This Inside No. 9 review contains spoilers.
There’s old school comedy of the ‘Frank Spencer roller-skating under a lorry’ kind, and then there’s old school comedy of the ‘clowns, dukes, ruffs and rhyming couplets’ variety. The Inside No. 9 series six opener draws on the latter, improbably combining 16th century commedia dell’arte with a modern-day jewel heist. It’s proof, if any were needed, that there really is no formula to this show. Peculiarity is its only genre.
Commedia dell’arte sounds complicated because it’s Italian, but so does bruschetta, and that’s just tomato on toast. The term describes a form of historical theatre using a group of stock characters wearing masks and doing gags around a familiar plot.
‘Wuthering Heist’ explains its conceit early on with a self-aware to-camera monologue by Columbina, a servant played by the always-great Gemma Whelan. She tells us the reason...
There’s old school comedy of the ‘Frank Spencer roller-skating under a lorry’ kind, and then there’s old school comedy of the ‘clowns, dukes, ruffs and rhyming couplets’ variety. The Inside No. 9 series six opener draws on the latter, improbably combining 16th century commedia dell’arte with a modern-day jewel heist. It’s proof, if any were needed, that there really is no formula to this show. Peculiarity is its only genre.
Commedia dell’arte sounds complicated because it’s Italian, but so does bruschetta, and that’s just tomato on toast. The term describes a form of historical theatre using a group of stock characters wearing masks and doing gags around a familiar plot.
‘Wuthering Heist’ explains its conceit early on with a self-aware to-camera monologue by Columbina, a servant played by the always-great Gemma Whelan. She tells us the reason...
- 5/10/2021
- by Louisa Mellor
- Den of Geek
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