10 Best Hitchcock Villains

by anthonydavidmitchell-761-923246 | created - 11 Aug 2013 | updated - 11 Aug 2013 | Public

1. Robert Walker

Actor | Strangers on a Train

He possessed the same special brand of rebel/misfit sensitivity and charm that made superstars out of John Garfield and (later) James Dean and Montgomery Clift. In the war-torn 1940s, Robert Walker represented MGM's fresh, instinctive breed of up-and-coming talent. His boyish good looks combined ...

As Bruno Antony, Walker shines. He is fun, creepy, murderous and yet somehow manages to redeem himself a bit at least at a party where he pretends to choke a woman. He sets the plot in motion and drives the whole movie from start to finish.

2. Anthony Perkins

Actor | Psycho

Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & ...

Perkins' role as Norman Bates has become an icon in movies. While Norman is a murderer, his mother is actually the cause of his psychotic tendencies. Greatly twisted and yet still charming, this Hitchcock villain could stand up to any other villain.

3. Ray Milland

Actor | The Lost Weekend

Ray Milland became one of Paramount's most bankable and durable stars, under contract from 1934 to 1948, yet little in his early life suggested a career as a motion picture actor.

Milland was born Alfred Reginald Jones in the Welsh town of Neath, Glamorgan, to Elizabeth Annie (Truscott) and Alfred ...

Tony Wendice is charming, precise, cunning, intelligent and witty. How he doesn't get away with his plan could only happen in the movies. He could have definitely gotten away with it if not for not Swann's bungling efforts. Once again the perfect murder scenario is played out by the master.

4. John Dall

Actor | Rope

John Dall was born John Dall Thompson on May 26, 1920, the younger son of Mr. Charles Jenner Thompson and Mrs. Henry (née Worthington) Thompson. He made his Broadway debut in Norman Krasna's comedy, 'Dear Ruth', directed by Moss Hart, in 1944. The show was a hit, running for over a year and a half ...

Together with his friend Phillip, Brandon intends to host a party for their other friend who they have killed with a rope and stuffed in a box. Brandon is cunning and way too comfortable having just killed his classmate while Phillip is falling apart. The fact that the more normal friend is falling apart helps show just how wicked Brandon is. Love his dialogue.

5. Barry Foster

Actor | Frenzy

John Barry Foster's acting career began and ended on the stage. At the age of 20 he won a scholarship to the Central School of Speech and Drama where he befriended future playwright Harold Pinter. After two years training, Barry went on tour with Andrew McMaster and fellow actors Patrick Magee and ...

Robert Rusk kills women with a necktie. There's really no more to be said.

6. Raymond Burr

Actor | Rear Window

Born Raymond William Stacy Burr on May 21, 1917 in New Westminster, British Columbia, he spent most of his early life traveling. As a youngster, his father moved his family to China, where the elder Burr worked as a trade agent. When the family returned to Canada, Raymond's parents separated. He ...

Lars Thorwald is very different from most Hitchcock villains. We definitely see him much more than we hear him. But he gives a brooding appearance that is no less than frightening. Especially when you're a one-legged Jimmy Stewart with nothing more than a camera for protection against this hulking menace.

7. George Curzon

Actor | Lorna Doone

George Curzon was born on October 18, 1898 in Amersham, Buckinghamshire, England, UK. He was an actor, known for Lorna Doone (1934), Sexton Blake and the Bearded Doctor (1935) and Q Planes (1939). He was married to Jane Fergus and Louise Merrill Stone. He died on May 10, 1976 in London, England, UK.

This villain, called "The Guy" is creepier because we never really known his identity. He bangs drums while wearing black face and his twitching gets to him. His scene at the end is a must see for any Hitchcock fan, showing the villain falling apart before our very eyes.

8. Charles Laughton

Actor | Witness for the Prosecution

Charles Laughton was born in Scarborough, Yorkshire, England, to Eliza (Conlon) and Robert Laughton, hotel keepers of Irish and English descent, respectively. He was educated at Stonyhurst (a highly esteemed Jesuit college in England) and at the Royal Academy of Dramatic Art (received gold medal). ...

Sir Humphrey leaps off the screen in this movie. Of many of Hitchcock's earlier works, I'd say Jamaica Inn is definitely more worth seeing because of Laughton's performance. He is anything but one-dimensional in the film. Complex villains are always more interesting and Sir Humphrey is definitely that.

9. Peter Lorre

Actor | M - Eine Stadt sucht einen Mörder

Peter Lorre was born László Löwenstein in Rózsahegy in the Slovak area of the Austro-Hungarian Empire, the son of Hungarian Jewish parents. He learned both Hungarian and German languages from birth, and was educated in elementary and secondary schools in the Austria-Hungary capitol Vienna, but did ...

Lore's Abbott in The Man Who Knew Too Much is not his finest work as he was not yet at the height of his talent, but he is so hard to look away from on the screen. His presence is always unforgettable and I had to mention him here.

10. Anthony Dawson

Actor | Dial M for Murder

Long-faced, emaciated-looking character actor with a thin mustache and an impeccable English accent, Anthony Dawson was typecast in a variety of villainous roles in the 1950s and 1960s.

He was born Anthony Douglas Gillon Dawson in Edinburgh, Scotland, to Ida Violet (Kittel) and Eric Francis Dawson. ...

As Captain Lesgate(Swan), Dawson truly shines. Even though he is anything but successful, I have to say that seeing two Hitchcock villains in the room planning out their crime at the same time is truly memorable. It is one of my favorite scenes from any of his films. Even when he fouls up the murder, Dawson is a pleasure to watch.



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