BMW: The Hire Series Production Details

Director: John Frankenheimer Writer: Andrew Kevin Walker Co-Executive Producer: David Fincher Producers: Aristides McGarry, Robyn Boardman Driver: Clive Owen Passenger: Tomas Milian Cinematographer: Newton Thomas Sigel ASC Production Designer: Michael Hanan Film Editor: Robert Duffy Creative Consultants: David Carter, Joe Sweet, Bruce Blidsten Bel Media Creative Consultant: David Van Eyssen Costume Designer: May Routh Production VFX Supervisors: Andy Hardaway, Jon Keeton Casting: Lisa Fields CSA, Denise Chamian CSA 1st Assistant Director: Jim Sbardellati 2nd Assistant Director: Peter Merwin Supervising Stunt Coordinator: Chuck Picerni Jr Assistant Stunt Coordinator: Frank Garbutt Art Director: Jay Vetter "A" Camera Operator: Billy Brao 1st Assistant "A" Camera: Steven Reissner 1st Assistant "A" & "B" Camera: Brian Nordheim 2nd Assistant "A" Camera: Kara Stevens "A" Camera Loader: Tony Muller 1st Assistant "B" Camera: Todd McCullen 2nd Assistant "B" Camera: Stuart Campbell "B" Camera Loader: Bryce Gubler Chief Lighting Technician: Tony Nako Key Grip: Joe Dianda Best Boy Grip: Bob Anzures Prop Master: Dutch Merrick Production Special Effects Foreman: Rich Helmer Post Prod Supervisors: Lisa English, Tom Murov Storyboard Artists: Rusty Dumas, Chris Glass, Phillip Collot Loc. Managers: Michael John Griffin, Ron Carr Assistant LMs: Ken Campbell, John Marello Project Coordinator: Tapas Blank Production Supervisor: Betsy Kelley Assistant Production Supervisor: Pamela Grimer C2 High Speed Camera Car Op: Allan Padelford Radium Visual Effects Producer: Carla Attanasio Radium Dig. Artists: Chris Jones, Scott Harris, Rob Hubbard Executive Producer: David Glean 1st Assistant Editor: Ben Darling Supervising Sound Editor: Ren Klyce Re-Recording Mixer: Loren Silber Sight Effects Telecine Artist: Mike Cosola Cameras: Arriflex 435, Panaflex Millennium & Platinum (35mm Kodak Vision 800T 5289) Lenses: Panavision Primo Spherical Primes AR: 2.35:1 (3-Perf Super 35mm) Visual Effects Provided by: Radium Telecine Provided by: Sight Effects Attribute: Filmed with Panavision Cameras & Lenses

Director: Ang Lee Writer & Creative Consultant: David Carter Executive Producer: David Fincher Producers: Robyn Boardman, Aristides McGarry Driver: Clive Owen Passenger: Mason Lee Cinematographer & "A" Cam Op: Fred Elmes ASC Production Designer: Jane Musky Film Editor: Tim Squyres ACE Composer: Mychael Danna Creative Consultants: Joe Sweet, Bruce Blidsten Bel Media Creative Consultant: Dave Van Eyssen Costume Designer: Kasia Walicka Maimone Production VFX Supervisors: Andy Hardaway, Jon Keeton Line Producer: Mary Ann Marino 1st Assistant Director: Glen Trotiner 2nd Assistant Director: Dean Garvin Set Decorator: Jackie Canto Key Hair & Make-Up Lead: Gina Monaci "A" 1st Assistant Camera: Tom Bracone "A" 2nd Assistant Camera: Phill Duttin "A" Camera Loader: Scott Maguire "B" Camera Operator: Tom Haughton 2nd Assistant "B" Camera: Mike Garafolo "B" Camera Loader: Bob DiGiacomo Stunt Coordinator: Cort Hessler Stunt Driver: Bill Anagnos Gaffer: Jonathan Lumley Prop Master: Octavio Molina Production Special FX Supervisor: John Ottesen Storyboard Artist: Christopher Glass Art Department Coordinator: Talia Mendillo Sup. Location Managers: Mike Ryan, Mike King Assistant Location Manager: Eryka Semona Project Coordinator: Tapas Blank Production Supervisor: Don Anderson Production Coordinator: Payal Surana Assistant Production Coordinator: Claudia Guerra Key Set Production Assistant: Eddie Micaellef Picture Car Coordinator: Gino Lucci Radium Visual Effects Producer: Carla Attanasio Radium Dig. Artists: Chris Jones, Tristan Tang, Rob Hubbard, Matthew Hendershot 1st Assistant Editor: Jamie Kirkpatrick Supervising Sound Editor: Eugene Gaerty Supervising Foley Editor: George Lara Re-Recording Mixer: Reilly Steele Sight Effects Telecine Artist: Mike Cosola Cameras: Arriflex 435 & Panaflex Platinum (35mm Kodak Vision 500T 5279 & 800T 5289) Lenses: Panavision Primo Spherical Primes AR: 2.35:1 (3-Perf Super 35mm) Visual Effects Provided by: Radium Telecine Provided by: Sight Effects Attribute: Filmed with Panavision Cameras & Lenses

Director: Wong Kar-Wai Writer: Andrew Kevin Walker Producers: Aristides McGarry, RobertBuys Driver: Clive Owen Husband: Mickey Rourke Wife: Adriana Lima The Employer: Forest Whitaker Cinematographer: Harris Savides ASC Production Designer-Film Editor: William Chang Art Director: Martin Whist Creative Consultants: David Carter, Joe Sweet, Bruce Blidsten Bel Media Creative Consultant: David Van Eyssen Producer, HK Unit: Jacky Pang Yee-Wah Costume Designer: April Napier Production VFX Supervisors: Andy Hardaway, Jon Keeton Casting: Lisa Fields CSA, Denise Chamian CSA 1st Assistant Director: Craig Pinckes 2nd Assistant Director: John Elmore 2nd 2nd Assistant Director: Robert Kay Set Decorator: Cynthia McCormac Key Hair & Make-Up Lead: Gina Monaci Key Costumer: Christina Blackaller Steadicam Operator: Andy Shuttleworth "A" 1st Assistant Camera: Chris Blauvelt "A" 2nd Assistant Camera: Hector Rodriguez "A" Camera Loader: Alice Gu 1st Assistant "B" Camera: Helen Cho "B" Camera Loader: Mario Signore Stunt Coordinator: Chuck Picerni Jr Gaffer: Chris Strong Key Grip: Chris Centrella Supervising Prop Master: Jeffrey Bellamy 1st Assistant Props Lead: Rod Stoick Storyboard Artists: Rusty Damas, Chris Glass Art Department Coordinator: Andrea Zuckerman Super. Location Manager: Michael John Griffin Production Location Scout: Terry Guste Project Coordinator: Tapas Blank Production Supervisor: Betsy Kelley Assistant Production Supervisor: Pamela Griner Assist Production Coordinator: Mary Livingston Executive Producer: David Fincher Radium Dig. Artists: Kristin Johnson, Chris Jones Radium Visual Effects Producer: Carla Attanasio Post-Production Coordinator: Macy Lo Mei See Composer - "Unicornio": Silvio Rodriguez Score Arrangers & Producers: Joel Goodman, Jeff Rona Sight Effects Telecine Artist: Mike Cosola Sound Designer: Claude Letessier Cameras: Arriflex 435, Panaflex Millennium & Platinum (35mm Kodak Vision 320T 5277, 500T 5279 & 800T 5289) Lenses: Panavision Primo Spherical Primes AR: 2.35:1 (3-Perf Super 35mm) Visual Effects Provided by: Radium Telecine Provided by: Sight Effects Attribute: Filmed with Panavision Cameras & Lenses

Director & Writer: Guy Ritchie Writer & Creative Consultant: Joe Sweet Producers: Aristides McGarry, Robyn Boardman Driver: Clive Owen Cinematographer: Chris Soos CSC Production Designer: Dominic Watkins Film Editor: Thomas Muldoon Creative Consultants: Bruce Blidsten, Davi Carter Bel Media Creative Consultant: David Van Eyssen Costume Designer: Arianne Phillips Production VFX Supervisors: Andy Hardaway, Jon Keeton Line Producer: Tony McGarry 1st Assistant Director: Peter Kohn 2nd Assistant Director: Steve Beaupre 2nd 2nd Assistant Director: Ryan Craig Set Decorator: Fainche MacCarthy Key Hair & Make-Up Lead: Gina Monaci "A" 1st Assistant Camera: Andy Hallbach "A" 2nd Assistant Camera: Hector Rodriguez "A" Camera Loader: Robyn Link 1st Assistant "B" Camera: Barry Berona 2nd Assistant "B" Camera: Lorna Leslie Stunt Coordinator: Chuck Picerni Jr Stunt Driver: Troy Gilbert Gaffer: Joey Brown Key Grip: Bill Buckingham High-Speed Camera Car Driver: Allan Padelford Prop Master: Brian Jacobson Storyboard Artist: Rusty Damas Art Department Coordinator: Barb Wansbrough Supervising Location Manager: Rob Gregory Assistant Location Manager: Ken Von Schlegell Project Coordinator: Tapas Blank Production Supervisor: Gina Regis Assistant Production Supervisor: Andrew Wilson Project Assistant: Kyle Ham Key Set Production Assistant: Gregg Kawecki Radium Digital Artist: Mark Holmes Radium Visual FX Producer: Anastacia Feldman Producer - "Song 2": Steven Street Composer - Opening Music: Klaus Badelt Executive Producer: Nicole Dionne 1st Assistant Editor: Matt Eunlap Supervising Sound Editor: Francois Blaignon Sight Effects Telecine Artist: Mike Cosola Cameras: Arriflex 435 & Panaflex Millennium (35mm Kodak Vision Expression 500T 5384) Lenses: Panavision Primo Spherical Primes AR: 2.35:1 (3-Perf Super 35mm) Visual Effects Provided by: Radium Telecine Provided by: Sight Effects Attribute: Filmed with Panavision Cameras & Lenses

Director-Writer-Film Editor: Alejandro G. Iñárritu Creative Consultant & Co-Writer: David Carter Writer: Guillermo Arriaga Producers: Robyn Boardman, Aristides McGarry, Tapas Blank Driver: Clive Owen War Photographer: Stellan Skarsgård Cinematographer & "A" Cam Op: Bob Richardson ASC Production Designer: Brigitte Broch Film Editors: Luis Cavallar, Gabriel Rodriguez 1st Assistant Editor: Juan Antonio Morales Creative Consultants: Joe Sweet, Bruce Blidsten Bel Media Creative Consultant: Dave Van Eyssen Costume Designer: Gabriela Diaque Composer: Harry Gregson-Williams Music Supervisor: Lynn Fainchtien Exec Producers: Dave Morrison, Pelayo Gutierrez Line Producer: Angelica De Leon 1st Assistant Directors: Miguel Lima, Ziv Gidron Set Decorator: Maria Jose Pizarro Key Hair & Make-Up Lead: Regina Reyes "A" 1st Assistant Camera: Gregor Tavenner "A" Camera Loader: Ricardo Ruiz "B" Camera Operator: Joaquin Cervera 2nd Assistant "B" Camera: Constantino Jimenez "B" Camera Loader: Ricardo Zamora "C" Camera Operator: Luis David Sansans AMC 2nd Asst. "C" Cam & 2nd Unit "A" 1st AC: Israel Orozco "C" Camera Loader: Trinidad Vidal "D" Camera Loader: Ruben Gonzalez 2nd Unit "A" Camera Operator: Fede Barbarosa 2nd Unit "A" Camera Loader: Guillermo Vidal Stunt Coordinators: Steve Kelso, Javier Lambert Gaffer: Joaquin Medina Key Grip: Christopher Centrella Supervising Prop Master: Hugo Reyes Assistant Props Lead: Guillermo Granados Production SPFX Supervisor: Alejandro Vasquez Storyboard Artist: Fernando Valladolid Art Department Coordinator: Irma Avila Supervising LM-Prod Coordinator: Gloria Lozano Production Supervisor: Fernando Menendez Assist Production Coordinator: Adriana Moreno Unit Manager: Eduardo Trejo Picture Car Coordinator: Edgar Chivata Lezama Post Producer & Prod Supervisor: Edith Sanchez Post-Production Assistant: Sergio Cortez Sight Effects Telecine Artist: Mike Cosola Camera: Arriflex 16 SR3 (16mm Kodak Vision Expression 500T 7284) Lenses: Angenieux HR 16mm Zooms AR: 1.85:1 (Super 16mm) Visual Effects & Telecine Provided by: Sight Effects & Radium Attribute: Filmed with Arri 16mm

Director: John Woo Original Concept Creator: David Fincher EPs: Tony Scott, Ridley Scott, Jules Daly Writers & Creative Consultants: David Carter, Greg Hahn Writer: Vincent Ngo Driver: Clive Owen Co-Exec Producers: Phil Steuer, Brian Di Lorenzo Producer: Tony McGarry Co-Producer & 1st AD: Arthur Anderson Composer: Steve Jablonsky Cinematographer: Jeffrey Kimball ASC Film Editors: Angus Wall ACE, Jeff Gullo Production Design Supervisor: Deborah Evans Costume Design Supervisor: Kim Bowen Creative Consultants: Bruce Blidsten, Kevin Flatt, David Lubars, Mark Sitley Skip Film Title Design Supervisor: Tom Riddle Title Design Provided by: Skip Film 2nd Assistant Director: Jamie Marshall Stunt Coordinator: Gregg Smrz Double-Clive Owen & Stunt Driver: Cory Eubanks Prod Supervisors: Adam Zimmerman, Jen Wall Post Production Supervisor: Bob Wendt Art Director: Adam Lustig Set Decorator: Phoebe Neil Supervising Location Manager: Michael Griffin "A" Cam Op - Main & Underwater Units: Ian Fox "B" Camera Operator: Leo J. Napolitano Steadicam & "A" Camera Op: Greg Lundsgaard "A" 1st Assistant Camera: Bob Heine, Peter Lee "B" 1st Assistant Camera: Kenny Nashino "C" 1st Assistant Camera: John Walker "D" 1st Assistant Camera: Mike Weldon "A" 2nd Assistant Camera: Shawn Landes "B" 2nd Assistant Camera: Lynda Wu, Dale White Camera Loader: Paul Tilden Exec. in Charge of Production: Marjie Abrahams Assistant Production Supervisor: Kyle Davis 2nd Assistant Prod Supervisor: Rebecca Donaghe Talent Supervisor: Jennifer Fullwood Gaffer: Dan Delgado Art Department Coordinator: Jennifer Ritchey Supervising Prop Master: Don Miloyevich Assistant Prop Master: Chris Langevin Production Special Effects Supervisor: Phil Cory SWATV Technical Advisor: Jim Dever 2nd 2nd Assistant Director: Thomas Coe Assistant Location Manager: Jack Robinson 1st Assist Editors: Dave Anderson, Ray Boniker 2nd Assistant Editor: Clark Campbell 1st Apprentice Editor: Tony Chiu CO3 Sr Telecine Colorist: Stefan Sonnenfeld ASC CO3 Assistant Telecine Colorist: Shane Harris CP, H Producer: Steve Rundell CP, H Fire Artist: Ron Barr CP, H Graphs Prod Artists: Everette Webber, Kenney Kimble Supervising Sound Editor: Mark Stoeckinger Sr. Sound Editor, MPSE: Alan Rankin Sound Editor #1: Randy Kelly Sound Editor #2: Bryan Bowen ADR Supervisor: Paul Carden Production Dialogue Editor: Kelly Oxford Field Recordist #1: Mark Ormandy Field Recordist #2: Peter Zinda 4th Executive Producer: Darlene Gorzela Production Manager: Amanda Wyatt Re-Recording Mixer #1: David Fluhr Re-Recording Mixer #2: Chris Minkler Camera: Panaflex Millennium (35mm Kodak Vision 500T 5279) Lenses: Panavision Primo SL Primes, SLZ 17.5-75mm Zoom, SLZ11 24-275mm Zoom & SLZ3 Hubble 135-420mm Zoom AR: 2.35:1 (4-Perf Super 35mm) Telecine & Scanning Provided by: Company 3 2K Conforming, Graphics Production & Laser Film Recording Provided by: Complete Post, Hollywood Filmed on: Kodak Motion Picture Film Attribute: Filmed with Panavision Cameras & Lenses

Director & Writer: Joe Carnahan Original Concept Creator: David Fincher Story Writer: Joe Sweet EPs: Tony Scott, Ridley Scott, Jules Daly Co-Exec Producers: Phil Steuer, Brian DiLorenzo Producer: Leon Corcos Music Score Composer & Producer: Clint Mansell Cinematographer: Mauro Fiore ASC Supervising Sound Design Editor: Mark Mangini Film Editor: John Gilroy ACE Production Design Supervisor: Missy Stewart Costume Design Supervisor: Chris Ayista 1st Assistant Director: Bryan Altham 2nd Assistant Director: Eddie Nichols 2nd 2nd Assistant Director: Johnny Mmahat 2nd Unit Director of Photog: Larry Blanford ASC A Camera Operator: Peter Rosenfeld 1st Assistant A Camera: Barry Berona, Paul Bode 1st Assistant B Camera: Emil Hampton 2nd Assistant A Camera: Dominic Aluisi 2nd Assistant B Camera: Xiomara Comrie 2nd Assistant C Camera: Christian Evans A Camera Loader: Ryan Brown Gaffer: Mike Bauman Production Supervisor: Jonas Dolkart Assistant Production Supervisor: Marc Longberg 2nd Assistant Prod Supervisor: Michael Perman Associate Producer: Teddy Knutson Executive Business Manager: Vicki Oachs Post Production Supervisor: Bob Wendt 1st Assistant Editor: Aaron Marshall Location Managers: Lee Cranfield, Linda Eamons Key Make-Up Artist: Gina Monaci Set Decorators: Dean Backer, Rich Baum Prop Master: John Ornelas Production SPFX Supervisor: Jefferson Wagner Stunt Coordinator: Steve Kelso Exec. in Charge of Production: Marjie Abrahams Re-Recording Mixer: Gary Rydstrom 4th Exec Producers: Skip Chaisson, Kim J. Toeg Senior Finishing Colorist: Stefan Sonnenfeld ASC CO3 Assistant Finishing Colorist: Shane Harris CO3 Finishing Producer: Thatcher Peterson Asylum Sr VFX Supervisor: Nathan McGuinness Asylum VFX Supervisors: Mitch Drain, David MV Jones Asylum EPs: Emma McGuinness, David Hofflich Asylum Visual Effects Producer: Darcie Tang Asylum Inferno Artist: Phil Brennan Asylum CGI Producer: Jeff Werner Asylum 2D Artist: Brandon Criswell Asylum Designer: Simon Cassells Asylum Matte Painter: Tim Clark Cameras: Arriflex 35-III, 435 & Panaflex Platinum (35mm Kodak Vision 500T 5279, 800T 5289 & Ektachrome 100D 5285) Lenses: Panavision® Primo SL Primes, SLZ 4:1 17.5-75mm Zoom, SLZ11 24-275mm Zoom & SLZ3 Hubble 135-420mm Zoom AR: 2.35:1 (Multivision 235) Digital Finishing Transfer Provided by: Company 3 Digital Visual Effects Provided by: Asylum Filmed on: Kodak Motion Picture Film Attribute: Filmed with Panavision® Cameras & Lenses

Director & Executive Producer: Tony Scott Original Concept Creator: David Fincher Executive Producers: Ridley Scott, Jules Daly Writers: David Carter, Vincent Ngo, Greg Hahn Driver: Clive Owen Devil: Gary Oldman Co-Exec Producers: Phil Steuer, Brian Di Lorenzo Producer: David Mitchell Composer: Harry Gregson-Williams Cinematographer: Paul Cameron ASC Film Editor: Skip Chaisson Production Design Supervisor: Ken Davis Costume Design Supervisor: Louise Frogley 1st Assistant Director: John Wildermuth 2nd Assistant Director: Frank Kostenko Stunt Coordinator: Chuck Picerni Jr Production Supervisor: Ralph Mohammed Post Production Supervisor: Bob Wendt Post Production Manager: Kate Talbott Art Director: Shepherd Frankel Set Decorator: Cindy Slagter Location Manager: John Silverman Key Make-Up Artists: Ellen Wong, Gina Monaci Aerial Unit Director of Photog: Dave Nowell ASC A Camera Operator: Martin Schaer B Camera Operator: Peter Gulla Steadicam Operator: Andrew Rowlands SOC A 1st Assistant Camera: Don Burghardt B 1st Assistant Camera: Jack Ellingwood A 2nd Assistant Camera: Joe Martinez B 2nd Assistant Camera: Brett Gates Camera Loader: Ian Clampett SOC Sound Lead (LA): Daniel Kent Sound Lead (LV): Crew Chamberlain Boom Operator (LA): Yvette Garfield Boom Operator (LV): Mary Dixie Kirkpatrick Exec. in Charge of Production: Marjie Abrahams Associate Producer: Teddy Knutson Executive Business Manager: Vicki Oachs Assistant Production Supervisor: David Bernstein Talent & Travel Coordinator: Jana Belknap 2nd Assistant Prod Supervisor: Nicole Freeman Gaffer: Phil Walker Supervising Prop Master: Mychael Bates Production Special FX Coordinator: John Hartigan Aerial Unit Helicopter Pilot: Alan Purwin Senior Telecine Colorist: Stefan Sonnenfeld ASC CO3 Assistant Telecine Colorist: Shane Harris CO3 Telecine Producer: Thatcher Peterson Asylum Sr VFX Supervisor: Nathan McGuinness Asylum EPs: Emma McGuinness, David Hofflich Asylum Producer: Darcie Tang Cameras: Arriflex 35-IIC, 435 ES, Panaflex XL & Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 200T 5274/Expression 500T 5284/Ektachrome 100D 5285) Lenses: Panavision Primo SL Primes, SLZ11 24-275mm Zoom, SLZ3 Hubble 135-420mm Zoom & Ultra Speed MKII SL Primes AR: 1.85:1 (4-Perf Super 35mm) Telecine & Scanning Provided by: Company 3 Score Mixed at: Media Ventures, Santa Monica, CA Filmed on: Kodak Attribute: Filmed in Panavision

Director & Writer: Neill Blomkamp Director-Director of Photography (BTS): Patrick Pierson Writer & Creative Director: David Carter Producer & Managing Director: Eric Stern Producers: Aristides McGarry, Brian Di Lorenzo EP & Creative Director: Bruce Blidsten Executive Producer: Steve Golin Driver: Clive Owen Cinematographer: Manoel Ferreira Production Designer: Gerald Sullivan Production Designer (Toronto): Francois Jordaan Supervising Film Editor: Angus Wall ACE Film Editors: Julian Clarke ACE, Austyn Daines, Devin Mauer Composer: Kristopher Pooley Costume Designer: Susan Matheson Original Concept Creator: David Fincher AC Executive Producer: Sue Ellen Clair AC Head of Production: Kerry Haynie AC Production Supervisor: Sara D'Alessio AC Production Coordinator: Jenn A. Duffy GP Sr. Integrated Producer: Adam Davis GP Integrated Producer: Patrick O'Brien 1st Assistant Director: Andrew Robinson 2nd Assistant Director: Aric Dupere 3rd Assistant Director: Rob Gardiner 4th Assistant Director: Daniel Redenbach Action Supervisor-2nd Unit Director: Guy Norris Stunt Coordinator: Randy Buchter Tactical Advisor: Shawn Hamilton Aerial Unit Coordinator #1: Shelly Cook Aerial Unit Coordinator #2: Cam Harrod Post Producer: Victoria Burkhart Production Visual FX Supervisor: Chris Harvey Executive Producer, Toronto: Carlo Trulli Line Producer, Toronto: Trudy Turner Bidding Producer, Toronto: Chris Boddy Production Manager, Toronto: Alan Kuipers Unit Manager, Toronto: Kosta Orfandis Assist Production Manager, Toronto: Mary Naylor Talent Coordinator, Toronto: Rebecca Young Set Decorator, Toronto: Chris Bernard Prop Master, Toronto: Deb Topping 2nd Prop Master, Toronto: Dylan Madden CG Artist, Toronto: Emma Stansaas Illustrator, Toronto: James Oxford Storyboard Artist, Toronto: Brent Boates A Camera Operator, Toronto: Eric Gerard B Camera Operator, Toronto: Mike Pesut Aerial Unit A Cam Operator, Toronto: Mike Darby Steadicam Operator, Toronto: Lohengrin Zapiain A 1st Assistant Camera, Toronto: Marc Peirce B 1st Assistant Camera, Toronto: Mike Dawson Aerial Unit A 1st AC, Toronto: Adam Quinn Steadicam 1st Asst Camera, Toronto: Lainie Knox C 1st Assistant Camera, Toronto: Joseph Chan A 2nd Assistant Camera, Toronto: Alex Da Metto B 2nd Assistant Camera, Toronto: Fraser Collins Aerial Unit A 2nd AC, Toronto: Max Armstrong Steadicam 2nd AC, Toronto: Atli Magnusson C 2nd Assist Camera, Toronto: Jacques Branch Camera Trainee, Toronto: Brandon Viera Digital Imaging Technician, Toronto: Randy Perry VFX Data Wrangler, Toronto: Matthew Swiderski 2nd Pilot, Toronto: Ron Derks Drone Unit Pilots, Toronto: Mike Reid, Rob Turi Drone Unit A Camera Op, Toronto: Ed Senkowski Post Prod Coord - VAN Editorial: Clare McShane 1st Assistant Editor - VAN Editorial: Gary Lam Additional Film Editor - VAN Editorial: Ozan Biron Night Shift 1st AE - VAN Editorial: Ty Gibson VFX Compositor - VAN Editorial: Sam Johnston Managing Director - LA Editorial: Linda Carlson Film Editor - LA Editorial: Devin Maurer 1st Assist Editor - LA Editorial: Sebastian Zotoff 2nd Assistant Editor - LA Editorial: Martin Hsieh Executive Producer - LA Editorial: Helena Lee Producer - LA Editorial: Dina Ciccotello Gaffer: Jon Garland Edge Driver: Donny Bailey Edge Crane Operator: Kyle Padelford Edge Technician: Pat Redmond Supervising Location Manager: Bill Dawe Production SPFX Supervisor: Cameron Waldbauer Special FX Shop Supervisor: Andrew Sculthorp On Set Lead - Special Effects: Brad Zehr Lead Rigger - Special Effects: Ian Binnie Office Coordinator-SFX (Toronto): Jim McGillivary Office Coordinator - SPFX (VAN): Nicole Connelly Production Special FX Technician: Dan Gibson Picture Vehicle Coordinator: Marco Sousa Lead Car Prep Technician: Angel Alvarado Car Prep Technician: Angel Rodriguez Safety Coordinator: Yan Regis Re-Recording Mixer: Mark Mangini Dolby Sound Consultant: Jim Wright Embassy VFX HOCP: David Casey Embassy VFX Supervisor: Michael Blackbourn Embassy VFX EP: Winston Helgason Embassy VFX Producer: Danielle Kinsey Embassy VFX Project Manager: Annie-Claude LaPierre Embassy VFX Asset Lead: Paul Copeland DI Finishing Colorist: Stefan Sonnenfeld ASC Executive Finishing Producer: Rhubie Jovanov Dedicated to: Tony Scott, John Frankenheimer, Pat Fallon Camera: Red Epic Dragon (6K Redcode RAW) Lenses: Panavision Primo SL Primes, C-, E-, G-Series AL Primes, Anamorphic Telephoto 70-200mm Zoom & Anamorphic Wide-Angle 2:1 40-80mm Zoom AR: 2.39:1 (Anamorphic & Super 35mm) Visual Effects Provided by: The Embassy VFX Digital Intermediate Finishing Provided by: Company 3 Attribute: Filmed in Panavision