saving Mr. Banks" (2013). He has continued being nominated for Academy Awards. As of 2020, he has been nominated 15 times for the Academy Award. He is the most nominated living composer to have never actually won an Academy Award, tied with Alex North. He has won a total of 5 Grammy awards.- Music Department
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Michael Kamen was born on 15 April 1948 in New York City, New York, USA. He was a composer and actor, known for Robin Hood: Prince of Thieves (1991), Don Juan DeMarco (1994) and X-Men (2000). He was married to Sandra Keenan. He died on 18 November 2003 in London, England, UK.- Music Department
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Born on February 10, 1929, Jerry Goldsmith studied piano with Jakob Gimpel and composition, theory, and counterpoint with Mario Castelnuovo-Tedesco. He also attended classes in film composition given by Miklós Rózsa at the Univeristy of Southern California. In 1950, he was employed as a clerk typist in the music department at CBS. There, he was given his first embryonic assignments as a composer for radio shows such as "Romance" and "CBS Radio Workshop". He wrote one score a week for these shows, which were performed live on transmission. He stayed with CBS until 1960, having already scored The Twilight Zone (1959). He was hired by Revue Studios to score their series Thriller (1960). It was here that he met the influential film composer Alfred Newman who hired Goldsmith to score the film Lonely Are the Brave (1962), his first major feature film score. An experimentalist, Goldsmith constantly pushed forward the bounds of film music: Planet of the Apes (1968) included horns blown without mouthpieces and a bass clarinetist fingering the notes but not blowing. He was unafraid to use the wide variety of electronic sounds and instruments which had become available, although he did not use them for their own sake.
He rose rapidly to the top of his profession in the early to mid-1960s, with scores such as Freud (1962), A Patch of Blue (1965) and The Sand Pebbles (1966). In fact, he received Oscar nominations for all three and another in the 1960s for Planet of the Apes (1968). From then onwards, his career and reputation was secure and he scored an astonishing variety of films during the next 30 years or so, from Patton (1970) to Star Trek: The Motion Picture (1979) and from Chinatown (1974) to The Boys from Brazil (1978). He received 17 Oscar nominations but won only once, for The Omen (1976) in 1977 (Goldsmith himself dismissed the thought of even getting a nomination for work on a "horror show"). He enjoyed giving concerts of his music and performed all over the world, notably in London, where he built up a strong relationship with London Symphony Orchestra.
Jerry Goldsmith died at age 75 on July 21, 2004 after a long battle with cancer.- Music Department
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Basil Poledouris was born on August 21, 1945 in Kansas City. He started taking piano lessons when he was 7 years old. Eventually, he went on to become a student at USC, where he studied the arts of directing, cinematography, editing, sound and, of course, music. It was also at USC he met John Milius and Randal Kleiser, both acclaimed directors with whom he would work in the future. Even though Basil had already composed music to John Milius' much talked about Big Wednesday (1978), his real breakthrough came in 1982 when he composed the score to Milius' epic fantasy movie, Conan the Barbarian (1982). The powerful themes that Basil created for this movie opened the eyes of the movie industry, as well as the public, and it is arguably one of the best soundtracks of the 80s. Basil went on to make soundtracks for such movies as: RoboCop (1987) (the second Paul Verhoeven movie of many for which he has composed, the first being 1985's Flesh+Blood (1985)), Lonesome Dove (1989) (for which he won an Emmy), Farewell to the King (1989), The Hunt for Red October (1990), Free Willy (1993), in Paul Verhoeven's Starship Troopers (1997) with Casper Van Dien and Denise Richards and Les Misérables (1998).- Sound Department
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Danuta Zankowska was a composer, known for Interrogation (1989), The Weather Forecast (1983) and Provincial Actors (1979). She died on 27 November 2000.