Eli Roth turned adapting the video game “Borderlands” into a mini film school for its young star Ariana Greenblatt.
Roth had Oscar winners Cate Blanchett and Jamie Lee Curtis at his disposal in the space-set sci-fi adventure film, but it was “Barbie” breakout Greenblatt (also of “65” and “In the Heights”) who he says stole the feature. Roth called Greenblatt’s performance in his new film reminiscent of Natalie Portman’s turn in Luc Besson’s controversial crime thriller “Leon: The Professional.”
Pretty good company there.
As it turns out, “Leon: The Professional” is one of Greenblatt’s faves. The young actress (16 now, 13 when she auditioned for “Borderlands,” actually has quite the film palate considering her age. Especially now.
Roth assigned Greenblatt “My Dinner with Andre” to prepare for her “Borderlands” role — “just to fuck with her,” he added. But she dutifully watched it — and as Roth recalled, Greenblatt really dug “the dessert scene.
Roth had Oscar winners Cate Blanchett and Jamie Lee Curtis at his disposal in the space-set sci-fi adventure film, but it was “Barbie” breakout Greenblatt (also of “65” and “In the Heights”) who he says stole the feature. Roth called Greenblatt’s performance in his new film reminiscent of Natalie Portman’s turn in Luc Besson’s controversial crime thriller “Leon: The Professional.”
Pretty good company there.
As it turns out, “Leon: The Professional” is one of Greenblatt’s faves. The young actress (16 now, 13 when she auditioned for “Borderlands,” actually has quite the film palate considering her age. Especially now.
Roth assigned Greenblatt “My Dinner with Andre” to prepare for her “Borderlands” role — “just to fuck with her,” he added. But she dutifully watched it — and as Roth recalled, Greenblatt really dug “the dessert scene.
- 4/10/2024
- by Samantha Bergeson and Brian Welk
- Indiewire
Few faces have been more ubiquitous. In the early 1980s, Brooke Shields was the most famous teenager in the country, gracing magazine covers, appearing in ads, starring in movies — and generating controversy. Even before she declared that nothing came between her and her Calvins, the young star had shocked the world by portraying a 12-year-old prostitute in the 1978 film Pretty Baby. In candid interviews, the eloquent Shields details the ups and downs of life as an icon and reveals painful truths, such as postpartum depression, a sexual assault, and her loving but strained relationship with her alcoholic mother, Teri. Here are three more of many fascinating stops along the way. 1. Cameras were rolling for her first kiss. On the set of Pretty Baby, director Louis Malle was frustrated she was scrunching up her face up for her character’s first ...
- 1/8/2024
- TV Insider
Clockwise from top left: The Wicker Man (Warner Bros.), Vanilla Sky (Paramont), Oldboy (FilmDistrict), The Toy (Columbia)Image: AVClub
In Hollywood, it often seems that the sincerest form of flattery is to remake a foreign film. Domestic versions of international hits are a long-running thing in a town where familiarity assumes success,...
In Hollywood, it often seems that the sincerest form of flattery is to remake a foreign film. Domestic versions of international hits are a long-running thing in a town where familiarity assumes success,...
- 11/1/2023
- by Ian Spelling
- avclub.com
In 1866, Gustave Courbet painted The Origin of the World, a portrait of a woman’s nude torso and exposed vagina that still possesses the capacity to shock the straitlaced. On one level, the painting proves pretty definitively that there’s a fine line between a timeless work of art and a beaver shot. On another, it provides a convenient precursor for the cinematic sensibility of Spanish maverick Jess Franco, who seemingly never met a pussy he didn’t want to zoom unabashedly in on. This holds especially true for Lorna the Exorcist, wherein the female genitalia play a significant thematic as well as aesthetic role.
For what it’s worth, the film bears only the slightest passing resemblance to the William Friedkin classic that it’s ostensibly ripping off. Both films focus on a character located on the cusp between childhood and womanhood (though here she’s a bit of...
For what it’s worth, the film bears only the slightest passing resemblance to the William Friedkin classic that it’s ostensibly ripping off. Both films focus on a character located on the cusp between childhood and womanhood (though here she’s a bit of...
- 10/18/2023
- by Budd Wilkins
- Slant Magazine
Though there had been earlier efforts, like Ealing Studios’s Dead of Night from 1945, the horror anthology film came into its own in the 1960s with titles like Kobayashi Masaki’s Kwaidan and the Poe-centric Spirits of the Dead from directors Roger Vadim, Louis Malle, and Federico Fellini. Hammer Films’s rival Amicus churned out no fewer than seven of them in a 10-year period starting with Dr. Terror’s House of Horrors. But the one that really got the omnibus rolling was Mario Bava’s Black Sabbath from 1963, an Italian-American co-production that resulted in two different versions of the film.
After the success of 1960’s Black Sunday, American International Pictures took a more active hand in producing several of Bava’s later films, altering them in the process to suit American audiences that tended to skew younger. The Aip cut of Black Sabbath rearranges its three segments, tones down some...
After the success of 1960’s Black Sunday, American International Pictures took a more active hand in producing several of Bava’s later films, altering them in the process to suit American audiences that tended to skew younger. The Aip cut of Black Sabbath rearranges its three segments, tones down some...
- 10/16/2023
- by Budd Wilkins
- Slant Magazine
In “The Successor” — a provocative psychological thriller with a lot more actual psychology than the genre typically offers — Paris-based fashion designer Ellias Barnès (Marc-André Grondin) stands on the precipice of a breakthrough in his career. He’s poised to take his place as creative director of the fashion house Orsino, following the death of its eponymous founder. If this were a tale of corporate ambition (à la “Succession”), or perhaps a Roman palace intrigue, here is the moment that Ellias would assume the throne. But instead of feeling victorious, he clutches his chest. The anxiety is almost too much. And then the police arrive.
It’s taken more than a decade, but Ellias has done everything he can to distance himself from his biological father. As such, there’s an ironic perversity to the news he gets right after his stunning solo show for Orsino: His dad, Jean-Jacques, is dead,...
It’s taken more than a decade, but Ellias has done everything he can to distance himself from his biological father. As such, there’s an ironic perversity to the news he gets right after his stunning solo show for Orsino: His dad, Jean-Jacques, is dead,...
- 9/27/2023
- by Peter Debruge
- Variety Film + TV
Wes Anderson has revealed that his next feature film project will be simpler in terms of its production scale and with a more compact cast, after his ensemble works The French Dispatch and Asteroid City.
“I have a script that we wrote right before the strike… It’s simple with three characters and totally linear and it’s, I wouldn’t say traditional because it’s very weird, but it’s more straightforward,” he said.
The director teased the details in a packed masterclass at the Venice Film Festival on Saturday, which he is attending this year with his medium-length Roald Dahl adaptation, The Wonderful Story of Henry Sugar.
Hundreds of mainly young fans queued around the block to get into event at which Anderson shared his many influences from directors like Jean-Luc Godard and Louis Malle to Indian filmmaker Satyajit Ray.
(Watch) Wes Anderson fans queue for Venice masterclass #Venezia80 pic.
“I have a script that we wrote right before the strike… It’s simple with three characters and totally linear and it’s, I wouldn’t say traditional because it’s very weird, but it’s more straightforward,” he said.
The director teased the details in a packed masterclass at the Venice Film Festival on Saturday, which he is attending this year with his medium-length Roald Dahl adaptation, The Wonderful Story of Henry Sugar.
Hundreds of mainly young fans queued around the block to get into event at which Anderson shared his many influences from directors like Jean-Luc Godard and Louis Malle to Indian filmmaker Satyajit Ray.
(Watch) Wes Anderson fans queue for Venice masterclass #Venezia80 pic.
- 9/2/2023
- by Melanie Goodfellow
- Deadline Film + TV
Loretta Swit remembers well the night she won her first Emmy Award.
On Sept. 7, 1980, the “Mash” star sat in her agent’s living room in Beverly Hills, watching the ceremony on TV when she heard her name called out and saw her picture flash on the screen. Swit was not in the audience at the Pasadena Civic Auditorium that year because her union, the Screen Actors Guild, was on strike.
Swit and her fellow “Mash” troupers Alan Alda, Mike Farrell and Jamie Farr were among the most vocal and visible actors on picket lines and at press conferences when SAG initiated its first work stoppage in 20 years on July 21, 1980. The reality of her Emmy win – after seven consecutive nominations — sunk in for Swit when she suddenly got a phone call from Europe from her friend Jacqueline Bisset. “She was so excited. She said, ‘Hey, you won!’ ” Swit recalls.
Forty-three years later,...
On Sept. 7, 1980, the “Mash” star sat in her agent’s living room in Beverly Hills, watching the ceremony on TV when she heard her name called out and saw her picture flash on the screen. Swit was not in the audience at the Pasadena Civic Auditorium that year because her union, the Screen Actors Guild, was on strike.
Swit and her fellow “Mash” troupers Alan Alda, Mike Farrell and Jamie Farr were among the most vocal and visible actors on picket lines and at press conferences when SAG initiated its first work stoppage in 20 years on July 21, 1980. The reality of her Emmy win – after seven consecutive nominations — sunk in for Swit when she suddenly got a phone call from Europe from her friend Jacqueline Bisset. “She was so excited. She said, ‘Hey, you won!’ ” Swit recalls.
Forty-three years later,...
- 9/1/2023
- by Cynthia Littleton
- Variety Film + TV
The 80th annual Venice Film Festival launches on the Lido on August 30. This edition features a slew of Oscar hopefuls including Sofia Coppola’s “Priscilla,” Bradley Cooper’s “Maestro,” David Fincher’s “The Killer,” Yorgas Lanthimos’ “Poor Things” and Michael Mann’s “Ferrari.” They’re all vying for the top prize, the Golden Lion.
Seventy years ago, there were four now-classics in competition: William Wyler’s “Roman Holiday,” for which Audrey Hepburn would win Oscar, John Huston’s “Moulin Rouge,” Samuel Fuller’s “Pickup on South Street” and Vincente Minnelli’s “The Bad and the Beautiful,” which had recently picked up five Oscars. But the Golden Lion didn’t roar at the 14th edition of the international film festival.
The jury headed by future Nobel Prize laureate in literature Eugenio Montale just couldn’t decide on the best of the fest because according to the New York Times “the quality...
Seventy years ago, there were four now-classics in competition: William Wyler’s “Roman Holiday,” for which Audrey Hepburn would win Oscar, John Huston’s “Moulin Rouge,” Samuel Fuller’s “Pickup on South Street” and Vincente Minnelli’s “The Bad and the Beautiful,” which had recently picked up five Oscars. But the Golden Lion didn’t roar at the 14th edition of the international film festival.
The jury headed by future Nobel Prize laureate in literature Eugenio Montale just couldn’t decide on the best of the fest because according to the New York Times “the quality...
- 8/29/2023
- by Susan King
- Gold Derby
Above: US one sheet for Gas. Art by Robert Grossman.How much attention do you pay to title treatments? By that I mean—in case it’s not obvious—the way the title of a film appears on a poster. Title treatments can range from the simple to the spectacular, from mere type to elaborate works of art. They can range from, for example, the unadorned but authoritative Gotham Bold sans serif of Oppenheimer (2023) to Robert Grossman’s air brushed petrol hose spelling out the title of the movie Gas. Whereas the title treatment of Oppenheimer was dwarfed by the radioactive image of J. Robert and his atom bomb, the title treatment for the other cinematic sensation of the summer dwarfed its characters. In fact it was just the first letter of that title treatment, the instantly recognizable iconic B of Mattel’s ’80s Barbie logo.Title treatments matter. They set a tone.
- 8/18/2023
- MUBI
When Ryan White’s phone jolted to life the morning of July 12, buzzing with texts and calls, the filmmaker wasn’t expecting it. Yes, it was Emmy nomination day, but no, he hadn’t counted on recognition for his Netflix documentary about Pamela Anderson.
Yet there it was, in black and white on the Emmys.com website: For Outstanding Documentary or Nonfiction Special, Pamela, A Love Story, about the actress and former Playboy Playmate who swept from Canada onto television screens, magazine covers and scandal sheets in the 1990s.
“I think if you went back two and a half years or three years, whenever I first met Pamela, I think we would’ve both burst into laughter if you had told us that we were going make an Emmy-nominated film,” White says. “That was not the goal at all. And I don’t think either of us thought that was a possibility.
Yet there it was, in black and white on the Emmys.com website: For Outstanding Documentary or Nonfiction Special, Pamela, A Love Story, about the actress and former Playboy Playmate who swept from Canada onto television screens, magazine covers and scandal sheets in the 1990s.
“I think if you went back two and a half years or three years, whenever I first met Pamela, I think we would’ve both burst into laughter if you had told us that we were going make an Emmy-nominated film,” White says. “That was not the goal at all. And I don’t think either of us thought that was a possibility.
- 8/13/2023
- by Matthew Carey
- Deadline Film + TV
Australian Film Television and Radio School
Australia’s leading screen arts and broadcast school benefits from a beautiful Sydney campus and a deep pool of industry lecturers and close ties with the Australian film community. Notable alumni include multi-Oscar nominee Jane Campion (The Power of the Dog), Phillip Noyce (The Quiet American) and Black Widow filmmaker Cate Shortland, plus a slew of esteemed craftspeople like Margaret Sixel (editing on Mad Max: Fury Road), David White (sound editing for Mad Max: Fury Road), Andrew Lesnie (cinematography for The Lord of the Rings) and Tony McNamara (best original screenplay Oscar nominee for The Favourite).
Beijing Film Academy
The USC of the world’s second-largest film industry, China’s most prestigious film school offers its graduates a wealth of industry ties to some of the country’s most prominent working actors and directors. Bfa also now has an undergraduate film program taught in English.
Australia’s leading screen arts and broadcast school benefits from a beautiful Sydney campus and a deep pool of industry lecturers and close ties with the Australian film community. Notable alumni include multi-Oscar nominee Jane Campion (The Power of the Dog), Phillip Noyce (The Quiet American) and Black Widow filmmaker Cate Shortland, plus a slew of esteemed craftspeople like Margaret Sixel (editing on Mad Max: Fury Road), David White (sound editing for Mad Max: Fury Road), Andrew Lesnie (cinematography for The Lord of the Rings) and Tony McNamara (best original screenplay Oscar nominee for The Favourite).
Beijing Film Academy
The USC of the world’s second-largest film industry, China’s most prestigious film school offers its graduates a wealth of industry ties to some of the country’s most prominent working actors and directors. Bfa also now has an undergraduate film program taught in English.
- 8/11/2023
- by Patrick Brzeski, Alex Ritman, Scott Roxborough and Etan Vlessing
- The Hollywood Reporter - Movie News
The Toronto International Film Festival has announced this year’s Wavelengths and Classics sidebars, the former section known for its politically charged, geographically diverse fare with a wide range of work drawn from the worlds of documentary, contemporary art, and international art-house cinema.
Wavelengths this year counts 12 feature films and 19 shorts, as well as a suite of four restored early films by the singular Chantal Akerman.
Of note in the Wavelengths short section, North American audiences will finally get to see Jean-Luc Godard’s swan song short, Trailer of the Film That Will Never Exist: Phony Wars, which played Cannes this past spring.
Another highlight in the Classics sidebar is the 4K uncut restoration of Chen Kaige’s Farewell My Concubine, the only movie from China to win the Palme d’Or. The original film had 20 minutes cut by then Miramax Boss Harvey Weinstein much to the chagrin of jury...
Wavelengths this year counts 12 feature films and 19 shorts, as well as a suite of four restored early films by the singular Chantal Akerman.
Of note in the Wavelengths short section, North American audiences will finally get to see Jean-Luc Godard’s swan song short, Trailer of the Film That Will Never Exist: Phony Wars, which played Cannes this past spring.
Another highlight in the Classics sidebar is the 4K uncut restoration of Chen Kaige’s Farewell My Concubine, the only movie from China to win the Palme d’Or. The original film had 20 minutes cut by then Miramax Boss Harvey Weinstein much to the chagrin of jury...
- 8/11/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Fifth-generation Chinese filmmaker Chen Kaige’s “Farewell My Concubine” wowed the Cannes jury under president Louis Malle in 1993 — all the way to a Palme d’Or win. But by the time the three-hour epic set in the world of the Peking Opera reached U.S. theaters that year, Miramax’s Harvey Weinstein had cut 20 minutes from the movie that left even Malle puzzled. According to Peter Biskind‘s influential “Down and Dirty Pictures,” Malle said the new version seemed “longer because it doesn’t make any sense. It was better before those guys made cuts.”
At last, “Farewell My Concubine,” the only Chinese-language film ever to win the Palme, is now being returned to theaters in its full 171-minute glory, courtesy of Film Movement Classics. IndieWire exclusively announces that the distributor will release a newly restored 4K version in North American theaters beginning September 22 at Film Forum in New York City.
At last, “Farewell My Concubine,” the only Chinese-language film ever to win the Palme, is now being returned to theaters in its full 171-minute glory, courtesy of Film Movement Classics. IndieWire exclusively announces that the distributor will release a newly restored 4K version in North American theaters beginning September 22 at Film Forum in New York City.
- 8/3/2023
- by Ryan Lattanzio
- Indiewire
[Editor’s note: The following interview was conducted before the SAG-AFTRA strike began on July 14, 2023.]
The following interview has been edited and condensed for clarity.
Juliette Binoche has made her career out of playing characters who are independent, searching, unsatisfied, restless. From playing Czech protest photographer Tereza in her breakout movie, the Philip Kaufman erotic classic “The Unbearable Lightness of Being,” to playing a composer’s wife left grieving and with his baggage in Krzysztof Kieślowski’s “Three Colors: Blue,” the Academy Award-winning French actress plays women pulling themselves through confusing situations, political intrigue, and perverse romantic entanglements. Often at once.
Her body of work eschews a pat introduction, but the Quad Cinema in New York has put together a syllabus of sorts with “Beautiful Binoche,” a series of films running from August 4-10 in the lead-up to next week’s release of her new film “Between Two Worlds”, about a famous author who goes undercover as a cleaning lady to investigate the exploitation of...
The following interview has been edited and condensed for clarity.
Juliette Binoche has made her career out of playing characters who are independent, searching, unsatisfied, restless. From playing Czech protest photographer Tereza in her breakout movie, the Philip Kaufman erotic classic “The Unbearable Lightness of Being,” to playing a composer’s wife left grieving and with his baggage in Krzysztof Kieślowski’s “Three Colors: Blue,” the Academy Award-winning French actress plays women pulling themselves through confusing situations, political intrigue, and perverse romantic entanglements. Often at once.
Her body of work eschews a pat introduction, but the Quad Cinema in New York has put together a syllabus of sorts with “Beautiful Binoche,” a series of films running from August 4-10 in the lead-up to next week’s release of her new film “Between Two Worlds”, about a famous author who goes undercover as a cleaning lady to investigate the exploitation of...
- 8/2/2023
- by Ryan Lattanzio
- Indiewire
She’s been nominated for seven BAFTAs (winning one), seven Golden Globes (winning two), a couple of Oscars and an Emmy. She’s worked with armfuls of top directors including Steven Spielberg, Tim Burton and David Cronenberg. And 40 years ago, she created one of sitcom’s best-loved characters as the capricious Queen Elizabeth (Queenie to her pals) in Blackadder.
And now Miranda Richardson has proven herself so good she’s been cast not once but twice in Neil Gaiman’s Good Omens, first playing Madame Tracy in series one, and now taking on the tailor-made role of Shax, who becomes Hell’s representative on Earth after Crowley (David Tennant) gets fired.
What better time to revisit some of Miranda Richardson’s most memorable performances, from her impressive film debut in Dance With a Stranger to her more recent appearances in Harry Potter and Agatha Christie’s And Then There Were None?...
And now Miranda Richardson has proven herself so good she’s been cast not once but twice in Neil Gaiman’s Good Omens, first playing Madame Tracy in series one, and now taking on the tailor-made role of Shax, who becomes Hell’s representative on Earth after Crowley (David Tennant) gets fired.
What better time to revisit some of Miranda Richardson’s most memorable performances, from her impressive film debut in Dance With a Stranger to her more recent appearances in Harry Potter and Agatha Christie’s And Then There Were None?...
- 7/28/2023
- by Jbindeck2015
- Den of Geek
From the films of Krzysztof Kieślowski to Claire Denis, Oscar winner Juliette Binoche has starred in many of your favorite European arthouse classics, and she’s probably the reason we return to them again and again. This summer, New Yorkers — or any ambitious traveling cinephiles — will have the chance to see many of her all-time greatest performances on 35mm thanks to a new retrospective set for the Quad Cinema in Greenwich Village.
IndieWire exclusively announces “Beautiful Binoche,” which will take place August 4–10 at New York City’s longest-running, four-screen multiplex. In addition to some of the great Binoche titles from the ’80s, ’90s, and 2000s, the Quad Cinema will also present Binoche’s latest film, “Between Two Worlds,” opening from Cohen Media Group on August 11.
The French actress has long made a career playing determined women pulling themselves through confusing situations — from perverse erotic entanglements to political intrigue and isolating grief.
IndieWire exclusively announces “Beautiful Binoche,” which will take place August 4–10 at New York City’s longest-running, four-screen multiplex. In addition to some of the great Binoche titles from the ’80s, ’90s, and 2000s, the Quad Cinema will also present Binoche’s latest film, “Between Two Worlds,” opening from Cohen Media Group on August 11.
The French actress has long made a career playing determined women pulling themselves through confusing situations — from perverse erotic entanglements to political intrigue and isolating grief.
- 7/6/2023
- by Ryan Lattanzio
- Indiewire
A version of this interview with Brooke Shields and “Pretty Baby: Brooke Shields” director Lana Wilson originally ran in the Race Begins issue of TheWrap’s awards magazine.
Brooke Shields was once the most famous teenager in the world. A model at 11 months old, by high school she had played a child prostitute in Louis Malle’s controversial 1978 film “Pretty Baby” and starred in a series of provocative Calvin Klein jeans ads in which she uttered the now iconic line, “You want to know what comes between me and my Calvins? Nothing.” Over the years, Shields has fielded no shortage of offers to tell her story on camera, but she wasn’t comfortable doing so until now, with “Pretty Baby: Brooke Shields,” directed by Lana Wilson (“Miss Americana”) and exec-produced by Ali Wentworth and George Stephanopoulos. The two-part Hulu documentary chronicles Shields’ rise to superstardom, her complicated relationship with her mother,...
Brooke Shields was once the most famous teenager in the world. A model at 11 months old, by high school she had played a child prostitute in Louis Malle’s controversial 1978 film “Pretty Baby” and starred in a series of provocative Calvin Klein jeans ads in which she uttered the now iconic line, “You want to know what comes between me and my Calvins? Nothing.” Over the years, Shields has fielded no shortage of offers to tell her story on camera, but she wasn’t comfortable doing so until now, with “Pretty Baby: Brooke Shields,” directed by Lana Wilson (“Miss Americana”) and exec-produced by Ali Wentworth and George Stephanopoulos. The two-part Hulu documentary chronicles Shields’ rise to superstardom, her complicated relationship with her mother,...
- 6/1/2023
- by Missy Schwartz
- The Wrap
Sexual obsession is well-worn territory for Erotic Thrillers, a subgenre that often features men who think with their libido rather than their brain. When you spend your life thinking about screwing, it tends to screw with your life.
This is the central premise of Josephine Hart’s 1991 novel Damage, which was transformed in the 1992 film of the same name, and, most recently, was adapted into the four part Netflix series Obsession.
In both adaptations, a wealthy, powerful, middle-aged married man becomes sexually obsessed with his son’s new girlfriend. They begin an affair, and the sexual desire costs the man everything: his job, his marriage, and the life of his son, who dies tragically when he falls over a banister after witnessing his father fucking his fiancé.
What’s interesting about both Damage and Obsession is how both texts adopt the tropes of an Erotic Thriller, albeit by substituting criminal or murderous activity for melodrama.
This is the central premise of Josephine Hart’s 1991 novel Damage, which was transformed in the 1992 film of the same name, and, most recently, was adapted into the four part Netflix series Obsession.
In both adaptations, a wealthy, powerful, middle-aged married man becomes sexually obsessed with his son’s new girlfriend. They begin an affair, and the sexual desire costs the man everything: his job, his marriage, and the life of his son, who dies tragically when he falls over a banister after witnessing his father fucking his fiancé.
What’s interesting about both Damage and Obsession is how both texts adopt the tropes of an Erotic Thriller, albeit by substituting criminal or murderous activity for melodrama.
- 5/30/2023
- by Joe Lipsett
- bloody-disgusting.com
Every year, the Cannes Film Festival program yields its riches. And every year, documentaries are kept to the selection sidebars, with the exception of just three over the years, two of which won the Palme d’Or: “The Silent World,” co-directed by Jacques Cousteau and Louis Malle in 1956, and Michael Moore’s “Fahrenheit 9/11” in 2004.
This year, out of 16 documentaries in the Official Selection, two are in the Competition, the first time nonfiction titles have joined that storied roster since Moore’s inclusion.
This is progress, but a quick glance at the latest Palme d’Or predictions reveals that Wang Bing’s “Youth” (marking the first 3.5-hours of an eventual 10-hour triptych) and “Olfa’s Daughters” from Kaouther Ben Hania are not high on the list of likely winners. Both are recognized by critics as boundary-pushing examples of the form but seem unlikely to become consensus award picks from Ruben Östlund’s eclectic Competition jury.
This year, out of 16 documentaries in the Official Selection, two are in the Competition, the first time nonfiction titles have joined that storied roster since Moore’s inclusion.
This is progress, but a quick glance at the latest Palme d’Or predictions reveals that Wang Bing’s “Youth” (marking the first 3.5-hours of an eventual 10-hour triptych) and “Olfa’s Daughters” from Kaouther Ben Hania are not high on the list of likely winners. Both are recognized by critics as boundary-pushing examples of the form but seem unlikely to become consensus award picks from Ruben Östlund’s eclectic Competition jury.
- 5/26/2023
- by Anne Thompson
- Indiewire
Tales from Planet Kolkata.The essay film has always been a shapeshifting entity. It is an offshoot of the documentary mode that fully employs the potential of montage, with various texts and personal reflections interfacing and proposing new ideas, much like written counterparts. It’s a genre that defies immediate and digestible definition in most cases, with Dziga Vertov, Chris Marker, Harun Farocki, Agnès Varda, Thom Andersen, and Orson Welles employing different strategies in their respective canonical examples. In the United Kingdom, the yearly Essay Film Festival champions and explores the form, often incorporating study days and seminars. This year, the festival presented three densely structured and unique films by Ruchir Joshi, an Indian cultural writer and novelist. In the early 1990s, Joshi produced two short essay films focused on the Indian cities of Ahmedabad and his hometown of Calcutta, and an expansive feature concerning the nomadic Baul musicians in West Bengal.
- 5/19/2023
- MUBI
There are many stories about Jean-Luc Godard in Cannes, like the year he helped to shut it down (1968) because of the civil unrest that was sweeping France at the time. Then there was the time when (in 1985) he was ambushed in the Palais by a Belgian anarchist and hit in the face with a custard pie after the premiere of Détective. And, as recently as 2018, there was the time he conducted a press conference for his film The Image Book via FaceTime from Switzerland, making journalists line up to speak into a mobile phone.
But the story that endures the most is the time in 1985 he signed a contract on a napkin with Menahem Golan and Yoram Globus, CEOs of The Cannon Group, whose big hits that year were Invasion U.S.A., starring Chuck Norris, and Death Wish 3, with Charles Bronson. Godard — who died last year at age...
But the story that endures the most is the time in 1985 he signed a contract on a napkin with Menahem Golan and Yoram Globus, CEOs of The Cannon Group, whose big hits that year were Invasion U.S.A., starring Chuck Norris, and Death Wish 3, with Charles Bronson. Godard — who died last year at age...
- 5/17/2023
- by Damon Wise
- Deadline Film + TV
Christophe Honoré's Winter Boy is now showing exclusively on Mubi starting April 28, 2023, in many countries in the series Luminaries.When Antoine Doinel first dons his checkered jacket and roams the streets of Paris in François Truffaut’s The 400 Blows (1959), the city air is so cold that his breath clouds the frame. Truffaut’s wintry film is a tale of isolation and frustration in the life of the young Doinel, a misbehaving schoolboy bored by la dictée and the stifling teachings of his professor. Out in the frostbitten night, he sleeps in a printing press and steals a typewriter, evoking his search for his own liberation and words to live by. To everyone else, he appears a troubled youth in need of institutionalization. To Truffaut, he is his younger self looking for his identity and the means to express it, a memory committed to film. When a filmmaker sets...
- 5/2/2023
- MUBI
Brooke Sheilds takes control of the narrative by sharing her story in her own words in the Hulu documentary Pretty Baby: Brooke Shields, from director Lana Wilson.
From Matador Content and BedBy8 for ABC News Studio, the film follows Shields from her early years as a blossoming model and actress to her present day as a powerful woman, mother, wife and performer with a career spanning more than four decades. It also touches on her complicated relationship with her mother and manager Teri Shields and how working on early projects including Louis Malle’s Pretty Baby, Randal Kleiser’s The Blue Lagoon and Franco Zeffirelli’s Endless Love — all before age 16 — left her vulnerable to public criticism and unwanted attention from adult men.
Now, Shields is ready to tell her story in her own words.
“It was the right time, and it also felt very good to finally — you know,...
From Matador Content and BedBy8 for ABC News Studio, the film follows Shields from her early years as a blossoming model and actress to her present day as a powerful woman, mother, wife and performer with a career spanning more than four decades. It also touches on her complicated relationship with her mother and manager Teri Shields and how working on early projects including Louis Malle’s Pretty Baby, Randal Kleiser’s The Blue Lagoon and Franco Zeffirelli’s Endless Love — all before age 16 — left her vulnerable to public criticism and unwanted attention from adult men.
Now, Shields is ready to tell her story in her own words.
“It was the right time, and it also felt very good to finally — you know,...
- 4/29/2023
- by Rosy Cordero
- Deadline Film + TV
William is a highly successful pediatric surgeon, a little uptight but living a good life with his family in London. But from the moment he locks eyes with Anna, standing across the room at a lavish party, he’s doomed. He knows it. We know it. The fun of Obsession, a new four-part erotic thriller from Netflix, lies in watching it all fall down. That, and a whole lot of kinky, animalistic sex.
This is a tale of amour fou, in which lust tramples everything in its path – family, respectability,...
This is a tale of amour fou, in which lust tramples everything in its path – family, respectability,...
- 4/13/2023
- by Chris Vognar
- Rollingstone.com
Titillating trash. Satisfying drama. As deep as it thinks it is – all things that Netflix’s Obsession isn’t. This four-part series adapted from Josephine Hart’s 1991 novel Damage (memorably filmed as Louis Malle’s 1992 feature film of the same name) aims to be an arty, meaningful portrait of erotic obsession but turns out to be more of a boner-killer.
It’s not the fault of the cast, who commit mightily to the task. Richard Armitage and Charlie Murphy dial up their intensity to dangerous levels as William and Anna, two people whose affair blasts apart their lives.
Anna is dating William’s besotted son, but shares a sexual frisson with his father that proves irresistible. After a chance meeting at a work do in which Will breathily pushes an olive between Anna’s lips and gets such a lob-on that he has to spend the rest of the episode...
It’s not the fault of the cast, who commit mightily to the task. Richard Armitage and Charlie Murphy dial up their intensity to dangerous levels as William and Anna, two people whose affair blasts apart their lives.
Anna is dating William’s besotted son, but shares a sexual frisson with his father that proves irresistible. After a chance meeting at a work do in which Will breathily pushes an olive between Anna’s lips and gets such a lob-on that he has to spend the rest of the episode...
- 4/13/2023
- by Louisa Mellor
- Den of Geek
This four-part Netflix series isn’t the first time that Josephine Hart’s 1991 novel Damage has been adapted for screen. In 1992, celebrated French director Louis Malle made a feature film of Hart’s book that welcomed Jeremy Irons, Juliette Binoche, Miranda Richardson, Peter Stomare and Rupert Graves to this exploration of erotic obsession. The film earned Richardson a Best Actress nomination among many others at that year’s Academy Awards.
This serialised version was created by playwright Morgan Lloyd Malcolm with writer Benji Walters, and directed by Ordinary Love, Good Vibrations and Cherry Bomb‘s Lisa Barrow D’Sa and Glenn Leyburn, updates the action to the modern day and remoulds the characters somewhat. Richard Armitage plays successful surgeon Will, husband to Ingrid and father to Jay and Sally, while Charlie Muphy’s character Anna Barton is expanded to explore her response to the fallout of the story’s scandalous central affair.
This serialised version was created by playwright Morgan Lloyd Malcolm with writer Benji Walters, and directed by Ordinary Love, Good Vibrations and Cherry Bomb‘s Lisa Barrow D’Sa and Glenn Leyburn, updates the action to the modern day and remoulds the characters somewhat. Richard Armitage plays successful surgeon Will, husband to Ingrid and father to Jay and Sally, while Charlie Muphy’s character Anna Barton is expanded to explore her response to the fallout of the story’s scandalous central affair.
- 4/13/2023
- by Louisa Mellor
- Den of Geek
Brooke Shields revealed that The Blue Lagoon director Randal Kleiser has tried to contact her after the release of her new Hulu documentary Pretty Baby.
In the documentary, the actor and supermodel accused Kleiser of wanting “to sell my sexual awakening.”
Shields starred in the 1980 film alongside Christopher Atkins. Aged 14 and 18 at the time of filming, respectively, Shields and Atkins played cousins who were stranded on a deserted island.
As the characters matured into adulthood, they fell in love and had a child together.
Appearing on The Drew Barrymore Show on Tuesday (11 April), Shields was asked whether any of the male directors she mentions in the documentary have reached out to her.
“I saw [Kleiser’s] name on my phone, and I was like, ‘Oh, what do I do?’ and I let it go to voicemail,” Shields said. “Because I was like, ‘I want to see what the tone is.’ He wants to chat.
In the documentary, the actor and supermodel accused Kleiser of wanting “to sell my sexual awakening.”
Shields starred in the 1980 film alongside Christopher Atkins. Aged 14 and 18 at the time of filming, respectively, Shields and Atkins played cousins who were stranded on a deserted island.
As the characters matured into adulthood, they fell in love and had a child together.
Appearing on The Drew Barrymore Show on Tuesday (11 April), Shields was asked whether any of the male directors she mentions in the documentary have reached out to her.
“I saw [Kleiser’s] name on my phone, and I was like, ‘Oh, what do I do?’ and I let it go to voicemail,” Shields said. “Because I was like, ‘I want to see what the tone is.’ He wants to chat.
- 4/12/2023
- by Tom Murray
- The Independent - Film
Brooke Shields revealed on “The Drew Barrymore Show” that she received a phone call from “The Blue Lagoon” director Randal Kleiser following the release of her new Hulu documentary “Pretty Baby.” In the documentary, the supermodel and actor called out “The Blue Lagoon” for exploiting her sexual awakening when she was just 14 years old.
“They wanted to make it a reality show,” Shields says in the documentary about “The Blue Lagoon” and other films she made as a teen actor. “They wanted to sell my actual sexual awakening. The irony was, I wasn’t in touch with any of my own sexuality.”
“The Blue Lagoon” stars Shields opposite Christopher Atkins. The two actors play teens stranded on a tropical island who experience puberty together and fall in love. The film is one of many that Shields calls out in the documentary for exploiting her at such a young age. Other...
“They wanted to make it a reality show,” Shields says in the documentary about “The Blue Lagoon” and other films she made as a teen actor. “They wanted to sell my actual sexual awakening. The irony was, I wasn’t in touch with any of my own sexuality.”
“The Blue Lagoon” stars Shields opposite Christopher Atkins. The two actors play teens stranded on a tropical island who experience puberty together and fall in love. The film is one of many that Shields calls out in the documentary for exploiting her at such a young age. Other...
- 4/11/2023
- by Zack Sharf
- Variety Film + TV
April is here, and if you’re looking for some great new movies to stream, we’ve got you covered. This month there’s a slew of new releases and newly streaming library titles across Netflix, Prime Video, HBO Max, Hulu, Peacock and Paramount+, and we’ve thumbed through all the new selections to single out the best of the best. Whether you’re looking to catch up on some recent new releases that are now streaming (like “Bros”) or want to know whether that new documentary (“Judy Blume Forever”) or Netflix original (“Chupa”) is worth watching, we guarantee you’ll find something worthwhile to watch in our curated selection.
Check out the best new movies to stream in April 2023 below.
Also Read:
Here’s What’s New on Netflix in April 2023 “The Bourne Identity” and “The Bourne Supremacy” Universal Pictures
Netflix – April 1
The “Bourne” trilogy still stands as one...
Check out the best new movies to stream in April 2023 below.
Also Read:
Here’s What’s New on Netflix in April 2023 “The Bourne Identity” and “The Bourne Supremacy” Universal Pictures
Netflix – April 1
The “Bourne” trilogy still stands as one...
- 4/7/2023
- by Drew Taylor and Adam Chitwood
- The Wrap
Brooke Shields has been in the public eye since she was just 11 months old, but it's taken her 57 years to embrace her power as an actor, model, and businesswoman. In Pretty Baby, a new documentary from Lana Wilson (who previously directed Taylor Swift documentary Miss Americana), Shields examines just how far she's come after a career of being objectified by Hollywood and commodified by American culture. Across two episodes, the multi-hyphenate reflects on her controversial role in Louis Malle's 1978 film Pretty Baby, The Blue Lagoon and Endless Love's impact on her public image and sense of self, her complicated relationship with her mother and manager, Teri, and her brief marriage to tennis player Andre Agassi. Shields also alleges she was raped by a film executive when she was in her twenties, and she opens up about the blame she placed upon herself in the aftermath.
- 4/3/2023
- by Claire Spellberg Lustig
- Primetimer
Brooke Shields has spoken about how her first kiss was with a 29-year-old actor when she was just 11.
In the new Hulu documentary Pretty Baby: Brooke Shields, the actor, now 57, opens up about the exploitation and sexualisation she experienced as a child star.
Shields appeared as a child sex worker in the 1978 film Pretty Baby, directed by the late French filmmaker Louis Malle.
For one scene, Shields had to kiss actor Keith Carradine (Dexter; Nashville), who was in his late twenties at the time.
In the documentary, Shields describes the incident, recalling that Malle grew frustrated at the face she pulled while kissing (per TVInsider).
According to Shields, Carradine took her to one side and offered reassurance.
“‘Hey,’ he said to me. ‘You know what? This doesn’t count. This is all make-believe’,” she said.
Speaking to Rolling Stone, the documentary’s director Lana Wilson said: “This is a moment...
In the new Hulu documentary Pretty Baby: Brooke Shields, the actor, now 57, opens up about the exploitation and sexualisation she experienced as a child star.
Shields appeared as a child sex worker in the 1978 film Pretty Baby, directed by the late French filmmaker Louis Malle.
For one scene, Shields had to kiss actor Keith Carradine (Dexter; Nashville), who was in his late twenties at the time.
In the documentary, Shields describes the incident, recalling that Malle grew frustrated at the face she pulled while kissing (per TVInsider).
According to Shields, Carradine took her to one side and offered reassurance.
“‘Hey,’ he said to me. ‘You know what? This doesn’t count. This is all make-believe’,” she said.
Speaking to Rolling Stone, the documentary’s director Lana Wilson said: “This is a moment...
- 4/3/2023
- by Louis Chilton
- The Independent - Film
Brooke Shields’ Hollywood journey speaks volumes about the ways young girls have been sexualized and exploited in Tinseltown and beyond.
In Pretty Baby: Brooke Shields, a two-part documentary premiering April 3 on Hulu, the actress and activist opens up about her deeply unsettling modeling and acting career, from a family friend trying to publish nude photos of her taken at 10 years of age (he successfully won the right to do so in court), to appearing nude at 15 in the 1980 film Blue Lagoon.
“The film and Brooke’s story, to me, is not only about Hollywood.
In Pretty Baby: Brooke Shields, a two-part documentary premiering April 3 on Hulu, the actress and activist opens up about her deeply unsettling modeling and acting career, from a family friend trying to publish nude photos of her taken at 10 years of age (he successfully won the right to do so in court), to appearing nude at 15 in the 1980 film Blue Lagoon.
“The film and Brooke’s story, to me, is not only about Hollywood.
- 4/2/2023
- by Marlow Stern
- Rollingstone.com
Los Angeles, March 27 (Ians) Actress Brooke Shields opened up about her friendship with King of Pop Michael Jackson and said the star once lied that she was his girlfriend.
Back when she was 28 years old, Jackson told a live TV interview with Oprah Winfrey that she was his girlfriend but he was reportedly in a relationship with someone else, reports mirror.co.uk.
Now 57, Shields said: “I called him up and I think I said, ‘This is kind of pathetic that you need to do this. I am having a shot at a normal life – you cannot drag me into crazy town.'”
She claims Jackson laughed it off and despite their closeness as friends, the pair never kissed or dated.
She added: “There was one moment when we were in the car and the cameras were there and he grabbed me to kiss me and I said, ‘No! Stop!
Back when she was 28 years old, Jackson told a live TV interview with Oprah Winfrey that she was his girlfriend but he was reportedly in a relationship with someone else, reports mirror.co.uk.
Now 57, Shields said: “I called him up and I think I said, ‘This is kind of pathetic that you need to do this. I am having a shot at a normal life – you cannot drag me into crazy town.'”
She claims Jackson laughed it off and despite their closeness as friends, the pair never kissed or dated.
She added: “There was one moment when we were in the car and the cameras were there and he grabbed me to kiss me and I said, ‘No! Stop!
- 3/27/2023
- by News Bureau
- GlamSham
Director Lana Wilson’s Pretty Baby: Brooke Shields, a two-part documentary examining the life and career of the model/actor, has released a riveting new trailer. The documentary had its world premiere at the 2023 Sundance Film Festival and will debut on Hulu on April 3, 2023.
Pretty Baby: Brooke Shields currently sits at 91% fresh of Rotten Tomatoes, with Candice Frederick of HuffPost saying, “Come for the candid and increasingly shifting reflections on what it was like to be an ogled preteen and teen beauty. Stay for the ultimately affirming story of a woman who took back her life.”
Lana Wilson, Ali Wentworth, Alyssa Mastromonaco, George Stephanopoulos, Jay Peterson, Todd Lubin, Jacqueline Glover, and Jennifer Joseph served as executive producers. The documentary is a Matador Content and BedBy8 for ABC News Studios production.
Hulu released the following synopsis:
“Pretty Baby: Brooke Shields is a galvanizing look at actor, model, and icon Brooke...
Pretty Baby: Brooke Shields currently sits at 91% fresh of Rotten Tomatoes, with Candice Frederick of HuffPost saying, “Come for the candid and increasingly shifting reflections on what it was like to be an ogled preteen and teen beauty. Stay for the ultimately affirming story of a woman who took back her life.”
Lana Wilson, Ali Wentworth, Alyssa Mastromonaco, George Stephanopoulos, Jay Peterson, Todd Lubin, Jacqueline Glover, and Jennifer Joseph served as executive producers. The documentary is a Matador Content and BedBy8 for ABC News Studios production.
Hulu released the following synopsis:
“Pretty Baby: Brooke Shields is a galvanizing look at actor, model, and icon Brooke...
- 3/21/2023
- by Rebecca Murray
- Showbiz Junkies
Brooke Shields confronts the exploitation and over-sexualization that fueled her rise to stardom in the new trailer for the upcoming documentary, Pretty Baby: Brooke Shields.
The two-part doc, directed by Lana Wilson, delves into Shields’ career, as she rose from a child model to an actor, taking on controversial roles in films like Louis Malle’s Pretty Baby (filmed when Shields was just 11, she plays an exploited child growing up in a brothel). In the Eighties, as a teenager, Shields’ popularity exploded with roles in movies like The Blue Lagoon and Endless Love,...
The two-part doc, directed by Lana Wilson, delves into Shields’ career, as she rose from a child model to an actor, taking on controversial roles in films like Louis Malle’s Pretty Baby (filmed when Shields was just 11, she plays an exploited child growing up in a brothel). In the Eighties, as a teenager, Shields’ popularity exploded with roles in movies like The Blue Lagoon and Endless Love,...
- 3/21/2023
- by Jon Blistein
- Rollingstone.com
In the new Hulu docuseries “Pretty Baby: Brooke Shields,” the actress — who began modeling at 11 months and at age 12 and starred as a child prostitute in Louis Malle’s controversial film “Pretty Baby” — looks back on the pressures and insanity of being a worldwide sex symbol at such a young age.
Lana Wilson directed the two-part series, which premiered in January at the Sundance Film Festival and will debut on Hulu on April 3. The film marks the debut project from BedBy8, the newly formed production company by Ali Wentworth, George Stephanopoulos and partner Alyssa Mastromonaco.
The trailer starts with a clip in which talk show host Mike Douglas makes the teenager visibly uncomfortable as he tells her, “You really are an exquisite-looking young lady.”
Also Read:
Brooke Shields Calls Teenage Barbara Walters Interview ‘Practically Criminal’
Shields then says in voiceover, “The entirety of my life, it was, ‘She’s a pretty face.
Lana Wilson directed the two-part series, which premiered in January at the Sundance Film Festival and will debut on Hulu on April 3. The film marks the debut project from BedBy8, the newly formed production company by Ali Wentworth, George Stephanopoulos and partner Alyssa Mastromonaco.
The trailer starts with a clip in which talk show host Mike Douglas makes the teenager visibly uncomfortable as he tells her, “You really are an exquisite-looking young lady.”
Also Read:
Brooke Shields Calls Teenage Barbara Walters Interview ‘Practically Criminal’
Shields then says in voiceover, “The entirety of my life, it was, ‘She’s a pretty face.
- 3/21/2023
- by Sharon Knolle
- The Wrap
Oscar-winning screenwriter, playwright and film director Christopher Hampton was on feisty form in a masterclass in Qatar earlier this week as part of the Doha Film Institute’s Qumra talent incubator event (March 10-16).
Hampton, who won Academy Awards for the screenplays of Dangerous Liaisons and The Father and was Oscar-nominated for Atonement, urged aspiring screenwriters in the auditorium to try to retain some sort of control of their work and creative vision.
“I would advise anybody to try to get at least some sort of associate producer credit to maintain a grip on the material and you have to fight… fight with a lot of people,” he said. “They don’t want to give it to you. They don’t want to give you those powers, but I’ve always argued that since the writer is the origin of the piece, they deserve to be respected.”
“Don’t be...
Hampton, who won Academy Awards for the screenplays of Dangerous Liaisons and The Father and was Oscar-nominated for Atonement, urged aspiring screenwriters in the auditorium to try to retain some sort of control of their work and creative vision.
“I would advise anybody to try to get at least some sort of associate producer credit to maintain a grip on the material and you have to fight… fight with a lot of people,” he said. “They don’t want to give it to you. They don’t want to give you those powers, but I’ve always argued that since the writer is the origin of the piece, they deserve to be respected.”
“Don’t be...
- 3/17/2023
- by Melanie Goodfellow
- Deadline Film + TV
For our latest dive into recent books on or related to cinema, we’re spending time with some icons––fictional (James Bond) and non. Let’s start with 50 color palettes and one beautifully unique new text.
Colors of Film: The Story of Cinema in 50 Palettes by Charles Bramesco (Frances Lincoln)
Colors of Film is an engrossing study of how filmmakers utilize color in complex, ingenious, emotionally impactful ways. Some of these examples (e.g. the red jacket in Schindler’s List) have inspired much discourse. What makes this book––by the always-entertaining and -intelligent critic Charles Bramesco––so special is its focus on less-obvious films. A noteworthy case: Hype Williams’ Belly and its “flights of stylistic fancy.” During its hyper-stylized opening, as gangsters Buns and Sin “prowl through the dance floor, ceiling-mounted blacklights make the men look extraterrestrial, their eyeballs glowstick-turquoise against deeper blue skin.” Other entries focus on everything...
Colors of Film: The Story of Cinema in 50 Palettes by Charles Bramesco (Frances Lincoln)
Colors of Film is an engrossing study of how filmmakers utilize color in complex, ingenious, emotionally impactful ways. Some of these examples (e.g. the red jacket in Schindler’s List) have inspired much discourse. What makes this book––by the always-entertaining and -intelligent critic Charles Bramesco––so special is its focus on less-obvious films. A noteworthy case: Hype Williams’ Belly and its “flights of stylistic fancy.” During its hyper-stylized opening, as gangsters Buns and Sin “prowl through the dance floor, ceiling-mounted blacklights make the men look extraterrestrial, their eyeballs glowstick-turquoise against deeper blue skin.” Other entries focus on everything...
- 3/14/2023
- by Christopher Schobert
- The Film Stage
Brooke Shields is sharing the source of her strength.
On Wednesday, a new teaser dropped for the upcoming documentary from ABC News, “Pretty Baby: Brooke Shields”, all about the iconic actor and model.
Read More: Brooke Shields Details Rape After Graduating From Princeton: ‘I Just Absolutely Froze’
“I spent my life owing people things and doing whatever they wanted,” Shields says in the teaser. “Finally, I asked myself, ‘Who will I be if I don’t allow that anymore?'”
The documentary is described as “a galvanizing look at actor, model and icon Brooke Shields as she transforms from a sexualized young girl to a woman discovering her power. Holding a mirror up to a society that objectifies women and girls, her story shows the perils and triumphs of gaining agency in a hostile world.
“The film follows Shields through her extraordinary childhood and complex relationship with her mother and manager,...
On Wednesday, a new teaser dropped for the upcoming documentary from ABC News, “Pretty Baby: Brooke Shields”, all about the iconic actor and model.
Read More: Brooke Shields Details Rape After Graduating From Princeton: ‘I Just Absolutely Froze’
“I spent my life owing people things and doing whatever they wanted,” Shields says in the teaser. “Finally, I asked myself, ‘Who will I be if I don’t allow that anymore?'”
The documentary is described as “a galvanizing look at actor, model and icon Brooke Shields as she transforms from a sexualized young girl to a woman discovering her power. Holding a mirror up to a society that objectifies women and girls, her story shows the perils and triumphs of gaining agency in a hostile world.
“The film follows Shields through her extraordinary childhood and complex relationship with her mother and manager,...
- 3/1/2023
- by Corey Atad
- ET Canada
Hulu‘s upcoming documentary Pretty Baby: Brooke Shields showcases a behind-the-scenes look at the life of actress Brooke Shields throughout her lengthy career, which started when she was a young girl. The documentary holds “a mirror up to a society that objectifies women and girls,” according to the streamer. Her story shows “the perils and triumphs of gaining agency in a hostile world.” Pretty Baby: Brooke Shields follows the actress through her unusual childhood and complex relationship with her mother and manager, Teri Shields. Shields’ first gig began at only 11 months old, working as a child model before starring in Louis Malle’s controversial film Pretty Baby at 12. She became the face of the ’80s, being featured in Calvin Klein jeans ads and leading roles in The Blue Lagoon and Endless Love, navigating the scrutiny of the media and American culture that wanted to use her for profit. “After defying stereotypes by going to college,...
- 3/1/2023
- TV Insider
Nothing can get between Brooke Shields and her self-worth.
The former child star, infamous Calvin Klein supermodel, and Hollywood icon is at the center of two-part documentary “Pretty Baby,” directed by Lana Wilson (“Miss Americana”). The film debuted at the 2023 Sundance Film Festival, where executive producer Ali Wentworth encouraged pioneering creatives to not “listen to ‘no, you can’t.”
“Pretty Baby: Brooke Shields” is a galvanizing look at the actress, model, and icon as she transforms from a sexualized young girl to a woman discovering her power, per an official synopsis. Holding a mirror up to a society that objectifies women and girls, her story shows the perils and triumphs of gaining agency in a hostile world.
The documentary is produced by ABC News Studios in partnership with Matador Content and Bedby8. The film marks the debut project from BedBy8, the newly formed production company by Ali Wentworth, George Stephanopoulos,...
The former child star, infamous Calvin Klein supermodel, and Hollywood icon is at the center of two-part documentary “Pretty Baby,” directed by Lana Wilson (“Miss Americana”). The film debuted at the 2023 Sundance Film Festival, where executive producer Ali Wentworth encouraged pioneering creatives to not “listen to ‘no, you can’t.”
“Pretty Baby: Brooke Shields” is a galvanizing look at the actress, model, and icon as she transforms from a sexualized young girl to a woman discovering her power, per an official synopsis. Holding a mirror up to a society that objectifies women and girls, her story shows the perils and triumphs of gaining agency in a hostile world.
The documentary is produced by ABC News Studios in partnership with Matador Content and Bedby8. The film marks the debut project from BedBy8, the newly formed production company by Ali Wentworth, George Stephanopoulos,...
- 3/1/2023
- by Samantha Bergeson
- Indiewire
Eugene Lee, the award-winning production designer for “Wicked” and “Saturday Night Live,” has died. He was 83 years old.
His death was shared by the official Twitter page for “Wicked.”
Lee had been with “Saturday Night Live” since its debut in 1975, and worked on sets including the “Saturday Night Live: 15th Anniversary” and “SNL Presents: Halloween.”
Prior to joining the show, Lee was the in-house set designer for Trinity Repertory Company in Providence, R.I., and remained in that position at Trinity Rep throughout his life.
Lee, a six-time Emmy winner, won consecutive Emmys for Outstanding Art Direction For Variety or Nonfiction Programming from 2017-2021. He earned a total of 18 Emmy nominations.
In addition to his TV work, Lee worked on Broadway designing sets for “Sweeney Todd,” “Wicked” and “Candide” — all of which earned him Tony Awards. He also served as scenic designer for the original productions of “Merrily We Roll Along” and “Seussical.
His death was shared by the official Twitter page for “Wicked.”
Lee had been with “Saturday Night Live” since its debut in 1975, and worked on sets including the “Saturday Night Live: 15th Anniversary” and “SNL Presents: Halloween.”
Prior to joining the show, Lee was the in-house set designer for Trinity Repertory Company in Providence, R.I., and remained in that position at Trinity Rep throughout his life.
Lee, a six-time Emmy winner, won consecutive Emmys for Outstanding Art Direction For Variety or Nonfiction Programming from 2017-2021. He earned a total of 18 Emmy nominations.
In addition to his TV work, Lee worked on Broadway designing sets for “Sweeney Todd,” “Wicked” and “Candide” — all of which earned him Tony Awards. He also served as scenic designer for the original productions of “Merrily We Roll Along” and “Seussical.
- 2/8/2023
- by Jazz Tangcay
- Variety Film + TV
From the moment Brooke Shields was born, she was defined by her looks. "She's the most beautiful child and I'm going to help her with her career," her mother Teri Shields once said, determined to make her young daughter a star (via Emirates Woman). After appearing in an Ivory Soap ad as a baby, Brooke Shields' delicate and striking features catapulted her to fame.
Teri Shields had a paradoxical grip on her daughter, exploiting her as "sexually provocative and exciting while attempting to preserve her innocence" through overprotection (via The Washington Post). This took a psychological toll on Brooke Shields, causing her to question her identity, sexuality, and womanhood for years — worsened when put through the objectifying prism of Hollywood.
Brooke Shields projected one image on screen and another in real life. She was constantly publicized as a naive "good girl," boasting about avoiding the typical teenage exploits of dating,...
Teri Shields had a paradoxical grip on her daughter, exploiting her as "sexually provocative and exciting while attempting to preserve her innocence" through overprotection (via The Washington Post). This took a psychological toll on Brooke Shields, causing her to question her identity, sexuality, and womanhood for years — worsened when put through the objectifying prism of Hollywood.
Brooke Shields projected one image on screen and another in real life. She was constantly publicized as a naive "good girl," boasting about avoiding the typical teenage exploits of dating,...
- 1/25/2023
- by Caroline Madden
- Slash Film
Brooke Shields became a star and attracted mild controversy in this show, director Louis Malle’s first American production. Co-writer & producer Polly Platt and cinematographer Sven Nykvist collaborated on Malle’s fascinating look at life in a New Orleans brothel early in the 20th century. Prostitute Susan Sarandon raises two children in the upscale bawdy house, and art photographer Keith Carradine becomes an artist in residence. It’s a non-moralizing portrait of a bygone lifestyle. The handsome remastered release co-stars Diana Scarwid and Barbara Steele — and comes with a new interview with Brooke Shields.
Pretty Baby
Blu-ray
Viavision [Imprint] 174
1978 / Color / 1:85 widescreen / 109 min. / Street Date November 4, 2022 / Available from / £
Starring: Susan Sarandon, Keith Carradine, Brooke Shields, Frances Faye, Antonio Fargas, Gerrit Graham, Matthew Anton, Mae Mercer, Diana Scarwid, Barbara Steele.
Cinematography: Sven Nykvist
Production Designer: Trevor Williams
Costume Supervisor: Mina Mittelman
Film Editor: Suzanne Fenn, supervisor Suzanne Baron
Music adapted by Jerry Wexler,...
Pretty Baby
Blu-ray
Viavision [Imprint] 174
1978 / Color / 1:85 widescreen / 109 min. / Street Date November 4, 2022 / Available from / £
Starring: Susan Sarandon, Keith Carradine, Brooke Shields, Frances Faye, Antonio Fargas, Gerrit Graham, Matthew Anton, Mae Mercer, Diana Scarwid, Barbara Steele.
Cinematography: Sven Nykvist
Production Designer: Trevor Williams
Costume Supervisor: Mina Mittelman
Film Editor: Suzanne Fenn, supervisor Suzanne Baron
Music adapted by Jerry Wexler,...
- 1/24/2023
- by Glenn Erickson
- Trailers from Hell
Brooke Shields, the iconic actress and model, rose to fame at the age of 12 for her leading role as a child prostitute in Louis Malle’s controversial film Pretty Baby (1978).
She went on to star in several 80s dramas like The Blue Lagoon (1980) and Endless Love (1981).
Her early career was defined by objectification and exploitation when she did nude modeling at ten years old and appeared naked in major Hollywood movies at 15.
She talked with uInterview founder Erik Meers at the Sundance Film Festival 2023 in Park City, Utah to discuss her new two-part documentary, Pretty Baby: Brooke Shields, which reveals her story of coming of age in the public eye.
Shields appears in the film as an adult, reflecting back on her career and life, including her strained relationship with her mother and perilous journey through Hollywood as a child actor. Perhaps more importantly, it allows her the space to...
She went on to star in several 80s dramas like The Blue Lagoon (1980) and Endless Love (1981).
Her early career was defined by objectification and exploitation when she did nude modeling at ten years old and appeared naked in major Hollywood movies at 15.
She talked with uInterview founder Erik Meers at the Sundance Film Festival 2023 in Park City, Utah to discuss her new two-part documentary, Pretty Baby: Brooke Shields, which reveals her story of coming of age in the public eye.
Shields appears in the film as an adult, reflecting back on her career and life, including her strained relationship with her mother and perilous journey through Hollywood as a child actor. Perhaps more importantly, it allows her the space to...
- 1/23/2023
- by Alex Nguyen
- Uinterview
There are times when you see a documentary about a subject you think you know well, and the fact that you do almost becomes part of what’s gratifying about it. It’s like seeing a movie drama you loved a second time; you go deeper and savor the nuances. “Pretty Baby: Brooke Shields” is like that. It’s a 2-hour-and-13-minute documentary that unfurls the saga, soup to nuts, of Brooke Shields, starting from when she did her very first commercial, at 11 months old, right up through where she is today, at 57. It covers her rise as a child advertising model, how she prospered professionally under the wing of her doting but troubled alcoholic manager mother, Terry, how she was sexualized in movies, starting at age 12, in “Pretty Baby” (1978), and then at 15, in “The Blue Lagoon” (1980), and what it was like for her to be at the center of a global gaze.
- 1/21/2023
- by Owen Gleiberman
- Variety Film + TV
To say that Brooke Shields was objectified during her early years would be the understatement of the century. It is hard to fathom how any of it happened, or how anyone thought it was Ok, through a contemporary lens — nude modeling at ten years old, branded “the world’s youngest sex symbol” at 12, appearing naked in a major Hollywood motion picture at 15. That she was able to gain any semblance of normalcy, let alone graduate Princeton and become a powerful voice for mothers everywhere, is extraordinary.
“You know, my professional...
“You know, my professional...
- 1/21/2023
- by Marlow Stern
- Rollingstone.com
Our past returns to haunt us, again and again, through documentary and documentary, until every woman mistreated by time is resurrected to have her say. It happened with Britney Spears, with Janet Jackson, with Billie Holiday and others. At the helm of this latest retrospective is Brooke Shields, in Lana Wilson’s new documentary, “Pretty Baby: Brooke Shields.”
Premiering at Sundance and coming to Hulu later this year, the latest film from the director of “Miss Americana” places Shields’s multi-hyphenate career — model and actress, yes, but writer and advocate too — on display for nearly two and a half hours, eager to prove she is much more than a tabloid talking point.
Wilson’s film is named for Louis Malle’s “Pretty Baby,” in which Shields starred as a 12-year-old prostitute in this historical drama written by Polly Platt. Malle’s film was the urtext through which Shields was often...
Premiering at Sundance and coming to Hulu later this year, the latest film from the director of “Miss Americana” places Shields’s multi-hyphenate career — model and actress, yes, but writer and advocate too — on display for nearly two and a half hours, eager to prove she is much more than a tabloid talking point.
Wilson’s film is named for Louis Malle’s “Pretty Baby,” in which Shields starred as a 12-year-old prostitute in this historical drama written by Polly Platt. Malle’s film was the urtext through which Shields was often...
- 1/21/2023
- by Fran Hoepfner
- The Wrap
Brooke Shields agreed to participate in a doc about her life and career not because of what it would say about her, but for what it could say through her — namely, a discussion about the sexualization of young girls.
By now, the celebrity bio-doc is well-trod territory, but Pretty Baby: Brooke Shields, which premieres Jan. 20 at the Sundance Film Festival, aspires to be more than a career retrospective. “I’m not interested in famous-person problems. What I am interested in is how fame can amplify and supercharge relatable problems,” says director Lana Wilson, who most recently directed the Taylor Swift Netflix doc Miss Americana. “[Brooke’s] life has been extreme and utterly unique, but her experience of being a woman in America is horrifyingly relatable.”
The doc, which sometime after its Sundance debut will be released in two parts on Hulu, draws its name from Louis Malle’s 1978 drama that, while critically acclaimed,...
By now, the celebrity bio-doc is well-trod territory, but Pretty Baby: Brooke Shields, which premieres Jan. 20 at the Sundance Film Festival, aspires to be more than a career retrospective. “I’m not interested in famous-person problems. What I am interested in is how fame can amplify and supercharge relatable problems,” says director Lana Wilson, who most recently directed the Taylor Swift Netflix doc Miss Americana. “[Brooke’s] life has been extreme and utterly unique, but her experience of being a woman in America is horrifyingly relatable.”
The doc, which sometime after its Sundance debut will be released in two parts on Hulu, draws its name from Louis Malle’s 1978 drama that, while critically acclaimed,...
- 1/19/2023
- by Mia Galuppo
- The Hollywood Reporter - Movie News
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