1999 - BEST CINEMATOGRAPHY
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- Cinematographer
- Camera and Electrical Department
- Additional Crew
Robert Richardson has won three Academy Awards and earned seven Academy Award nominations for his cinematography. His work on director Oliver Stone's JFK earned him his first Oscar. His second and third came with The Aviator and Hugo directed by Martin Scorsese. These two films also garnered him BAFTA nominations for Best Cinematographer.
Prior to regularly collaborating with well-known directors like Oliver Stone and Quentin Tarantino, Richardson served an apprenticeship shooting second unit on Repo Man while filming television documentaries for PBS and the BBC. His work in television led Stone to hire Richardson to shoot both Salvador and Platoon. From there, he worked almost exclusively with Stone, filming Wall Street, Born on the Fourth of July and The Doors, while occasionally branching out to shoot films like John Sayles' Eight Men Out and City of Hope.
Richardson also shot Stone's Natural Born Killers, Nixon and U-Turn. He then began collaborating with Martin Scorsese and Quentin Tarantino. Scorsese chose him as DP on 1999's Bringing Out the Dead, while Tarantino snapped him up for Kill Bill, Vol. 1 and Kill Bill, Vol. 2.
Richardson continued to make his mark as Tarantino's DP on 2012's Django Unchained and 2015's The Hateful Eight, as well as on Ben Affleck's 2016 film Live By Night. He shot Director Andy Serkis's 2017 Breathe starring Andrew Garfield and Claire Foy; 2018's Adrift for Director Balthasar Kormakur starring Shailene Woodley and Sam Claflin for STX, and 2018's A Private War for Director Matthew Heineman starring Rosamund Pike. Richardson then shot Tarantino's 2020 hit Once Upon a Time in Hollywood, which starred Leonardo DiCaprio and Brad Pitt, and 2021's Venom 2 for Sony/Director Andy Serkis.
Recent credits include 2022's Emancipation again with Fuqua for Apple Studios, 2023's Air directed by Ben Affleck for Amazon Studios, and The Equalizer 3 for Director Antoine Fuqua and for Columbia Pictures.- Cinematographer
- Director
- Producer
Lubezki began his career in Mexican film and television productions in the late 1980s. His first international production was the 1993 independent film Twenty Bucks (1993), which followed the journey of a single twenty-dollar bill.
Lubezki is a frequent collaborator with fellow Mexican filmmaker Alfonso Cuarón. The two have been friends since they were teenagers and attended the same film school at the National Autonomous University of Mexico. Together they have worked on six motion pictures: Love in the Time of Hysteria (1991), A Little Princess (1995), Great Expectations (1998), And Your Mother Too (2001), Children of Men (2006), and Gravity (2013). His work with Cuarón on Children of Men (2006), has received universal acclaim. The film utilized a number of new technologies and distinctive techniques. The "roadside ambush" scene was shot in one extended take utilizing a special camera rig invented by Doggicam systems, developed from the company's Power Slide system. For the scene, a vehicle was modified to enable seats to tilt and lower actors out of the way of the camera. The windshield of the car was designed to tilt out of the way to allow camera movement in and out through the front windscreen. A crew of four, including Lubezki, rode on the roof. Children of Men (2006) also features a seven-and-a-half-minute battle sequence composed of roughly five seamless edits.
Lubezki has been nominated for eight Academy Awards for Best Cinematography, winning three, for Gravity (2013), Birdman or (The Unexpected Virtue of Ignorance) (2014), and The Revenant (2015). He is the first cinematographer in history to win three consecutive Academy Awards.- Cinematographer
- Camera and Electrical Department
- Writer
Born in Tahiti, the son of writer James Norman Hall, author of "Mutiny on the Bounty," Conrad Hall studied filmmaking at USC. He and two classmates formed a production company and sold a project to a local television station. Hall's company branched out into making industrial films and TV commercials. They were hired to shoot location footage for several feature films, including's Disney's The Living Desert (1953). In the early 1960s, Hall was hired as a camera assistant on several features and worked his way up to camera operator. He received his first cinematographer credit in 1965. Hall won acclaim for his rich and complex compositions, especially for In Cold Blood (1967) and won an Academy Award for Butch Cassidy and the Sundance Kid (1969). He won two more Oscars, for American Beauty (1999), in 2000, and Road to Perdition (2002).- Cinematographer
- Director
- Camera and Electrical Department
Bill Pope was born on 19 June 1952 in Bowling Green, Kentucky, USA. He is a cinematographer and director, known for The Matrix (1999), The Jungle Book (2016) and Bound (1996). He is married to Sharon Oreck. They have one child.- Cinematographer
- Camera and Electrical Department
Alwin H. Küchler was born in 1965 in Düsseldorf, North Rhine-Westphalia, Germany. He is a cinematographer, known for Sunshine (2007), The Mauritanian (2021) and Divergent (2014). He has been married to Ngozi Onwurah since 28 November 1998.[LINK=tt0171685]- Cinematographer
- Camera and Electrical Department
- Additional Crew
Robert Richardson has won three Academy Awards and earned seven Academy Award nominations for his cinematography. His work on director Oliver Stone's JFK earned him his first Oscar. His second and third came with The Aviator and Hugo directed by Martin Scorsese. These two films also garnered him BAFTA nominations for Best Cinematographer.
Prior to regularly collaborating with well-known directors like Oliver Stone and Quentin Tarantino, Richardson served an apprenticeship shooting second unit on Repo Man while filming television documentaries for PBS and the BBC. His work in television led Stone to hire Richardson to shoot both Salvador and Platoon. From there, he worked almost exclusively with Stone, filming Wall Street, Born on the Fourth of July and The Doors, while occasionally branching out to shoot films like John Sayles' Eight Men Out and City of Hope.
Richardson also shot Stone's Natural Born Killers, Nixon and U-Turn. He then began collaborating with Martin Scorsese and Quentin Tarantino. Scorsese chose him as DP on 1999's Bringing Out the Dead, while Tarantino snapped him up for Kill Bill, Vol. 1 and Kill Bill, Vol. 2.
Richardson continued to make his mark as Tarantino's DP on 2012's Django Unchained and 2015's The Hateful Eight, as well as on Ben Affleck's 2016 film Live By Night. He shot Director Andy Serkis's 2017 Breathe starring Andrew Garfield and Claire Foy; 2018's Adrift for Director Balthasar Kormakur starring Shailene Woodley and Sam Claflin for STX, and 2018's A Private War for Director Matthew Heineman starring Rosamund Pike. Richardson then shot Tarantino's 2020 hit Once Upon a Time in Hollywood, which starred Leonardo DiCaprio and Brad Pitt, and 2021's Venom 2 for Sony/Director Andy Serkis.
Recent credits include 2022's Emancipation again with Fuqua for Apple Studios, 2023's Air directed by Ben Affleck for Amazon Studios, and The Equalizer 3 for Director Antoine Fuqua and for Columbia Pictures.- Cinematographer
- Camera and Electrical Department
- Actor
Dante Spinotti was born in Tolmezzo, Udine, in the northeastern Italian Region of Friuli. He began his career at RAI (Italian TV), before that he spent lot of time in Kenia as cinematographer for his uncle. In 1985, producer Dino De Laurentiis offered him a chance to work in USA for the first time with Michael Mann for the feature Manhunter (1986). From that experience, Spinotti became one of the most appreciated cinematographer in Hollywood. His particular vision gives a movie a great sense of reality. Among his works are: The Last of the Mohicans (1992) (Academy Nomination), Heat (1995), L.A. Confidential (1997) (Academy Nomination), The Insider (1999) (Academy Nomination), and Wonder Boys (2000). He married his wife Marcella, and they live in Los Angeles, Rome, and Tolmezzo.- Cinematographer
- Additional Crew
- Camera and Electrical Department
Witold Sobocinski is a Polish cinematographer, academic teacher as well as former jazz musician.
As a cinematographer he is best known for The Promised Land (1975) and Frantic (1988).
Sobocinski cooperated with several notable directors, including Andrzej Wajda, Krzysztof Zanussi and Roman Polanski.
His son Piotr Sobocinski (1958-2001) was also a cinematographer.- Cinematographer
- Camera and Electrical Department
- Actor
Kjell Lagerroos was born in 1962 in Kemiö, Finland. He is a cinematographer and actor, known for Sisu (2022), Tulennielijä (1998) and Rukajärven tie (1999).- Cinematographer
- Camera and Electrical Department
- Director
Jeff Cronenweth was born on 14 January 1962 in Los Angeles County, California, USA. He is a cinematographer and director, known for Gone Girl (2014), The Social Network (2010) and The Girl with the Dragon Tattoo (2011).- Cinematographer
- Visual Effects
- Camera and Electrical Department
Robert Elswit is an American cinematographer. He is best known for Boogie Nights (1997), Magnolia (1999), Good Night, and Good Luck (2005), There Will Be Blood (2007), Mission: Impossible - Ghost Protocol (2011), Inherent Vice (2014), and Nightcrawler (2014).
Elswit frequently works with director Paul Thomas Anderson and has worked with George Clooney several times. He shot Clooney's black and white, multiple-Oscar nominated film Good Night, and Good Luck. Notably, Elswit shot the film in color, then converted the film into black and white in post production.
He received his first Academy Award nomination for Best Cinematography in 2006 for his work on the movie Good Night, and Good Luck. Two years later, he would again be nominated and this time win the Oscar for Best Cinematography, for his work on There Will Be Blood.- Cinematographer
- Camera and Electrical Department
- Director
Larry Smith was born in London, England, UK. He is known for Only God Forgives (2013), Trafficker (2015) and The Guard (2011).- Cinematographer
- Camera and Electrical Department
- Actor
Vittorio Storaro, the award-winning cinematographer who won Oscars for "Apocalypse Now (1979)", "Reds (1981)" and "The Last Emperor (1987)". He was born on June 24, 1940 in Rome, where his father was a projectionist at the Lux Film Studio. At the age of 11, he began studying photography at a technical school. He enrolled at C.I.A.C (Italian Cinemagraphic Training Centre) and subsequently continued his education at the state cinematography school Centro Sperimentale di Cinematografia. When he enrolled at the school at the age of 18, he was one of its youngest students ever.
At the age of 20, he was employed as an assistant cameraman and was promoted to camera operator within a year. Storaro spent several years visiting galleries and studying the works of great painters, writers, musicians and other artists. In 1966, he went back to work as an assistant cameraman on Before the Revolution (1964), one of the first films directed by Bernardo Bertolucci. Storaro earned his first credit as a cinematographer in 1968 for "Giovinezza, giovinezza". His third film was "The Spider's Stratagem (1970)" which began his long collaboration with Bertolucci. He also shot "The Conformist (1970)", "Last Tango in Paris (1972)", "Luna (1979)", "The Sheltering Sky (1990)_", "Little Buddha (1993)," for Bertolucci.
He won his first Oscar for the cinematography of "Apocalypse Now (1979)", for which director Francis Ford Coppola gave him free rein to design the visual look of the picture. Storaro originally had been reluctant to take the assignment as he considered Gordon Willis to be Coppola's cinematographer, but Coppola wanted him, possibly because of his having shot "Last Tango in Paris (1972), which had starred Marlon Brando. Brando's performance in the film had been semi-improvised, and Coppola has planned on a similar tack for his scenes in the jungle with Brando's character Colonel Kurtz.
The results of their collaboration were masterful, and he later shot the 3-D short "Captain EO (1986)", the feature films "One from the Heart (1981)" and "Tucker: The Man and His Dream (1988)," and the "Life without Zoe" segment of "New York Stories (1989)" for Coppola. He won his second Oscar as the director of photography on Warren Beatty's "Reds (1981)" and subsequently shot "Dick Tracy (1990)" and "Bulworth (1998)" for Beatty He won his third Oscar as the director of photography on Bertolucci's Best Picture Academy Award-winner "The Last Emperor (1987)".
"All great films are a resolution of a conflict between darkness and light," Storaro says. "There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art."
According to Storaro, "Some people will tell you that technology will make it easier for one person to make a movie alone but cinema is not an individual art." Storaro disagrees. "It takes many people to make a movie. You can call them collaborators or co-authors. There is a common intelligence. The cinema never has the reality of a painting or a photograph because you make decisions about what the audience should see, hear and how it is presented to them. You make choices which super-impose your own interpretations of reality."
Storaro believes that, "It is our obligation to defend the audiences' rights to see the images and to hear the sounds the way we have expressed ourselves as artists,".
During the 1970s, the metaphor of cinematography as 'painting with light' took hold. Storaro, however, adds motion to the mix. Cinematography, to the great D.P., is writing with light and motion, the literal translation of the word cinematography, which derives from Greek
"It describes the real meaning of what we are attempting to accomplish," Storaro says. "We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings."
As a cinematographer, he is highly innovative. He had Rosco International fabricate a series of custom color gels for his lighting, which he used to implement his theories about emotional response to color. The "Storaro Selection" of color gels is available for other cinematographers from Rosco.
He created the "Univision" film system, which is a 35mm format based on film stock with three perforation that provides an aspect ratio of 2:1, which Storaro feels is a good compromise between the 2.35:1 and 1.85:1 wide-screen ratios favored by most filmmakers. Storaro developed the new technology with the intention of 2:1 becoming the universal aspect ratio for both movies and television in the digital age. He first shot the television mini-series "Dune" with the Univision system.
Storaro is the youngest person to receive the American Society of Cinematographer's Lifetime Achievement Award, and only the second recipient after Sven Nykvist not to be a U.S. citizen.- Cinematographer
- Additional Crew
- Director
Adam Sikora was born on 3 May 1960 in Mikolów, Slaskie, Poland. He is a cinematographer and director, known for Boze Cialo (2006), Essential Killing (2010) and Autsajder (2018).- Cinematographer
- Camera and Electrical Department
- Location Management
Anthony Dod Mantle was born on 14 April 1955 in Oxford, Oxfordshire, England, UK. He is a cinematographer, known for Slumdog Millionaire (2008), Antichrist (2009) and The Last King of Scotland (2006).- Cinematographer
- Camera and Electrical Department
- Production Manager
Agnès Godard was born on 29 May 1951 in Dun-sur-Auron, Cher, France. She is a cinematographer and production manager, known for Beau Travail (1999), Home (2008) and Wings of Desire (1987).- Camera and Electrical Department
- Cinematographer
- Director
John Seale was born on 5 October 1942 in Warwick, Queensland, Australia. He is a cinematographer and director, known for Mad Max: Fury Road (2015), The English Patient (1996) and Witness (1985). He has been married to Louise Seale since 23 September 1967. They have two children.- Cinematographer
- Camera and Electrical Department
- Director
SEAMUS McGARVEY (Director of Photography) has collected two Academy Award nominations for his cinematography: on Joe Wright's 2007 WWI drama "Atonement," and his 2012 adaptation of Tolstoy's classic, "Anna Karenina." In addition to the Oscar nominations, McGarvey won the British Society of Cinematographers (B.S.C.) award for "Anna Karenina" and "Nocturnal Animals" as well as a nomination for "Atonement," and also earned BAFTA and A.S.C. nods for both projects. "Atonement" also earned him nominations for the British Independent Film Award, the Chicago Film Critics Association and the Online Film Critics Society, while walking off with the top honor from the Phoenix Film Critics Society. McGarvey has also won three Evening Standard British Film Awards for "Atonement," "Anna Karenina" and Stephen Daldry's "The Hours"; and five Irish Film & Television Awards for "Atonement," "Anna Karenina," "Sahara" "We Need to Talk About Kevin" and "Nocturnal Animals". He was Emmy nominated in 2017 for the dystopian TV drama "Black Mirror: Nosedive" Dir. Joe Wright. In 2004, he was awarded the Royal Photographic Society's prestigious Lumière medal for contributions to the art of cinematography, sharing the company of such pioneers as Jack Cardiff, Freddie Francis, Roger Deakins and Sir Ridley Scott, McGarvey hails from Armagh, Northern Ireland, and began his career as a stills photographer before attending film school at the University of Westminster in London. Upon graduating in 1988, he began shooting short films and documentaries, including "Skin," which was nominated for a Royal Television Society Cinematography Award, and "Atlantic," directed by Sam Taylor-Wood. The latter project, an experimental, three-screen projected film created in 1997, earned Taylor-Wood a nomination for the 1998 Turner Prize, and would lead to an ongoing collaboration between McGarvey and the director. His four dozen credits as director of photography include Joss Whedon's superhero epic "Marvel's The Avengers," the industry record holder for highest opening weekend box office upon its release in May 2012, and the fourth highest-grossing film of all time; Lynne Ramsay's "We Need to Talk About Kevin"; Oliver Stone's "World Trade Center," which earned an IFTA nomination; Gary Winick's "Charlotte's Web"; John Hamburg's "Along Came Polly"; Stephen Frears' "High Fidelity"; Mike Nichols' "Wit"; Michael Apted's "Enigma"; Michael Winterbottom's "Butterfly Kiss," McGarvey's first feature film credit; and two projects marking actors' directorial debuts: Tim Roth's "The War Zone" and Alan Rickman's "The Winter Guest." He also served as cinematographer on the pilot for the BBC/HBO TV series "The No. 1 Ladies Detective Agency," directed by Anthony Minghella. He reunited with director Wright for his 2009 drama "The Soloist," and filmmaker Sam Taylor-Wood (now Sam Taylor-Johnson) on her acclaimed 2008 drama, "Nowhere Boy," her 2011 short, "James Bond Supports International Women's Day" and the "Death Valley" segment of the 2006 erotic drama "Destricted." Following his work on "Godzilla" Dir. Gareth Edwards he reteamed with Taylor-Johnson on her big screen adaptation and Hollywood directorial debut of the bestselling phenomenon "Fifty Shades of Grey." "The Accountant," from director Gavin O'Connor. "Nocturnal Animals", from director Tom Ford. "LIFE" dir. Daniel Espinosa. "The Greatest Showman" Dir Michael Gracey and "Bad Times at the El Royale" Dir: Drew Goddard are his latest projects. His documentary work includes "Lost Angels: Skid Row Is My Home," which followed his work on Wright's "The Soloist," and filmed in the same locales; "Harry Dean Stanton: Partly Fiction"; "Rolling Stones: Tip of the Tongue"; and "The Name of This Film Is Dogme95." Supplementing his work on features and telefilms, McGarvey has also photographed and directed over 100 music videos, for such artists as PJ Harvey, Coldplay, Paul McCartney, Dusty Springfield, The Rolling Stones, U2, and Robbie Williams.- Cinematographer
- Camera and Electrical Department
- Actor
Robby Müller was born on 4 April 1940 in Willemstad, Curaçao, Netherlands Antilles. He was a cinematographer and actor, known for Breaking the Waves (1996), Paris, Texas (1984) and Repo Man (1984). He died on 3 July 2018 in Amsterdam, Noord-Holland, Netherlands.- Cinematographer
- Camera and Electrical Department
- Director
Ellen Kuras was born on 10 July 1959 in New Jersey, USA. She is a cinematographer and director, known for Eternal Sunshine of the Spotless Mind (2004), The Betrayal (2008) and P.O.V. (1988).- Cinematographer
- Camera and Electrical Department
- Producer
Giorgos Arvanitis was born on 22 February 1941 in Dilofo, Kozani, Greece. He is a cinematographer and producer, known for The Swamp (1973), Such a Long Absence (1985) and Sti skia tou fovou (1988).- Cinematographer
- Camera and Electrical Department
- Editor
David Tattersall is well-known as a versatile cinematographer who frequently collaborates with top directors. An expert in both film and digital photography, David is passionate about his art, and is equally at home on feature films and television series in all genres, from big-budget blockbusters to thrillers, sci-fi fantasy, drama, action, comedy, and small intimate romances. His extensive international experience includes work on five continents in more than 20 countries.
Tattersall has worked on studio, independent, and streaming films. As cinematographer for director George Lucas, he worked on the Star Wars prequel Episodes I, II, and III: The Phantom Menace, Attack of the Clones, and Revenge of the Sith. His features with Frank Darabont include the Oscar®-nominated drama The Green Mile and the romantic drama The Majestic. With filmmaker Martin Campbell, Tattersall served as cinematographer on The Foreigner and Vertical Limit.
Tattersall's credits as DP are substantial, including films such as: the Netflix film Death Note for Adam Wingard; the James Bond film, Die Another Day; Con Air; Tomb Raider II; Speed Racer; Romeo and Juliet; Journey 2: The Mysterious Island; The Matador; The Longest Ride; The Day the Earth Stood Still; and Tooth Fairy.
His work in television has been outstanding, as seen the Robert Kirkman TV series Outcast and his work with television productions: The Young Indiana Jones Chronicles (for which he received a nomination for an Emmy and the American Society of Cinematographers Award); the pilot episode for the AMC series The Walking Dead; and the TNT series, Mob City.
A member of the British Society of Cinematographers, David received a first class BA in Fine Arts from Goldsmiths College, University of London, then studied at Britain's National Film and Television School. His student films were highly regarded, including King's Christmas, which was nominated for the BAFTA Best Short in 1987; and Metropolis Apocalypse, which was shown at Cannes in 1988. Tattersall has lived in the U.S. for twenty years, and resides in California. He is a member of The Academy of Motion Picture Arts and Sciences.- Cinematographer
- Camera and Electrical Department
- Director
- Cinematographer
- Camera and Electrical Department
- Director
Alain Marcoen is known for The Kid with a Bike (2011), The Child (2005) and L'âge de raison, le cinéma des frères Dardenne (2013).- Cinematographer
- Cinematographer
- Camera and Electrical Department
- Director
Bogumil Godfrejów was born on 11 June 1976 in Kraków, Malopolskie, Poland. He is a cinematographer and director, known for Z odzysku (2006), Lichter (2003) and Tales of Mexico (2016)."Claire"- Cinematographer
- Producer
- Director
- Camera and Electrical Department
- Second Unit Director or Assistant Director
- Additional Crew
Piotr Szczepanski was born on 24 October 1975 in Lódz, Lódzkie, Poland. He is an assistant director, known for Generacja CKOD (2004), Aleja gówniarzy (2007) and DOM/Lodz (2017)."Q"- Cinematographer
- Camera and Electrical Department
Jens Schlosser was born on 1 December 1954. He is a cinematographer, known for The Salvation (2014), The King Is Alive (2000) and The One and Only (1999).- Cinematographer
- Camera and Electrical Department
Eeva Fleig was born on 5 November 1964 in Zürich, Switzerland. She is a cinematographer, known for Blaumacher (2017), Man from Beirut (2019) and Kleingeld (1999).